Too much of everything

Sadly Over-hyped

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

I guess inside his mind director Mennan Yapo wast trying to create a stylish, somewhat leftfield dark thriller. In reality though 'Lautlos' turned out to be what may be the weakest film ever to be released by X- Filme creative pool. The acting is poor (despite the presence of the lovely Nadja Uhl), the dialogues are totally artificial and the story is a bore. To me it's a riddle why this movie has an average score of 6.6 Maybe one or two people may have found this film to be 'interesting' or even brave back in 2004? Having watched this only recent in 2016 I can assure you this movie did NOT stand the test of time. It's a total waste of time, talent and money.

This is an excellent thriller/action movie. A professional hit-man becomes interested in the partner of his latest victim, who was under careful surveillance. In a way she's also a witness because he left her alive and she could have noticed something. She turns out to be distraught and he saves her. Being reluctant to engage in a relationship he appears and disappears in her life. Meanwhile a smart detective is after him noticing that this killer is characterized by his soundlessness.I see a lot of resemblances with the movie Heat: you have the proficient and likable bad guy, an equality outstanding cop on his trail, the bad guy who is all business falls in love but is not capable of expressing it, and in the shadows is someone else controlling the bad guy. This movie though has a more satisfying ending.This movie is intelligent, quiet, the characters also act by instinct not so much as by procedure (as in TV CSIs). It doesn't rely on loud special effects. But is thrilling when you see the bad guy act out his carefully planned hits.My only problem is with the casting. The hit-man is indeed cast against type. The problem is that he just doesn't have the physical constitution for the job. Also it seems that at some point, the movie makers forgot about the cop. He's supposed to be the hit-man's counterpart but in the later part of the movie he gets less interesting.A highly recommended film.

The action film, like the crime novel, is a satisfying ritual—with an allegory of good overcoming evil as its centerpiece—for many people. In the USA, this is normally done with famous stars and elaborate stunts, the better to make it "realistic" and "believable." I pass on most of those films because they seem silly to me. I cannot "buy" their pretensions to believability."Soundless" makes no pretense of believability. This film sustains a stylized, dreamlike quality throughout. The story is carried by the images. The dialog is banal because it is incidental. (That is in keeping, and does not detract from the film for me.) I found it thoroughly refreshing to spend ninety-four minutes in that dream, at the Philadelphia Film Festival.This year, I have seen a veritable treasure trove of new German films that took themes seen before, and took them in new directions in keeping with changed times. While a wide theater release for "Soundless" may be too much to hope for, I hope it will be available for people in the USA desiring to see it.

I think I have to disagree with the first poster, who said he this movie could have been great if the dialogue had been better.In my opinion the absolute minimum use of dialogue between the two main characters in this picture, and for Lautlos 'picture' is more true than usual, is one of its most interesting aspects.The emotions & thought of these two people are intensely displayed by a great combination of camera-work and acting. When the word are spoken the atmosphere already has the viewer closely connected with these two characters. I found myself thinking what the characters themselves realized only seconds later and stated in a very minimalistic way.Just a beautiful film...