This movie was so-so. It had it's moments, but wasn't the greatest.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It's basically a re-used plot, featuring more detestable characters lacking any serious depth or development. They perpetrate some very negative stereotypes of cultures in Australia, and glorify violence and bad hairstyles. If Harry tells you otherwise, don't believe him. He is not a level-headed movie critic, and frankly represents the negative attributes displayed by the main protagonist.The dichotomy of cultures portrayed in the movie is a farcical hyperbole of abuse and violence under the false veil of honour and 'street justice', when in reality it is all about greed and insecurity. The only redeeming element in the film is the accurate portrayal of the fashion sense adopted by the criminal counter-cultures, namely the terrible haircuts and sportswear.

I wanted to watch something boring. I chose to watch The Combination. The beginning didn't promise me much, I even had to check if this was an Australian film, and actually it was! I am neither Australian nor Lebanese, but I have met both cultures for at least a brief moment in my lifetime. So the question when watching a story of Lebanese in Australia was: are the facts just? Is this real? It is. Although people are depicted differently from those I have seen in the real world, parts of them that are true and up to a point are also shown.Is the material educative? Yes. You can remember your history lessons, fighting skills, and how to be romantic.Will you be bored? I was not.

After all the conflict at the opening sessions in Sydney, only one other person was in the St Kilda cinema at lunchtime on Saturday to see The Combination. A pity, because this is an Aussie film with attitude. It's a good story, competently told. Actor and now director, David Field's first effort is tight and straightforward.George Basha wrote and stars in this Lebanese/Australian tale of star-crossed lovers. It's more like West Side Story than Romeo and Juliet, a clash of cultures in the modern city. George, as the street toughened John Morkos, does tough guy very well but his delivery of love scene dialogue is a bit flat. Firass Dirani as brother Charlie is a rising star. He handles a difficult part without slipping into melodrama. Doris Younane's performance as their widowed mother Mary is a very professional one.Testosterone rules: school "gangs"; youth, drugs and crime; the boxing gym; knives and even guns. The background noise includes the 2005 riots in the Sydney beach suburb of Cronulla between Lebanese and so-called "old" Australian youths.Don't expect a clash of religions as well. Ironically the only openly Christian group are the Lebanese. The stereotypes just won't fit. The messages of this film are not subtle. John's girlfriend Sydney (Clare Bowen) gets the standard assimilation lecture from her father.We don't learn much about the inner lives of the characters. We are left to wonder why school student Zeus (Ali Haidar) has the heart of a murderer. Their seemingly irrational behaviour is easy to understand using the usual social stereotypes. Until John confronts his mother when she blames him for Charlie's criminality. John asserts personal responsibility, his own and Charlie's. He challenges the web of multi-cultural and economic determinism that has been set up so far in the film. We all live with choices we make.Tony Ryan plays Wesley, the owner of the gym where John works and trains. His aboriginality gives an added racial dimension. There is further irony when he offers John a way up through boxing.First-timer Clare Bowen, fresh from the south coast of New South Wales, gets the rookie award. She has that relaxing Toni Collette quality that makes you think you know her from somewhere. You can't help feeling at home with her character. However, apart from her family, we are left without any history for Sydney or real explanation for why she can withstand all the pressure to walk away. Perhaps this is essentially just a love story after all. And a story about families.This is another Australian film that deserves a bigger audience. Catch it while you can.Film review for "Cinema Takes" http://cinematakes.blogspot.com/

THE COMBINATION is the first Australian film to be shown in it's country of origin this year and it's already become a news story - not for it's quality but because there have been incidents between what we are told are Lebanese gang members and theatre staff.It would be nice if the film were to prove something substantial. What it is however is a passable gang warfare subject, made without undue sensationalism (it is particularly timid with sex) and preaching anti violence. The inclusion of recent race riot TV actuality tells us they want to be taken seriously.The film takes a predictable multicultural line with old Australia dismissed as football, beer and meat pies, as against the leather lounges and sumptuous Arab meals with music to which hard man writer-star Basha introduces so blonde object of his affections Bowen, who comes from a family where scotch on the rocks seems to be the main food item. The Lebanese gang has one Asian kid, though he does back off when it's time to face off with the so mean (white) drug pushers. Basha gets a job in a gym run by stand up aborigines. The white kids spit and mug solitary members of the other gang.The dynamic of school yard gangs is better, though we can't but wonder when the kids get to do any study, even though younger brother Dirani does once make it as far as the library.One note performances are strong and the Western Sydney setting is effective and still unfamiliar. Particularly choice are the pusher's neighbors urging Basha to blow the low life away in the film's most inventive scene.It would be nice to say this independently financed item was a break away from the blandness of funded filming here. However it is formula and lacks the dynamism of US films that covered this area - the work of Phil Karlson or young Scorsese and particularly American HISTORY X which appears to have inspired plot elements.Those involved attack with a determination that it would be nice to see rewarded with worthwhile careers but they have the dis-spiriting history of Astralian production against them.