I like the storyline of this show,it attract me so much
View MoreIt's a mild crowd pleaser for people who are exhausted by blockbusters.
View MoreA film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
View MoreAmazing worth wacthing. So good. Biased but well made with many good points.
View MoreThat's what you'll be screaming, albeit in jest, if you stick with this low-intensity mid-90s made-for thriller, which stars the future nighttime soap star as a dimmer-than-a-penlight high school senior seduced by the man whose children she babysits (you might have figured that out from the title). He's no run-of-the-mill sleazebag, though -- he's a sociopath who plugs his wife, stages it as a suicide and then can't quite decide whether he should frame the aspirational lower-middle-class teenager played by sweet Keri or the smug computer hacker (1996 edition), played by stiff John D'Aquino, who was banging his wife. Collins seems to think he's playing against type but his typical narrowed eyes and oily mannerisms render him about as disarming as a used-car salesman turned televangelist. Not that lovely Keri would ever notice, since she's more interested in picking out miniskirts and scoop-neck tops to show off those lovely, barely legal legs and boobs.Although it's poorly written and acted, "The Babysitter's Seduction" does manage to rise above utter and complete predictability by offering a slight twist on the America's cinematic aupairaphobia. In most domestic thrillers, a hot young babysitter (why aren't men or unattractive women ever hired to tend children?) insinuates herself into a household and whittles away the confidence of the aging (but still beautiful) career woman whose husband and children she gradually lures away. In this movie, at least, Mom is gone within minutes and the babysitter is the one being menaced, although since it's a low-rent ripoff of "The Jagged Edge" you can't credit the filmmakers with great originality. "TBS" also offers a modicum of suspense in that until the end, you never know who's going to save poor little Keri -- her harried single Mom, who's working too hard to save her daughter from the slimy smoothie? Her poorly coiffed ex-boyfriend, whom she blows off so she can attend to Stevie's needs? The tough lady cop, played by Phylicia Rashad, who seems to think that affecting a Clair Huxtable-like knowingness throughout the entire movie will compensate for the inability to keep her mouth shut around the prime suspects in a murder investigation? Or will Keri wise up just in time to save herself? You won't actually know until the last five minutes of the movie, although if Keri Tight And Sheer doesn't keep you interested you may have given up long beforehand.
View MoreThe main character in this movie is Michelle, an 18 year old girl who acts as babysitter for Bill and Sally Bartrand, a local well-to-do couple and whose life is turned upside down when Sally, for no apparent reason, commits suicide. Bill asks Michelle to help him look after his children, with whom she has a close bond, and she finds herself spending more and more time with the family. Eventually she and Bill become lovers.Then the question suddenly arises; was Sally's death really a suicide? The police begin to find disturbing new evidence that she was in fact murdered, and there are three possible suspects- Bill, who knew that his wife was having an affair, Sally's lover Paul, who feared that she might be about to end their relationship, and Michelle herself, who is suspected of wanting Sally out of the way so that she can move into Bill's life and become the second Mrs Bartrand.Like a couple of other reviewers I felt that this basic plot- one suspicious death, three suspects all with plausible motives- would have worked better as a "whodunit" type mystery, with a greater emphasis on the police's efforts to solve the crime and the unmasking of the culprit coming as the denouement. Unfortunately, the decision was taken to make this as a standard "girl in peril" type thriller, with Paul dropping out of the picture and Bill trying to frame Michelle for the crime. The whole thing just ends up as an average, or below average, TV movie.The film's greatest asset is the presence of Keri Russell, who makes an attractive and appealing heroine, but none of the other actors make much impression. Overall, however, this is a good example of the sort of film which goes to show why TV movies are often regarded as dull and unadventurous. 4/10
View MoreArian Waring Ash looks pretty fantastic in this flick. It's sort of beneath Keri Russell to do this movie, but at least the director seems to understand that if Keri is looking good, it's not a waste of anyone's time. And indeed, she is looking good here. I'm not even a Keri Russell fan. I found the comment about the dog doing the best acting amusing, but it's not true. Keri's acting is good. Even Keri's kid brother turns in a respectable performance, and he has what, ten lines? If you didn't like Phylicia/Mrs. Cosby's performance, you might ask yourself why so much of her energy and style here is duplicated by Khandi/Ms. Talk Radio six years later in CSI Miami. It's actually too bad that there isn't a longer theater-cut of this thing, because it does capture Ms. Russell in what must be her peak bloom, and that's not at all a bad thing. Shame shame shame on casting directors for failing to see this as an audition for the sidekick, Arian Ash, and not turning her into a big star. But who knows? maybe she was beaten out by Love Hewitt for all the subsequent roles, and that's not a bad thing either. This movie probably got pitched as a "let's take all that sexual energy from the Yale babysitter in Mystic Pizza and take it to its logical conclusion" and hey, that's a pretty good idea. At least i don't feel as dirty at the end as I do whenever I see Blame It On Rio. Incidentally, Demi Moore was the sidekick in that one, and someone DID see that and turn her into a star.
View More"The Babysitter's Seduction" makes a nifty little TV thriller. It starts out as a very good mystery with absolutely no suspects in who killed Bill Bartrand's wife and made it look like a suicide. Then we begin getting suspect after suspect. Alas, the identity of the culprit is given away much too soon. Director David Burton Morris must rely on suspense, chills, and thrills for the rest of the film. As the movie progresses one wonders if the babysitter is seducing Bill Bartrand or if Bill Bartrand is seducing the babysitter. Slowly we get the drift of what is really taking place. This part of the story is well written and directed. Some reviewers found it repulsive and unbelievable that a 50 year old man and a 20 year old woman (in the movie 40 and l8) could get it on. Have they not heard of sugar daddies and now sugar mamas? The babysitter wants to fill the dead wife's shoes, car, house, jewelry, and become the mother of her two children. Because of this, she doesn't see what others see, especially Det. Kate Jacobs, until it is almost too late. The final scenes in Bill Bartrand's house are edge of the seat suspense, particularly for a television movie.The acting is above average for a TV movie. Keri Russell made her character believable once she got warmed up to the part. Stephen Collins was just right for his role, a charming creep who becomes very menacing. I prefer seeing Tobin Bell as a heavy, but he does fine as Bill Bartrand's detective friend. They played football together in school and he was close to Bartrand's wife.
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