i know i wasted 90 mins of my life.

Amateur movie with Big budget

Am I Missing Something?

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Boob, The (1926) ** (out of 4) William A. Wellman directed this comedy about a farm boy (George K. Arthur) who has his dreams dumped on when the girl he loves (Gertrude Olmstread) falls for a bootlegger. This film is heavily influenced by Keaton, Lloyd and Chaplin but it never reaches those heights because it's just not that funny. The funny joke is that the film takes place in the 1920s and an old cowboy makes the farm boy dress up as if it were the 1820s. There are a few funny moments but for the most part all the jokes fall flat on their face. Arthur makes for a rather poor leading man but Joan Crawford is good in her small role. Olmstread is decent in her role but it's another role where our hero falls for a woman who is a bitch throughout the movie. The one thing that sets this film apart is that Arthur's best friend in the movie is a small black boy and the film never plays down to racial jokes or racial stereotypes, which is certainly rare for this era.

Country boy George K. Arthur (as Peter Good) is in love with Gertrude Olmstead (as Amy), but she has taken up smooching with city-slicker Tony D'Algy (as Harry Benson). Mr. Arthur dons western Tom Mix-type clothing to appear more manly, but Ms. Olmstead is unimpressed. Arthur suspicions that Mr. D'Algy is really a criminal bootlegger are proved to be correct. Then, Arthur must rescue Olmstead from D'Algy's clutches... Though he is a likable character, this is a dated-to-the-point-of-unfunny comedy feature for Arthur. Most unfunny is Charles Murray (as Cactus Jim)'s running gag about hiding his endless supply of booze - helped, no doubt, by bootleggers. Joan Crawford (as Jane) lifts spirits considerably, with her turn as a crack revenue agent. D'Algy is a good kisser. "The Boob" is more of a curiosity than a comedy, but it's a chance to see some silent performers in well-preserved celluloid. **** The Boob (5/17/26) William A. Wellman ~ George K. Arthur, Gertrude Olmstead, Joan Crawford, Tony D'Algy

The Boob features the talents of George K. Arthur as a naive country boy who is trying very hard to impress a young lady Gertrude Olmstead, but she can't see him for beans, much preferring the slick talking city guy Antonio D'Algy. He even puts on a big cowboy outfit, but Olmstead laughs at him, saying he's just a Tom Mix wannabe.This was my first exposure to the comic talents of George K. Arthur whose career sputtered to a halt with the coming of sound. The role he plays here would be the kind that Joe E. Brown would do in the Thirties, Red Skelton might try in the Forties and after his split from Dino, Jerry Lewis might have a go in the Fifties at. There's rumor of bootlegging being done in the area and guess what, D'Algy's at the bottom of it. I think just about anyone else can figure out where the rest of this film is going.Former Mack Sennett employees Hank Mann as the soda jerk and Charles Murray as the grizzled old time western sidekick to Arthur are featured. Murray has a very nice turn as a man who just because Prohibition is in the land is not going to let that stand in the way of that old western tradition of the saloon. In fact I've often wondered what happened to the saloon in Prohibition times and The Boob does provide something of an answer.The film might have been forgotten today, but for the presence of Joan Crawford in a secondary role as a Treasury agent. In fact that's a feminist concept many years ahead of its time. What must Eliot Ness have thought of this film? Crawford could have been given a lot more to do in this film. In her next film she would also be in support of a silent screen comic, Harry Langdon in Tramp Tramp Tramp.The Boob was pleasantly amusing enough and it was interesting to see Joan Crawford in her silent days, something I hadn't done until now.

This movie just aired the other night for the first time on Turner Classic Movies. Although I missed the first few minutes, it is a lousy slapstick comedy with George K. Arthur in the lead as a dumb farm boy trying to help the law capture some bootleggers. Joan Crawford is the high point here, in one of her first films. She has a small supporting role as Jane, and Crawford herself also hated this movie. She thought she was being punished by MGM for getting this part. Earns *1/2 stars out of four.