Spanking the Monkey
Spanking the Monkey
| 15 January 1994 (USA)
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Bright young student Raymond Aibelli is forced to sidetrack an important medical internship because his mother, Susan, is recovering from a broken leg. When he isn't tasked with the most mundane aspects of Susan's recuperation, Raymond finds distraction in a neighborhood girl, Toni Peck. But, as Susan begins relying on her son for both physical and emotional needs, Raymond starts developing disturbing and unwanted new yearnings.

Reviews
Majorthebys

Charming and brutal

Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Kamila Bell

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Red-Barracuda

This is a film whose title and poster not only give nothing away but actually mislead. The name Spanking the Monkey – a euphemism for masturbation – makes you think this must probably be a bawdy teen sex-comedy, while the poster depicts the picture of a real smart aleck. Both factors are bizarrely inappropriate, as the title, while mentioned once in the passing, is pretty much irrelevant, while the guy on the poster in no way reflects the character in the film who is anything but confident. Overall, this is a movie whose content is a very different proposition to its marketing. And perhaps that is because the material here is pretty difficult and challenging to say the least. I'm sure this must have stoked up some controversy in its day. After all, it deals with one of the ultimate taboo areas – incest; although, in this case it is admittedly of the consenting kind. It explores the troubling idea of the Oedipal Complex, via a sexual relationship between a mother and her son. It pulls off the impressive trick of simultaneously not pulling its punches, while still exercising a certain restraint. Material like this is so tricky that it needs very careful execution and David O. Russell, in his directorial debut, shows impressive ability to do just that.It's about Ray, an introverted college student, who has a disastrous summer. He is coerced into looking after his bed-ridden mother by his uncaring, immoral salesman father. She is overly dependent on him not only physically but emotionally as well and soon is encouraging an unhealthy relationship. At the same time Ray is developing a very awkward relationship with a neighbouring girl and hanging out with old friends who antagonise him.It's a drama about discomforts. Ray lives a life of humiliations at every turn. His father bullies him, his mother manipulates him, his girlfriend makes him feel sexually inadequate and his friends display little respect for him. Even his dog seems to antagonise him by constantly interrupting him while he has a, shall we say, moment with himself. It's a drama with a fair bit of black comedy sprinkled throughout. At heart it's about a very dysfunctional family. It works so well because of the characters and acting. Everybody is well-drawn and convincing, which is important given the extreme areas that the film explores. In particular, Jeremy Davies is really very good as Ray. He is definitely a sympathetic character who finds himself lost in a messed up situation that he struggles to find a way out of. Alberta Watson is also excellent in the role of his mother. She is an alluring presence and like Davies strikes the balance just right in what is also a very tricky and complex role.

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Chris Smith (RockPortReview)

With a title like "Spanking the Monkey" it's bound to induce some odd looks. What lies within is a brilliantly twisted film that is made to make you squirm and feel uneasy. This film deals with the incestuous relationship between a dude and his mother. When you think of other famous mother and son combos, Hitchcock's Psycho and the original Friday the 13th come to mind, but they were horror films. "Monkey" is quite funny at times but also bizarre at others. This was the first film by Director David O. Russell, who is most known for the Persian Gulf movie "Three Kings." Med student Ray Aibelli (played by Jeremy Davies, the island physicist from "Lost") arrives home for summer vacation set on taking a prestigious internship only to have to take care of his injured mother instead. She has a broken leg and would rate pretty high on the MILF scale if you ask me. Ray's father is an uptight traveling salesman who is always on the road, and screwing other women. If you have ever been in a situation when a parent is completely dependant on you, you will get an even more bizarre joy out of this movie. We watch as Ray carries his mom back and forth to the bathroom, then has to hold her hand as she showers. Davies plays these scenes perfectly with equal parts awkwardness and a sort of voyeurism.Ray's mother keeps a tight leash on Ray weather she needs him or not. If she has to suffer, Ray should too. As the saying goes misery loves company. He is kept as a virtual prisoner in the same house he grew up in. The urge to free yourself from your parents starts at an early age for many and when freedom is finally achieved, returning for any extended period of time can be a huge psychological blow. Ray is even pestered on numerous occasions by the dog when trying to get some bathroom privacy (think of the title.) When Ray is able go out he starts up a relationship with a neighborhood high school girl named Toni. Just what he needs more awkward relationships and complications. He also hangs around a bunch of guys who aren't really friends, but its the only other option. When you have a few months to kill, and limited options how do you pass the time? Ray is a regular, nice guy and director Russell make you feel every cringe worthy moment.Although funny at times, this really is a dark and disturbing movie and is not for everyone. Made on a budget of about $200,000 in the summer of 1993, it was also shown at the 1994 Sundance Film Festival were it won the Audience Award. If you like your movies on the edge give this one a look.

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Neil Doyle

An independent film that bravely confronts the subject of consensual incest is presented as a dark comedy in which ALBERTA WATSON and JEREMY DAVIES, as mother and son, have the key roles. It's their mother/son relationship at the heart of the story that is compelling and sometimes erotic--especially the scene where Davies has to massage his mother's legs and toes while they discuss why her road travelling husband isn't there to do it for her.When the story strays to others outside this relationship, it fails to make the same connection. The father is strictly a man so obsessed with his own career that he ignores his wife. She, in turn, is a manipulative shrew who virtually seduces her son because she's a needy woman. The son's friends are depicted as total drug-happy boors and boozers whose minds are completely idle.At times the story becomes dark and brooding--even intense--and yet there's a surface tension broken by laughter at some of the shenanigans going on in this dysfunctional, to say the least, family.Outstanding work by JEREMY DAVIES and ALBERTA WATSON. He's highly sympathetic in his predicament all the way through and she's totally despicable in the manner by which she exerts control over him. Both show complete understanding of their difficult roles.Summing up: Interesting tale, character-driven and flawed, but worth watching.

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kenjha

Uneven but engrossing black comedy about a medical student caring for his bed-ridden mother during the summer break and having their relationship take unexpected turns. Davies is very good as the frustrated and confused son and Watson is alluring as his sexually frustrated mother. The film works best when focusing on Ray's relationship with his parents; the parts dealing with Ray's friends are less interesting. The scenes where Ray's father tries to explain to him what is expected of him with regard to taking care of his mother and the family dog are funny, as are the ones with the dog interrupting Ray while he tries to engage in the title activity. The big moment between mother and son is handled discreetly. This is a fine early effort by director Russell.

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