Expected more

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Harry Houdini starred in 5 movies. The best was probably the third, "Terror Island". It's difficult to be certain, because the 8/10 Kino DVD is missing reels 3 and 4, and Houdini's second, "The Grim Game", survives only in a 5-minute fragment. However, despite the missing reels, the main narrative line of "Terror Island", is reasonably intact. Despite its Boy's Own Paper characters and story, the movie does surround Harry with an able support cast including Wilton Taylor and Eugene Palette as the chief villains, and the lovely Lila Lee as the heroine Harry rescues. While the story more than strains credibility, it's full of action. In fact, the picture could well be described as a feature-length serial. No doubt some patrons were actually fooled, because the movie's posters highlight the fact that "Terror Island" is most definitely "not a serial!" Producer Jesse L. Lasky even spent a fair bit of money on the production. And it was competently directed by James Cruze who had made a bit of a name for himself with Valley of the Giants (1919) starring Wallace Reid. His break-through film, of course, was The Covered Wagon (1923).

after having just watched this movie starring harry Houdini,i gotta say,i have mixed feelings about it.on the one hand, the pace is very frantic,so the movie is not boring,in that regard.however,the movie is very repetitive,with Houdini and his co-stars doing a lot of the same things over and over again.unfortunately,2 reels out of 7 are lost,so instead of reels 3 and 4,there is a brief explanatory text to bridge the gap.if you're not a silent film buff,you probably would not enjoy this particular movie.but if you are,i think it's worth having for the novelty alone.if you haven't been exposed to silent movies,this is probably not the one you should watch first.i would recommend Nosferatu(1922)as a starting point.

Movie makers have always wanted to foist second rate goods on the public by placing a celebrity in them. It is costly to manufacture celebrities, so much better it is to find one from another field. Houdini — already in his forties — was about the most famous nonpolitician in the land.This was deserved: while many of his tricks were straightforward trickery, some involved real risk and demanded incredible body control. For example, his escape tools were secreted in body cavities and recovered by what could only be described as yogic control. He painfully toured the country and exploited every opportunity available to such a showman. This project directly followed a famous trip to England where he challenged Conan Doyle to a showdown over spiritualism.Hollywood was inevitable. But he hated it, and so did the public. They expected the same level of drama as in the celebrated stage shows and public escapes. He expected something similar.While some of this seems lost forever, one can see why everyone involved considered it a loser, quite apart from the corny production values. He is transformed here into an inventor, a man of reason. This is almost completely opposite Houdini's stage persona, which inferred the occult while denying it. There could be no connection by the audience to the great magician.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

When they say "melodrama" in the early titles, they aren't kidding. The plot, such as it is, involves a ship of sunken pearls, a submarine, a South Seas trader held hostage for the return of the idol's eye, human sacrifice, television and a most peculiar tribe of Polynesians, in which the men are all African Americans and the women are fat blondes. Or perhaps they're Melanesians. I don't think there were that many serious anthropologists at work on this movie.Of course, that's not why people came to see this movie. They wanted to see Harry Houdini in some of his death-defying escapes. Well, you have Harry Houdini and the assurance of the titles that he performed his own stunts. This despite the fact that Bob Rose was his stunt double for all his pictures: can't risk holding up production after all.This was originally a seven-reeler. Two of the reels are missing. Still, you get to look at Houdini, Lila Lee -- she keeps falling into the water and having to be retrieved -- and a villainous Eugene Palette, just when he was beginning to put on weight and look like Eugene Palette. Enjoy.