Intense, gripping, stylish and poignant

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Everything that was right with the original "Super Fly" is wrong here. The original was the true definition of "independent film making;" very small budget, humble, and passionate. Nobody involved was famous, or a "big shot," and that gave the movie a kind of innocence that is lost on this showy sequel. The biggest mistake was taking the action out of New York City, as the ghetto backdrop played such a major role in the story, and it defined exactly who the character, Priest was. For this sequel the action is moved to more exotic settings of Italy, and later Africa. Thus the connection to the first film is lost. Everything here is bigger, more expensive, and everyone involved is more self-important due to the success they found with the first movie; thus the heart is lost as well. This is typical example of what goes wrong with sequels of great movies. The same thing happened with the "Penitentiary" franchise. The first one was an excellent piece of independent cinema, made with no money by a team of unknowns, and it was followed by an awful sequel, devoid of passion or artistic value. As far as Ron O'Neal, the man who made Priest such a fascinating character; he wasn't given the kinds of roles that he should have gotten. But he truly redeems himself after "Super Fly TNT," a few years later, with the excellent grindhouse classic "The Hitter," a film that received no attention, but is a million times better than this shallow vanity piece. I would encourage any fan of "Super Fly" and Ron O'Neal to skip this lame sequel and search out "The Hitter" instead.

Without a doubt, one of the worst movies, let alone sequels, that you will ever see, even by Blaxploitation film standards. This 1973 sequel to the blockbuster '72 hit movie is a huge disappointment that doesn't even remotely—in terms of both quality and appeal--replicate the preceding action-packed, street savvy tale about a highly charismatic but disillusioned black Harlem cocaine dealer, Priest.In this, the second chapter of the Super Fly saga, Priest relocates overseas to Europe where he is now retired from hustling and lives in Rome with his girlfriend, Georgia. Although now financially secure, having successfully "run down the fantastic number" in a major drug deal while in New York City, he finds that retired live in Europe isn't all that it's cracked up to be. He suffers from incessant boredom, with gambling in nightly poker games with Italian businessman as his lone source of interest. However, it is at the end of one of these card games that he meets an African dignitary looking for someone to oversee a gun smuggling operation, which a military unit in his country has recently botched.Apparently struck by Priest's charismatic appearance (if nothing else), the African official, Dr. Lamine Sonko, tries to encourage him to take the arms smuggling assignment. Initially, Priest is reluctant to do so, and Sonko prevails upon him that as a black man he has a moral duty to aide his African brothers in their time of need. With Sonko's sermon about international black unity riding his conscience, coupled with his disillusionment with retired living, Priest eventually accepts the job, much to the dismay of his significant other, Georgia, and subsequently boards a plane to Sonko's African country to embark on the arms smuggling mission.Ron O'Neal, who stars in the lead role, directed and co-wrote the story line for "Super Fly TNT," and therein would most likely explain why this movie is such a cinematic atrocity. Although O'Neal's performance in the original Super Fly movie was the stuff of legend, and he was one of the better actors of the 70s' Blaxploitation movie era, his direction of this movie, however, is overtly and highly inept. Much of the movie is confusing and vague, with scenes so pointless and tediously elongated that the only positive aspect of it is that the movie viewer can easily empathize with Priest's ongoing dilemma of being ceaselessly bored.Interesting enough, Alex Haley wrote the screenplay for "Super Fly TNT." (Haley of course would go on to become a household name as author of the classic, best-selling novel "Roots," several years after the release of this movie.) However, the screenplay he wrote for this movie, much like O'Neal's incompetent movie direction, is listless, providing few, if any, moments of intense drama and intrigue.Sheila Frazier reprises her role from the original movie as Priest's loyal, understanding girlfriend. Although a stunningly attractive woman, her acting skills are poor, so much so that her highly unprofessional performance in this movie alone instantly relegates it to B-film status.As a considerably more polished acting professional, veteran actor Roscoe Lee Browne delivers the movie's best performance as the eloquent, outspoken Dr. Lamine Sonko, the African official who hires Priest to man his country's gun smuggling operation. Yet, through no fault of Browne's of course, you can't help but wonder why in the world would a high-ranking African dignitary want to tap Priest, a man he barely knew anything about, for such a complicated, crucial paramilitary assignment.A relatively young Robert Guillaume makes his movie debut in "TNT" as Jordan, a black American writer who befriends Priest in Rome. However, his character in "TNT" is totally insignificant to the movie's plot, making him the film's most dispensable character. Yet he does provide one of the very rare moments of interest in the movie by showcasing his operatic singing ability in a scene at an Italian restaurant, an impressive talent that many, myself included, never knew Guillaune possessed. In stark contrast to Curtis Mayfield's brilliant musical score from the original movie, which became an instant R&B classic, the musical soundtrack for "TNT," performed by the Ghanaian musical group Osibisa, is rather disgusting. Unlike Mayfield's excellent musical score from the original "Super Fly" movie, the African-Caribbean-styled soundtrack for "TNT" is highly inappropriate for the streetwise Priest character and far out of context with his "cool" persona.The combination of the aforementioned elements--fatuous movie direction, vapid screenplay, and a lame musical soundtrack—makes for one of the most dreadful movie viewing experiences that you will ever have, with a story ending, much like most of the movie itself, so perplexing and vague that it will leave you hangin' and asking yourself "WTF?" as you watch the credits roll on the screen.Aptly titled "TNT," O'Neal, Haley, and Sig Shore (movie producer) collaborate in creating a complete bomb of a movie, a cinematic disaster that will truly indeed blow you away.

This movie bored the snot out of me.I had seen the original Superfly first. I wanted more of the same. Butt kicking, hard slapping, big bad PIMPING.This movie has a retired Priest, (aka Superfly, the hero of the first film) living it up in Rome, approached by a wannabe rebel leader from a small West African nation, trying to get out from under the yoke of colonial oppression by THE MAN. He wants Priest to run some guns into the war-torn African nation for him.Imagine my shock when I discovered just now that this film was co-written by ALEX HALEY, the author of the fantastic "Roots." That first came on TV when I was a kid, as one of the last of the big network television "events" before Cable TV really got wide latitude. That was along lines of The Beatles on Ed Sullivan (before my time) a Super Bowl, or the "Who Shot J.R." episode (I remember that hype too). But "Roots" was a great piece of art, and I mean EVERYBODY but EVERYBODY watched it, whatever color your skin happened to be.This movie was a waste and a disaster, but I guess Alex Haley is where the idea of the African setting came from (idle speculation on my part).Anyway, I guess they were trying to do something new with the character, but the concept was utterly wrong-headed from the start. The movie is also REALLY SLOW. It takes about 45 minutes before he gets to Africa! Too long! And the whole side story with Robert Guillame as a fellow American in Rome, an artist with a fantastic singing voice, was just a waste of time.Original Superfly: 8 out of 10. This tripe: 3 out of 10.It's still much better than THE GUY FROM HARLEM, though.

Superfly T.N.T is a highly entertaining sequel which deserves more credit than it very often gets. I loved everything about this one with the exception of the soundtrack (I liked this soundtrack but missed Curtis Mayfield) and the film's finale (which doesn't end on as high a note as the original film since this time Priest's new line of hustling has just started). Alex Haley and Ron O'Neal did excellent work on this film. Haley's script is both powerful and fun. O'Neal makes a good directorial debut. He's even better in the role of Priest this time than in the original Superfly. Superfly T.N.T. has a fine cast too. It's one of my favorite films of the era and my favorite of the three Superfly movies (although they are all worth seeing). This is a great film if you can accept the soundtrack (very appropriate but not as cool as Mayfield) and the finale (Priest's work has just begun so there's no easy ending). God Bless Ron O'Neal and Alex Haley.