Memorable, crazy movie

Let's be realistic.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Blistering performances.

The first reel of this film is very deceiving: you might well think that it's a kind of dramedy, a clichéd story of a do-gooder yuppie activist expanding his horizons and finding his humanity through an acquaintance with a very quirky homeless man. But it's absolutely nothing of the sort. To judge by interviews with BBC producers, the director, and writer Alexander Masters, the final film matches the intentions they had from the start, to make something that wasn't easy and which captured this man Stuart Shorter in all his complexity.Master's script is really compelling & tight. But it's the actors who drive the film: Benedict Cumberbatch and Tom Hardy together, more often than not in fairly tight sets merely talking. They were already both masters, back when this was filmed. Tom Hardy's role here bears a vague resemblance to his work in Nicolas Refn's film Bronson; though I'd say that this film is even bleaker and more harrowing than Refn's. The eruption of Stuart's pain and self- hate is shocking, and Hardy doesn't ever hold back. The performance compares well to that of Robin Williams' in The Fisher King. In both cases, the actor enters a state that shocks you into concern for them rather than sitting in admiration of a modulated performance. This is an incredibly bleak and brutal film, without the comfort of its having been a fiction.

I would like to chime in with all the other positive reviews. This is a great film, rough and realistic yet also warmhearted and funny. Tom Hardy's performance as criminal homeless Stuart is magnificent. The usually so intense Benedict Cumberbatch pales in comparison, but that's probably intended, as his character, Alexander, is more of an observer and witness. I recommend this telefilm (which can be found on youtube) to everybody, but as there are different sensibilities when it comes to movies, be warned – you will be confronted with bad language, violence, crime, full frontal nudeness and references to sex. The "black mist"-scene with the knifes deeply upset me, but the scene in which it is finally made clear what really went on in Stuart's childhood home was even more disturbing and still haunts me, although it's much less explicit. To me this picture based on real facts is a must see and gives a lot of food for thought.

Really worth watching. A great performance by Tom Hardy (it's serious but the comic parts are done very brilliantly too, with a touch of Boycie from Only Fools and Horses). Benedict Cumberbatch was very good.The greatest thing here is the script. And the greatest lines come from Stuart Shorter. He seems like he was a very intelligent and very capable man who had a hard life and who made some bad choices. The film neither glorifies nor judges, just presents. Very good writing (or transcribing from the man) and good film making.Really worth watching.

As Mark Twain once said, 'Truth Is Stranger Than Fiction', and that is certainly the case in Stuart: A Life Backwards.A BBC Drama written by Alexander Masters, it is based on his acclaimed account of the real life of Stuart Shorter, a self-harming drug addict, career criminal (with a long history of violence), who is also homeless and suffers from muscular dystrophy.This film, made for BBC TV, directed by veteran filmmaker David Attwood, is a dramatisation which skillfully and sinuously reconstructs the events that culminated in Alexander Masters publishing Stuart's unconventional biography. In an early scene, Stuart provides Alexander with the insight into how to write his unconventional book, 'Do it backwards...Like a murder mystery...what murdered the boy I was?' So Alexander sets out in this mode, trying to piece together the depressing, shocking trajectory of Stuart's life. But, unexpected to both men, in the process Stuart and Alexander become part of each other's life, transgressing socio-cultural boundaries and evolving a genuine, if eccentric, friendship.This drama, unlike the majority of films based on extreme lives, does not simplify its subject, reducing its characters to two-dimensions eliciting cheap sentimentality. The characters in Stuart: A Life Backwards are not stripped of their complexities. Rather, they evince depth and subtlety. Stuart is not glamorised or victimised. He is vulgar, unfair, shockingly abusive, as well as sensitive, understanding and insightful. Nor is Masters made into a stock supporting character. He is at times the clear victim of middle class culture shock and has to fight his tendency to condescend. In short, they seem honest recreations of human beings.Tom Hardy engages as Stuart, giving a tough and intelligent performance, and recreates his character's extreme physical traits with little mannerism. Benedict Cumberbatch also rises to his own, different challenge as Stuart's friend and witness with understatement and subtlety.Stuart: A Life Backwards is a rare, droll, moving film that grows to understand the maddening complexity of life and subsequent near hopelessness in trying to find the factors behind someone's life. Instead, Stuart: A Life Backwards is a film about human diversity and the things we all share.