Splatter: Architects of Fear
Splatter: Architects of Fear
| 01 April 1986 (USA)
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Splatter: Architects of Fear Trailers

Thrill to the action from a battle to the death between beautiful amazons, twisted mutants and sickening, deadly zombies sometime after WWIII as you also watch from behind the scenes as brilliant special effects are constructed by demented master craftsmen, some of whom seem to be losing their grip on reality! Which side of the camera are we really on? How far will these gut-wrenching effects go? The answer is further than ever before - more graphic scenes of violence, perversion, mutilation and slaught per minute than any horror feature ever made!

Reviews
StunnaKrypto

Self-important, over-dramatic, uninspired.

LouHomey

From my favorite movies..

SparkMore

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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Glucedee

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

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Woodyanders

The pseudo documentary purports to be about the making of a low-budget post-nuke sci-fi/action opus with a tribe of fierce Amazon women battling rot-faced mutants, but it's actually nothing more than a shameless excuse to showcase several elaborate gore set pieces, with a generous sprinkling of tasty gratuitous female nudity tossed in for trashy good measure. Said gore includes a machete in the head, an icepick piercing an eye, a juicy throat slicing, a gruesome dismemberment, and, best of all, an exploding head that's caused by strenuous sex (don't ask). Director Peter Rowe maintains a zippy pace and a lighthearted tone throughout. The staging and shooting of all the gore gags are depicted in fascinatingly meticulous detail. Alas, Paul James Sanders as bumbling comic relief dimwit Fang proves to be more annoying than amusing, but fortunately he ultimately receives a suitably nasty comeuppance at the end. Allan Kane's spirited and syncopated synthesizer score keeps things bouncing along. Chris Britton's plummy narration rattles off a lot of pretentious film school level howlers. A real goofy hoot.

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sexdwarf

SPLATTER is interspersed between real-live action sequences of a "movie" and a documentary crew going behind the scenes to show us how the grisly fx are achieved. The "movie" portion is awful. For starters, it's shot-on-video. So right off the bat it's production values are that of your typical 80's porn. The story, or lack thereof, concerns a tribe of amazon queens doing battle with all sorts of zombies and mutants. The gore is cheap and phony, yet strangely disgusting and gratuitous. A very dated but enjoyable synth score plays throughout to spruce things up a bit. I won't lie though, this portion of the film is extremely entertaining and I wish a real movie called SPLATTER was made and not this pseudo-documentary piece. The behind-the-scenes portion of the film bogs things down a bit. Stupid humor, a dumb character named Fang and a shot that would've been cool, loses all merit when it is played over, and over and over again. But, the most amazing thing about SPLATTER is that there once was a time when something so offbeat, so corny and low-budget like this was made. I'm talkin' 100% Velveeta here. If you dig REDNECK ZOMBIES then SPLATTER is surely worth 75 mins. of your time.

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drockin16

Claims to be a documentary of the filming of a sci-fi / horror movie. Doubt the movie was actually made. Only good part worth seeing is the fine looking future babe who pins an alien against a wall, strips, and proceeds to "f*[ < his brains out" until his head literally explodes!! Nice between the legs shot as well.Otherwise the effects are lame. No Savini work here.

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silentgpaleo

Well, this is the end of the line for splatter fanatics. This is the documentary to a film being made. A film which, if you asked me, looks like it was a sham. I have never seen this mutant flick anywhere, and it could be that it's so rare, I haven't seen it. But, judging from the FX in this "documentary", I probably could do without seeing this mutant flick.The main point of this film is to show the audience how gross effects are sometimes engineered. The flesh-and-blood effects, however, seem off slightly. They just don't look real enough to be all that impressive. The filmmakers chose to throw some nudity in, as well, to keep the viewer from getting bored.And, then there is the action scenes. That's when I said to myself,"This isn't a real film," The documentary refuses to give real plot points away, making me doubt.But, hey, more people have seen the MAKING OF DEMON LOVER that they have seen DEMON LOVER. So, that's just my opinion, but if you take a look at SPLATTER, doesn't it seem just a bit too irreverent?OK. So, my point is taken. There is nothing of the Tom Savini, or Stan Winston, variety here. It's strictly amateur hour. But, what a funny, entertaining hour it is.

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