The Worst Film Ever

Better Late Then Never

This movie was so-so. It had it's moments, but wasn't the greatest.

Close shines in drama with strong language, adult themes.

Sir Richard Fordyke (John Turner) is a nobleman who returns to the family manor with his new bride, Elizabeth (Heather Sears), after some time in London. He soon hears disquieting reports about the locals seeing him running around, pursued by a female figure that resembles his late first wife. He also hears that "he" could very well be responsible for some rapes & murders that have occurred. Sir Richard must ponder the idea that there could be some sort of conspiracy to drive him mad.As produced & directed by Robert Hartford-Davis, "The Black Torment" is a very handsome film, with meticulous set design, and gorgeous cinematography by Peter Newbrook. It's at least good enough to compare favourably with the kind of thing that Hammer Studios always did so well. The story, by Derek and Donald Ford, is not a great one but it's a reasonably absorbing one, keeping the viewers' attention to see how things will be resolved. Unfortunately, it has no real surprises in store. That is a shame considering how much atmosphere and tension that Hartford-Davis is able to generate.The acting is superb right down the line. Ms. Sears is a very beautiful and appealing leading lady, while Turner delivers a performance of incredible intensity (this guy sure does a lot of shouting). Ann Lynn, Peter Arne, Norman Bird, Raymond Huntley, Francis De Wolff, Joseph Tomelty, and Patrick Troughton offer very fine support. Tomelty has a particularly interesting role as the crippled patriarch who is now obliged to communicate through the use of sign language.The film does manage to be consistently entertaining, with a fairly rousing sword fight at the end.Seven out of 10.

Though made at Shepperton Studios, this film follows the Hammer style rather closely, down to casting two Hammer film alumni, Heather Sears and Patrick Troughton from Phantom of the Opera.The period details are nicely rendered with lots of attention to small details like candle snuffing and moving a carriage up a rather steep incline. The costumes also look nice as does the beautiful estate where the action takes place. Unfortunately, that's the best this movie has going for it.Spoilers Ahead!!! Opening with a scene straight out of numerous Hammer horror films, a buxom young lady is chased through the woods at night by a shadowy killer. This scene is well done and has a jolting conclusion. The rest of the film slows down considerably with a rather tedious plot about someone trying to discredit and possibly drive Sir Richard mad. I've seen a few of these types of films before, and it quickly became apparent who was behind the plot. Once you see that supernatural forces are not at play, the list of suspects is very short indeed. The ending picks up a bit with not one but two late in the movie plot twists and a sword fight.Lead actor John Turner tends to over emote in his later scenes as he receives shock after shock in the (overly) elaborate plot to drive him mad. He starts chewing scenery and pretty much blows poor Heather Sears, in a nicely understated performance, off the screen, and I don't mean that in a good way. The supporting actors all do nicely, I just wish they had been given more to do.If you're looking for a Gothic style murder mystery with supernatural overtones, you could do much worse, but you could stick with a Hammer film like Hound of the Baskervilles and do much better.

After a three-month absence, Sir Richard Fordyce and his new bride return to his estate under a black cloud. A young woman who lived on his lands was brutally raped and murdered just two days prior to his return. Her last words seemed to accuse Sir Richard of being the culprit. In addition, several of the locals report seeing Sir Richard's dead first wife chasing him through the village on horseback yelling "Murderer!" Sir Richard is at a loss to explain these strange events. He has been more than 100 miles away for months. Is it witchcraft or something equally sinister? As the dead bodies begin to pile-up, Sir Richard must discover the truth to keep his tenants from revolting and losing his new wife.What Works: The Opening. The movie begins with a woman we know nothing about running through the forest frantically trying to escape an unseen assailant. Unfortunately, she doesn't make it. This scene provides a wonderful opening and a lot of promise for The Black Torment. There is some real tension and atmosphere in this scene. It's a shame the rest of the movie couldn't be as good as the first five minutes..Other Set-Pieces. Other than the opening, there are a couple of other set-pieces that work reasonably well. The ending features a twist and a showdown that are nice. Nothing spectacular, just nice. But the best set-pieces are the ones featuring the dead first wife. The sight of the shrouded woman either lurking through the garden or riding a horse through the forest was a treat to a fan of Gothic horror like me.What Doesn't Work: The Cast. I can't think of one member of the cast that I enjoyed watching. The actors are unappealing and the characters they play are unlikable. The worst are the two leads - Heather Sears as the new wife and John Turner as Sir Richard. I didn't think it was possible for two people to annoy me as much as these two do. Every time either opened their mouth it was like fingernails on a chalkboard. I really wish the killer could have gotten hold of their necks.Talk, Talk, Talk. In between the bits of horror, The Black Torment turns into an incredibly inane melodrama. Now it's not that I mind melodrama as long as it's done well, but much of this is painful to watch.The Stupidity of Sir Richard. The character of Sir Richard has to be one of the dumber characters put on film. Had he stopped yelling at everyone long enough, solving the mystery would have been easy. Instead, every little thing seems to unrealistically upset him and send him off half-cocked. A little rational thinking on the part of Sir Richard could have cut the runtime of The Black Torment in half.To say that I was disappointed in The Black Torment would be an understatement. The plot description I had read across the internet made the movie sound like an undiscovered Gothic gem. And while a few bits of the horror were fun to watch watch, these moments seem to be enjoyable almost by accident when compared with the bulk of the movie. The ideas for a good movie are here, but, unfortunately, neither the script nor the actors were able to turn The Black Torment into one.

Robert Hartford-Davis("Corruption","The Fiend")directed this little gem of horror in 1964.Admittedly the action is pretty slow,but still the film has some eerie moments-especially the beginning is very creepy.The ghostly bits are well-done and the ending is a bit confusing.The acting is acceptable and the film has one or two unsettling moments.So if you like British horror movies "The Black Torment" is worth checking out! Recommended!