Truly Dreadful Film

This is a must-see and one of the best documentaries - and films - of this year.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

I'm not a "bad movie" fan, but this one has to be one of the exceptions. Probably unwatchable in 1973, the lifestyles, the lingo, and the attitudes are so comically dated that they lift the film to the level of unintentional satire. The plot is terrific. At least I think it is. I never really figured out what the plot is. But the atmostphere is like Valley Of The Dolls with 1/3 the calories. Superchick wanders from bed to bed without any apparent reason, and stops to deliver a few ridiculously bad Karate shots on the unsuspecting bad guys. Well worth watching if you understand that you aren't getting The Maltese Falcon.

The name "cult movie" is often given to films which continue to be screened, or to sell in home movie format, more than a generation after they were first released. Superchick, which was first released in 1973, now comes into this category. Its cult status is largely due to ongoing interest in it by those women who regard it as an early and effective feminist film.Despite the "Superwoman" connotation, "Superchick" is not a cartoon character but a very competent young lady working as an air stewardess - a career option which in the 1970's was commonly regarded as one of the most glamorous open to any girl, and which also enables her to emulate the traditional matelot who reputedly has a wife in every port. Since she holds black belt status in karate, she is in a position to make it quite clear that she is very happy with her bachelor existence, and is in no way beholden to any of her extensive suite of male admirers. This film is a situation comedy which avoids the generally much shorter lived appeal of outright farce. Its appeal to feminists is also heightened by a climax in which our heroine uses her karate abilities to avert a hijacking and save all the other passengers on her plane from a potentially unpleasant fate. To ensure that this film will appeal to men as well as to their partners, the Director has wisely ensured that is liberally sprinkled with eye candy.Superchick can be enjoyed by those who are not too critical and want a very light easy to watch comedy which they will forget soon after viewing. It is so forgettable that they will probably find it equally enjoyable if watched again in a year's time; despite its age it may therefore retain its status as a cult movie for some time to come. However the dialogue and acting would make it hard to give this film a rating of more than 4/10.

She's all woman - all every woman wants to be. Forceful, feminine, free. Superbrain, superbody, supercharged - Superchick. A swinging motion picture experience about a super kind of woman. In public she's a mild mannered stewardess. In private she's... Something else! Superchick - she's more than just one woman and too much for just one man! In New York she has Brian. In Los Angeles it's Dave, and in Miami there's Johnny. Superchick - the super kind of woman - always in the middle of where the action is - always ready for a new adventure. You can't afford to miss - Superchick - she's much more than you ever had before.--from a promo for the 1973 movie SUPERCHICK, starring Joyce Jillson

Tara B. True (Jillson) is the ultimate party-girl; she has enough love to share with the world, so she became a stewardess to romance the world. With a guy in every port, Tara hides her blonde bombshell body disguised as a brunette. This movie is so 1970's, that the fashions have returned. For those fans in the know, poor Louis Quinn probably went blind (see Archie Bunker's Place) by Tara's dazzling beauty. John Carradine has a wonderful cameo.