Stylish but barely mediocre overall

Charming and brutal

Awesome Movie

Absolutely brilliant

'Strays' is breakout film for Vin Diesel - after years struggling as an actor going from audition to audition and still not getting any parts, Vin Diesel wrote, directed and starred in his own movie that finally gave him a role in Steven Spielberg's 'Saving Private Ryan' and from there the star was in the making. Although Vin Diesel is best known for portraying one dimensional meat heads and action heroes he has later shown that he got some more acting chops in such films like 'Find My Guilty' or 'Boiler Room', but 'Strays' was were it all started. Don't expect anything on Woody Allen level, but here Vin showing off his acting skills, and his directing skills is not very off. Although 'Strays' starts bit slow, it manages to build up interest in first half an hour (too long, some might say), but we are still left with an hour and ten minutes worth well paced story with characters we start to care about enough to stick to the end.Vin Diesel followed one other muscular Hollywood legend's path and wrote his own starring role. Vin's effort never reached far in popularity and it never become classic, but with that little film he managed to create another example how one can build his own success.This film also left me guessing what kind of Vin Diesel the world would know if he would kept directing (he obviously had some talent for that) and writing, rather than going on to play in all those silly triple X and Fast and Furious movies.

Long ago, in the days when the Fast and the Furious was still just an old Roger Corman B-Movie, and nobody thought a franchise could be spun out with a title as limp as The Chronicles of Riddick, Vin Diesel was just another struggling actor, earning his crust selling light bulbs as a telemarketer. With admirable verve, the shiny headed one set out going his own way - writing, producing, directing and starring in his own pet project. The resultant work was selected for Sundance in 1997, and, whilst hardly causing a sensation, was obviously seen by enough of the right kind of people to set its maker off on his path to stardom. Little seen in the intervening years, the film, Strays, is finally finding a wider audience on DVD.The film follows Rick (Diesel) a part-time dope dealer and general lay- about wishing to transcend his social status and become… well, that isn't entirely clear. But something.  Surrounded by friends even more gormless than himself it is little wonder Rick sees himself as something special. Tired of the daily bump 'n grind, he looks for true love with the middle class girl next door, but his innate dimwittedness always seems to get the better of him. Strays examines the lives of the buff, rather brutish, none too sharp yet somehow vaguely existential young male. Pasolini made a couple of masterpieces with such material, Scorsese got some pretty decent mileage too. Diesel, sadly, offers up a tepid, plodding insult to intelligence.The first half of the film actually holds some interest with its ham- fisted dissection of male narcissism and the pleasing attendant whiff of homoeroticism. Disappointingly Diesel rejects this fruitful avenue for a remarkably inane progression into soppy romance, with the Pantene-fresh Heather (Lanza) falling for Rick's dubious charms (he likes mint choc chip ice cream and - shockingly - all the words to the Tin Man song from the Wizard of Oz.) Diesel's acting range is showcased in all its glory: witness the occasions in which his character will offer some pithy advice to his no-good friends first in a low voice, AND THEN SHOUTING IT AS LOAD AS HE CAN. Rick has mother issues, which apparently excuses his all-round prickishness. And anyway, IF EVERYONE WOULD JUST LISTEN TO WHAT HE IS SAYING VERY LOADLY things would probably be OK. The improvisational style aims for Cassavettes but hits some way wide of the mark. The Pacifier had more soul than this.

Strays is brutally honest and... beautifully executed. It uses harsh words and harsher actions to portray a lifestyle that is real and not sugar coated for the audience. It does not apologize for this but instead asks us to understand the truth being portrayed. A war without blood would not be accurate. These lives without the brutal language would be false and would strip the movie of its commitment to honesty.The acting, directing, and writing in this movie was done with absolute attention to detail. I deeply enjoyed this movie. It was fresh and new and at times so real and raw I felt like a voyeur. Rick's life unfolds before us and we are taken along on a journey through his emotional awakening. Gracefully it allows us to experience the lives of its characters without judgment.This in turn gives us the freedom to feel and grow along with them. It evokes emotion and dialogue and is in my opinion a great work of art.

STRAYS (or DOORMEN as his script was initially titled) marks the entry of Vin Diesel (AKA Mark Sinclair Vincent) into the film world in a very small budget (under $50,000.), independent 1997 movie he wrote, directed and acted the major role. To appreciate this very realistic, modest, slice of New York life the film presents, it helps to watch the features added to the DVD (the film is released to the public for the first time): interviews with the cast and with Diesel give a sensitive and heartwarming background that enhances the movie experience. Though Diesel studied acting and worked in theater in New York prior to this film, it was not until he made his own film that he captured the attention of the people who make things happen. And now that Vin Diesel is a major Hollywood presence it is fascinating to see this initial opener.The plot is simple enough: Rick (Diesel) is a minor drug dealer who also works as a bouncer with his buddy Tony (F. Valentino Morales), and hangs with Fred (Joey Dedio) and his 'brother' (Mike Epps, in his first role in film). The guys live mainly for easy sex and camaraderie - all of the have been raised by mothers without knowing their fathers (thus, are 'strays'). As Rick matures he grows tired of his shallow lifestyle, misses the connection with his mother he never developed, and is prime bait for a relationship. Into his life steps Heather (Suzanne Lanza), a wholesome Midwestern girl, the two have a mutual attraction, but as their courtship dance progresses Heather disapproves of Rick's at times gang-like behavior and his drug dealing. They come together in an extended park bench conversation (excellent writing) during which they realize they each have repairs to do on their previous lives before they can enter a serious relationship.One aspect of this little film that makes it a cut above the many others like it is the quality of natural acting Diesel draws from his cast: uncredited female actors who provide the sex interest for the men are variably excellent, and Morales, Dedio and Lanza are particularly strong in their commitment to ensemble acting. The script is fairly strong, though the barrage of expletives becomes tiresome after a while. Yet in the end, Diesel establishes his skills as a serious actor and as a fine director and writer, and for the chance to see one of Hollywood's major talents in his nascent stage, this film is well worth watching. Grady Harp