The Bone Man
The Bone Man
| 09 February 2009 (USA)
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Set in a sleepy Austrian mountain village, ex-detective Simon Brenner has grown weary of his job repossessing cars and embarks on an extended getaway to the countryside. But before long he becomes embroiled in the convoluted world of the locals of a supposedly quiet town.

Reviews
Steinesongo

Too many fans seem to be blown away

AnhartLinkin

This story has more twists and turns than a second-rate soap opera.

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Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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Phillida

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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kosmasp

An austrian thriller that is quite off beat, but also very good. If you like your thriller to let you figure things out, but also have believable characters that are also very weird, you could do worse than this. Actually Josef Hader has quite a fan base, because of his dry style and humor.This movie cherishes in that. You can't be squeamish either with this though, and while it has a glimpse of nudity, it also has cold blooded violence in there too, which you might find more disturbing (no pun intended). Then again, the movie does not shy away from trying to shock you, but only sporadically. Which works better, because it is rather slow paced and feels like it's holding back ... until the punches reign in.

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Horst in Translation (filmreviews@web.de)

"Der Knochenmann" or "The Bone Man" is the third entry to the crime franchise starring Austrian actor Josef Hader. The director is Wolfgang Murnberger as always and the script comes from Wolf Haas, also as always. The first film came out back in 2000, the latest installment was released last year. But back to this one here. I truly enjoyed the watch and this film was just like all crime thrillers should be. First of all, there is lots of subtle comedy in here, from start to finish, which helps a lot in the movie not taking itself so serious. The title refers not to Hader's Brenner, but to the main antagonist played by Josef Bierbichler. Bierbichler is a complete scene stealer here and in my opinion,, he felt as much of a lead as Hader. Both are excellent actors of course and carry this film nicely, even if they do not really have that many scenes together. Bierbichler plays a butcher and restaurant owner, who gets in trouble with some scary guys, but finds his very own way of dealing with the issue. A touch of "Delicatessen". Enough said.One perfect example of how this film combines comedy with thriller is when he goes off to get his chopper or cleaver in the end and Brenner says something like "No point in going away." as he obviously has no clue yet what Löschenkohl (Bierbichler) has on his mind. The script oozes creativity in the most absurd way, also with the way we find out in the end what happened to Horvath. I also really loved the contrast between the scenes that were shown at the same time: the wild party with loud music and everything that was going on at the slaughter room. It's a bloody film and there are some scenes that some may find disturbing, but I found it just harrowing in the most positive sense. One example would be the camera looking inside the car when we hear Löschenkohl approach with his car pushing the car wreck into the water. Great directorial effort there.I have seen the first 3 films (including this one) a while ago already, but the fact how much I enjoyed this movie here and its characters and its story and its comedy motivates me a lot to give them a new watch and also watch the newest installment. I can only say that I wish more crime films were like this. Austrians sure have their very own approach to the subject and it's a wonderful one. Little downside, you may need subtitles even as a German as the accent is sometimes so thick that it's almost impossible to understand the dialogs. However, if you let this keep you away from watching the film, it is definitely your loss. 2 hours of great crime entertainment. Certainly grew on me upon rewatch, highly recommended.

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werpu

If you watch this movie and use subtitles only is that this movie is a very dark comedy with lots of word puns in between which are close to being untranslatable, hence the rating differences we can see here. Overall an excellent movie but if you watch it as a foreign speaker with subtitles only you miss out the subtile humor in the dialogs which probably then results in some weird subtitles like constant yes and nos which probably resmble the local Austrian dialect word Eh which is not quite the same and if applied in the correct situations and Haders down to the bottom intonation quite humorous. This is probably one of those many things which are lost in the translation. As for the main actor Josef Hader he is actually a comedian and one in the dark austrian humor tradition which is close to the English humor. He has done a handful of movies and all of them are worth watching. This movie is the third of a series of criminal movies. The first one being komm süsser tod - come sweet death, and the second one being silentium. The first one is the one which could be considered to be the most humorous of the three, while the secod one being the one with the least humor. Der Knochenmann - the bone man is somewhere in between those two but with the most extreme things going on.

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albert9999

One awaits a crime thriller that closely follows the book by Wolf Haas and has many intelligent gags but the the viewer is then overwhelmed by a great masterpiece that works on many levels - a sarcastic thriller not unlike Fargo, dark humour, amazing photography that reveals some Austrian reality, an intelligent plot with cool twists, great acting, ironic social criticism etc. This movie is in a row with the Kottan series, Indien, the other Brenner-movies of course, Slumming etc. and reassures one that although Qualtinger is dead his humour is not gone. When viewing this film one gets almost sad by realizing how good Austrian cinema can be, but there is not much support for filmmakers in Austria. I have no idea if this movie can work in a translation, but its worth a try.

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