The Captive Heart
The Captive Heart
| 29 April 1946 (USA)
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A series of stories about the lives and loves of nine men in a Prisoner of War Camp over five years. Location shooting in the British occupied part of Germany adds believability. The main story is of Hasek (Redgrave) a Czech soldier who needs to keep his identity a secret from the Nazis, to do this he poses as a dead English Officer and corresponds with the man's wife. Upon liberation they meet and decide to continue their lives together. The other inmates' stories are revealed episodically.

Reviews
Matcollis

This Movie Can Only Be Described With One Word.

Fluentiama

Perfect cast and a good story

SunnyHello

Nice effects though.

Casey Duggan

It’s sentimental, ridiculously long and only occasionally funny

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Leofwine_draca

THE CAPTIVE HEART is one of the earlier movies from Ealing Studios, made before they were known for their genteel, witty comedies. It's a standard WW2 prisoner of war flick, with a greater depth of characterisation than most. At times it gets into romantic and tragic territory, recalling the likes of BRIEF ENCOUNTER, but it also includes some genre tropes and ideas which add excitement. As with many British war films of this era, most of the fun comes from seeing an ensemble cast doing their bit, from the big names like Michael Redgrave and Mervyn Johns right through to the smaller parts from the youthful Gordon Jackson and Sam Kydd.

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alexanderdavies-99382

"The Captive Heart" is a slightly lesser known War film from this period. It focuses on a group of Allied soldiers who become prisoners of war and sent to a concentration camp. There, we witness the various trials and tribulations of the main characters as they struggle to sustain their existence in the midst of hopelessness and despair. However, being friends as well as comrades serves to help them survive many a challenge during their time as prisoners. The emphasis isn't so much on action but more on character and drama. These are the film's chief strengths. It is a harsh War film and with no sentimentality included in the screenplay. Even though Michael Redgrave is billed first, he doesn't appear for quite a while but he's worth waiting for as he gives the best performance. He plays a man who steals the identity of a dead soldier and finishes up at the same concentration camp as the other characters. The supporting cast is a fine one. Gordon Jackson, Jimmy Hanley, Basil Radford and others. They are solid. The plot tends to be a bit vague at times and the running time is a bit long. A pretty good yarn in general.

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kijii

The movie is a broad photo montage of several stories--from one setting--of British soldiers who were captured early in WWII (1941) and placed in a German POW camp. Is depicts what happens to them and their loved ones, back home, as they are separated by time and space. How do the relationships change? How do they remain the same? What holds them together or drives them apart? Four years can be like a lifetime to those it affects. This is no Stalag 17 or Hogan's Heroes-type movie. I found the movie to be very engaging and enjoyable, even as half of a long-range relationship undergoes very big changes. Changes can range anywhere from physical disability, to "Dear John" letters, to birth and/or death. The relationship often—usually—depend on letters and photos back and forth.

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James Byrne

THE CAPTIVE HEART was the first WW2 film to be partly produced in Germany since the war started. The prison camp scenes were reconstructed at Morlag POW camp in Westertimke, Germany, and are very authentic. Karel Hasek (Michael Redgrave), a Czech Officer, has assumed the identity of a dead English Officer, Captain Geoffrey Mitchell, but gets captured and is interned in a German POW camp. He is forced to write to the dead man's wife, disguising his writing by injuring his hand on purpose. Mrs. Mitchell (Rachel Kempson) is pleasantly surprised by the warmth of the letters, as her marriage was on the rocks before the war started. Others in the POW camp include two former building trade partners, Corporal Ted Horsfall (Jack Warner) and Private Dai Evans (Mervyn Johns), who learns that his wife has died during child birth. Lieutenant David Lennox (Gordon Jackson) loses his sight and breaks off his engagement to Elspeth (Margot Fitzsimmons), while Lieutenant Stephen Harley (Derek Bond) is distraught after receiving a letter which states his wife is being unfaithful. Private Matthews (Jimmy Hanley), a former burglar, puts his questionable skills to good use when everyone is handcuffed in a reprisal by the orders of Herr Forster (Karel Stepanek), by immediately releasing all the prisoners. Repatriation arrives at last, and Matthews sacrifices his freedom by allowing Hasek to go in his place, and he visits the home of Celia Mitchell. She is shocked when hearing of her real husband's death, but eventually she falls in love with Hasek. Lennox and Harley are reunited with their loved ones, and Evans meets his daughter for the first time. Working as a technical adviser on THE CAPTIVE HEART was Sam Kydd, who also had a bit part as Private Sam Grant. This was Sam's first film appearance since his own experiences of captivity in a POW camp, which he related vividly in his book "For You The War is Over". If you can manage to get your hands on a copy of this marvellous book you will be rewarded for your efforts. It works as a perfect compliment to THE CAPTIVE HEART, and gives a greater understanding of the life of a POW in WW2. THE CAPTIVE HEART is a mature and realistic war film and is highly recommended. One of the scriptwriters, R.N.V.R.Lieutenant Guy Morgan, had actually been a prisoner at Morlag. The movies original title was "Lover's Meeting", but at the suggestion of future British TV stalwart Jack Warner, the title was changed to THE CAPTIVE HEART.

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