It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

It would only be fair to say that the title of this one gives a pretty clear clue of what it's going to be about in advance. Needless to say, The Black Godfather is about the head honcho of an African-American gangster group. It's clearly a Blaxploitation riff on the earlier mega hit, The Godfather (1972), except in this one there is no focus whatsoever on the rise of the central character up to the summit of his organisation. Basically, in this one he has arisen to the rank of godfather after approximately ten minutes in! So the focus is on things he has to deal with as the leader of a black gang, such as white hoods trying to introduce drugs into the neighbourhood, something the black criminals are strongly opposed to. In order to combat this, the godfather joins forces with a Black Panther styled militant group.I was looking forward to this one, as it sounded like a sure fire winner but in all honesty it's a pretty poor effort from a genre where even most of the ropiest entries are still somewhat entertaining. It is a little too talky for its own good and it doesn't deliver enough fun on the whole. The black godfather himself wasn't truthfully the most interesting central character as it turned out, which was disappointing. It's probably a film suited mostly to Blaxploitation fanatics and I'm sure it will deliver something for most of them. One point of interest I did find though was the presence of Duncan McLeod as the requisite corrupt cop – he, of course, played the shady lawyer Porter Hall in the delicious cult classic Beyond the Valley of the Dolls (1970) and it certainly was at least nice to see him appear in something else.

It seems clear from reading reviews here that a number of people went into "The Black Godfather" expecting the typical tropes of the Blaxploitation genre, and were disappointed to find that they are few and far between in the film. Aside from the title and mostly-black cast, the movie is a far better example of a crime drama, and a particularly well-made one at that. The acting is convincing and forceful, particularly from Rod Perry's J.J. and Don Chastain's rival mob boss Tony. The plot is coherent and skillfully juggles multiple character threads and conflicts. The picture quality on the version I watched was poor, but I didn't expect much better from an obscure film from the early 70's. Stay away if you're just looking for loud-mouthed stereotypes blasting each other to bloody corpses, the title has led you astray. But check it out if you want a crime movie with a lot of heart poured into it.

"The Black Godfather" begins with a young guy, J.J. (Rod Perry), nearly getting himself killed but being ultimately rescued and taken under the wing of a guy who is in charge of the numbers rackets in the inner city. Despite nearly getting killed, J.J. is insistent that he has plans---plans on taking down the established white mob that has set up shop in the ghetto. However, and this is odd, it's never really certain what his plans are once he's destroyed this mob. Does he want peace for his community or does he want to be the next mob boss.This is an unusual blaxsploitation film in that I have seen similar types of movies but never one that is so muted and low-key. The normal bouncy 70s R&B music is gone and so are the loud stereotypical sorts of characters. Some, I am sure, will dislike this--they WANT the crazy over-the-top characters you see in many blaxsploitation films. Some might appreciate that the folks AREN'T so stereotypical. The problem I had is that although I appreciated these sorts of characters, the script itself just lacked energy and life--definitely making this a lesser film of the genre.By the way, look for the rather visible mic at 20:00 at the top of the screen--much like you'll see deliberately included in the recent blaxsploitation parody "Black Dynamite" (a definite must-see).

On the one hand, it's pretty good to focus on a man whose aim is to keep drugs out of his community, but this is silly. The fight scenes aren't as neat as those seen in "Shaft" or "Superfly". An interesting factoid is that Tony Burton, who plays Sonny, has also starred in two of the most famous movies: he played Apollo Creed's trainer in "Rocky" and the garage owner in "The Shining" (on whose set he played chess with Stanley Kubrick).So, there's nothing special about "The Black Godfather". Like any blaxploitation flick, it's purpose is to show African-Americans being cool. This one succeeds at least partly.