Brilliant and touching

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Close shines in drama with strong language, adult themes.

This is a special one to review. it only has 3 actors in it and is played in one set. Not that that is a problem but by doing so you really have to have a good story. It's the director's first attempt to make a flick and by doing so he even made it longer than a normal flick. It clocks in at 105 minutes. I found this one at a convention just after seeing the other flick with the same story, The Disappearance Of Alice Greed. Alice had his plot changes that made it a great flick. Here we doesn't have that, no surprises but we go deeper into the characters than Alice did. By doing that you really have to take a lot of talking. It's only in the last reel that things go wrong and the flick becomes bloody and messy. It wasn't that bad but if Andrew Moorman could made it a bit shorter it would have been really great. Still it's one to see if you are in the mood for a lot of talking. If you watch it you want to know what's going to happen next. I admit, i had sympathy

Note to all you first time filmmakers that embark on the journey of making a low budget horror or thriller film – 'Keep it Simple'.If only more directors without much funding would take this to heed we would get more films like Long Pigs and Sympathy and less like The Landlord and Dead Noon.This was not lost on director Andrew Moorman who took a smart thriller by writer Arik Martin and turned it into a very competent and highly entertaining film called Sympathy.The beauty of the film is in its simplicity. The story has but three characters and all takes place in a motel room. That is where a suggested bank robber named Tripp (Steven Pritchard) brings his hostage Sara (Marina Shtelen) and handcuffs her to the bed. While trying to formulate an escape plan, Tripp's getaway is interrupted by Dennis (Aaron Boucher), an escaped convict who coincidentally end up in the same room with multiple agendas.In a film style that clearly pays homage to Alfred Hitchcock and Brain DePalma, the three characters will spend an evening revealing depths of their personalities while setting in motion an intense cat-and-mouse game convoluted with bulging egos and personal motivations.To further obstruct a clean getaway, characters will be shot, stabbed and emotionally tormented as the story unfolds revealing characters that are not whom they appear to be. The final chapters will include a blood soaked ending that will remind you of an early Tarantino work and a satisfying end to an evening's odyssey.Kudos to director Andrew Moorman for not trying to squeeze more out of the intelligent script than what was pressed onto the straight to DVD release. His directing was able to hide from this seasoned reviewer a reveal that I didn't see coming (granted it wasn't M. Night-ish, but it still generated a 'wow' response).When producing a movie with one setting and limited characters, it is important to have strong acting to accompany the script pages or all is lost. Pritchard, Shtelen and Boucher put on believable performances even if the acting is at times uneven. Shtelen in particular starts off weak, but by the end of the film, she plays the role of Sara with a seasoned confidence.Revealing any specifics would be an injustice to anyone who follows this review with a screening, but as low budget, independent films go, this one ranks in the top tier.www.killerreviews.com

This was a really low-budget indie, with just 3 actors and one set - a motel room. But Sympathy is also a good example of how a low budget doesn't necessarily mean a bad movie.I was quite surprised to like this movie, since it started off kinda shrieky annoying. It's about a guy who takes a girl hostage while on the lam from some bank robbery job, and who in turn gets also taken hostage when an escaped convict happens upon the both of them. Or so it began, before secrets unraveled and it turned out that nothing was as it seemed. So the movie's kind of a psychological thriller, and the actors, though unknown, are all pretty good. I like how the characters were developed, and I thought them and the story pretty plausible too. And the ending's a doozy.

People need to see this film! Sympathy's unlike any film I've ever seen. It's horrific, but it's not a horror film. It's filled with twists & turns, but it's not just a thriller. It feels like a Hitchcock movie, but it's not dated. It just feels alive. It pulls you in and never lets you leave, literally. The film all takes place inside a dingy motel room, one of the few I've ever seen in movies that actually looks and feels like a real dingy motel room, the kind we've all stayed in. I don't know where they shot it, I saw the outside for a split second at the beginning of the film but never again. The sense of claustrophobia I felt for the hour and a half is unbelievable. By the end I was glued to my seat for what I think is the best final act I've ever seen in an independent film -- but I couldn't wait to leave. I saw a matinée of the film in the middle of the afternoon, but when it ended I had no clue what time it was. I stumbled out of the theater I had to rub my eyes and b-line for the door, where a smoggy LA day never felt so refreshing. It was truly an experience. Unexpected for a movie I'd never heard of by a filmmaker & actors I've never heard of. But fear not, they all turn in a really stunning performance in my eye. The acting is as solid as I've seen in a long time, some really grounded character work. The director thank god never fell into that music video style almost every horror film has now that I hate. Instead there were some things I'd never seen before. The whole thing is just honest. I looked up the film's website and it finally makes sense. It's a group of kids that shot the movie in some barn in Indiana and worked on it for three years. That passion spills onto the screen. I highly recommend anyone who loves horror films, independent films, or just great films see this one. I think it's only playing in this theater in LA (Wilshire Fine Art, had never been but cool old school theater). It's been a long time since something like this hit the screen, I hope Hollywood either let's them expand this to a wider audience or make another one, but the same way they made this one. An incredible film!