This is How Movies Should Be Made

Fantastic!

The acting is good, and the firecracker script has some excellent ideas.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Watching "The Canary Murder Case" is like watching (film) history being written: this is probably the first traditional talkie whodunit to appear on the screen. I don't mind the thoroughly unrestored print, or the fact that some actors (thankfully, not William Powell as Philo Vance) take an eternity to finish their sentences; these things give the movie a certain vintage charm. But the killer is extremely easy to spot early on, turning the movie into a waiting process until all the obvious red herrings are eliminated. Even so, the use of a poker game (right inside the police station!) to determine the psychology of the suspects was certainly an unusual idea. Jean Arthur, who is second-billed, has a very small role (she speaks with a cute Minnie Mouse-like voice). **1/2 out of 4.

In what turns out to be his second talking picture William Powell introduces to the screen the character of debonair detective Philo Vance. Like his later Nick Charles, Powell as Vance likes to live the high life though he's not as big a drinker. He gets called in by an old friend Charles Lane (not the acerbic character actor we all know from TV and films) but an older gentlemen who is concerned about the continuing involvement of his son James Hall with nightclub singer Louise Brooks known only as The Canary. This girl is a much cruder version of Lorelei Lee who is determined to marry wealthy and insure a steady income for her pleasures. Hall is engaged to good girl Jean Arthur, but can't keep away from Brooks.She's got a whole gang of other men on the string as well and she also has an ex-husband so when Brooks turns up dead there are no lack of suspects for Powell to work through. The police however with dumb as a brick Eugene Palette as Sergeant Heath seem to zero in on Hall.For those who like the vivacious Jean Arthur in the classic films she was yet to do you won't find her here. She's pretty wasted as a typical good girl part. One player who will be a revelation is Ned Sparks as Brooks's ex-husband who claims he's not an ex. He's not the lovable sourpuss we later saw in many films, but a rather vicious animal. Totally a surprise.William Powell's perfect diction and stage training make The Canary Murder Case hold up well even today. Unlike so many of his contemporaries at this time, Powell seem to know instinctively how to play for the new talking picture camera. Sound made his career.For those who enjoy nice detective stories with a closed ring of suspects, you can't go wrong with The Canary Murder Case.

Philo Vance (William Powell) aids the police in running down the killer of the Canary (Louise Brooks, looking good but obviously dubbed) a show girl who was planning on blackmailing the son of a rich banker into marrying her. There are an odd assortment of suspects, including a young Jean Arthur (who's not very good) but only one real choice. This was always held out by people I've known to be the best of the Philo Vances, edging out the Kennel Murder Case. I don't think anyone who's said that had seen the film in years because I don't know when the last time this was run on TV. Actually its a slow (you could trim about 15 minutes out of this), dated (there is no music and many scenes were shot silent and sound added later) but still enjoyable little thriller. Its an okay mystery that actually becomes more a how was it done rather than who done it. Is it the best of the Vances? No. Kennel is really good and probably better, and probably some of the others as well, but that doesn't mean you won't have a good time watching it.

This film typifies the problems the studios were having adapting to sound in 1929. The characters talk and talk and talk and nothing much happens. Being a great Philo Vance fan, I had to purchase this film even though it is a pretty rough transfer to tape and is very stilted in style. The obvious post-dubbing of Louise Brooks' voice is comical since it comes out as a nasal Bronx accent. William Powell, just beginning to develop his persona as a sophisticate, really doesn't stand much of a chance here. However, for historical value, it is worth a try. It is the last film that Brooks made before she went to Germany and her greatest triumphs(Pandora's Box, Diary of a Lost Girl); thus the voice dubbing. The film started out as a silent and was converted to sound....by that time she was in Germany and refused to return to dub her own voice. If you are a Philo Vance buff and can't work your way through this film, see "The Kennel Murder Case" instead.