a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is a must-see and one of the best documentaries - and films - of this year.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Story: It's very simple but honestly that is fine.

Not long into La Vida Loca I realized something. That my peculiar fascination for Central American gang culture has almost all but left me. Like probably many of you who've seen this film, I've also seen my share of S. American and C. American films concerning gang culture; the prison shows on TV, feature films, all of it. Seeing some guy or girl with tattoos covering their face is so beyond my scope of living that it has (had) this badass, semi-romantic feeling that I looked up to. Of course, I was aware of their daily wheelings and dealings but I kind of threw that off to the side so I could fantasize about how 'cool' they appeared and acted. I have to repeat, that mind-frame is now almost fully out the window - thanks to this movie. And I'm not so sure I'm happy about that.La Vida Loca is just that, but more than anything else, it's La Vida Estupida. What we're shown here is a full-fledged look into C. American gang culture. The best and worst aspect to this film is how intimate it all is. This is a film with zero filters and zero self-consciousness, and what you see, is for more or less, how things go down. And what usually goes down is sadness, death, hypocrisy, chest-puffing.... The passion they show towards one another and their families is nothing but honest and real, but at the end of the day, it's seemingly all about selfishness. Gangs seem to not clash with opposing gangs than they do with their own self.This is a documentary on gang-life, but it's not a truly informative piece of film-making; there's no questions asked, or answers given. The knowledge you're given with this film is more like common-sense; you should have known, but you just didn't. You're brought around and given really close peeks into these young lives, but most of the thoughts these guys and girls have are basically, for lack of a better word, bullsh!t. At wakes they regularly chant in unison about the evil of the world, and not hours later, you'll see them repeating the same stupid crap about revenge and that it's all about their gang. What frustrates me most is that there is a zest for life and change, but in their given situations, it seems that the gangs have found a certain level of comfort in the pain and violence.If you're anything like me and that you have this interest in gang culture, be fore- warned that this film will mostly upset you. And hearing that the director himself was murdered by people in El Salvador...it makes me think if this film was even worth it.

Comparisons to City of God might be unavoidable, but this is actually a documentary and not a "fiction" movie (although latter was based on real life of course too). What it also is, is pretty messy. It could be that you get confused while watching this, not knowing who everybody is, or what "gang" they belong too.Still through all it's faults, the fact, that this is so close to life and death (forgive the pun), makes it worthwhile for those who are interested in those things. I watched an documentary at the Berlin Film Festival that was a bit better, but I can't remember the name right now. Advising you to look through the movies I rated, wouldn't be an easy task either.But all in all and while sometimes it seems to drag and be repetitive, you can be thankful, if you are not in a similar situation.

The pic's subject matter is unmistakeably highly interesting and the director's no-holds-barred approach certainly deserves accolades, but if you really want to delve deeply into a society's underbelly there's more to it than just filming all the misery you encounter and stringing it together as you like it.Individually, the glimpses of gang life are unsettling and positively disturbing, but where's the assortative hand of an author who puts the impressions into an extensive perspective? It's all rather haphazard and thus ineffectively presented, relying too much on its basic impact than on analytical and informative commentary.6 out of 10 meaningless funerals

In stark contrast to the tranquility of the little painted houses in a tree-lined suburban housing estate in El Salvador, a violent gang culture permanently kills, maims or has jailed the young of the community. With a rate of 9 murders a day amongst the young, the country is caught in a massive gang feud. The gangs, and the feud, originate from the 1980s run- down south central Los Angeles. The problem could have been contained, considers Poveda, were it not that in 1996, the US government (under Clinton) decided to send 100,000 convicted gang members from US prisons to central America. Combined with a foreign policy of supporting dictatorships and financing civil wars, the scene has been set for human tragedy.The fearless photographer and documentary-maker Christian Poveda submerges himself into central America a decade later, into the underbelly of society. He managed to get permission from the Salvadorian police and one of the gangs, the "18", to follow them in their lives. Four years later, La Vida Loca sees the light, taking you along the path of violent outcasts of society. And it is very different to what you might imagine.The documentary takes us from the unfolding of someone's life to their funeral after a shooting. It is an endless spiral of gang violence, with seemingly no point to the gang war whatsoever, other than that of having an enemy to unite them. Joining a gang is not even an alternative employer for the poor, as the gang does not offer any external symbols of success (wealth, privilege, whatever). In fact, the gang does not seem to offer anything at all but the prospect of death, jail or invalidity. Hardly the attractive option, but these youths are already broken by their lives. And change becomes inevitable with the gang tattoos (voluntary or forced) marking their allegiance. Once you are have your face covered in tattoos, you can no longer send your CV anywhere. They can not back down.The film lets the youths talk for themselves. They talk about their broken pasts, of growing up without the guiding support of a family. They speak of the love they get from the gang. They talk, with a peculiar detachment, of passing from one social service (juvenile detention) to another (jail), exposing an existential loneliness at the impoverished fringe in which they live. The gang might not offer the flash of fast cars, bikinis and swimming pools, but it does offer loyalty, stability and a shared suffering. The love of the gang is a love which fills an emotional void, giving them a sense of belonging amongst their peers. The gang is so much an end in itself that its members do not even fear death for it, but rather they expect it. The gang is not the path to wealth, status or happiness but rather a goal in itself. An end. But their fearlessness does not come from a feeling of superiority, what you might expect, but rather from an all-round stunted emotional development born out of their misery. They are phlegmatic, almost accepting their fate as a given. And hence they can tattoo themselves, as a confirmation of their fate, as whatever should befall them would befall them anyway.But some do try. Christian Poveda follows a re-insertion program, where ex-gang members try to set up a bakery. We see them, the tattoo-ed ex-bullies, kneading the dough, we know they are serious about doing the right thing, of trying to improve their lives despite expectations. We see them pray, and talk with priests, but it is as if the words just float over their heads. When push comes to shove, who knows what they will do.As tragic as the lives of the gang members are, as surprising it is to see that there is a normal society outside the walls of their lives. When they get hurt, they find themselves in a capable hospital, with all health services paid for by the state. When they find themselves in court, they are confronted with seemingly capable legal actors. When they are confronted with the police, they seem professional and organized. You might expect the gangsters to be aggressive ego-tripping characters, perhaps even with dubious contacts in the judiciary, but they are not like that at all. At least, they are not presented that way. When they are stopped by the police, they let themselves be searched or taken. When in court, they hear the court's verdicts stoically, accepting their fate as givens. Of course it is that same stoicism which makes them untouchable, even from punishment. Everything is pointless.Seeing the film today, so shortly after director Christian Poveda was shot dead in El Salvador, makes the film all the more moving. It is a unique chance to meet people you will never meet, and hear words you will never hear spoken. A look into a violent, criminal subculture normally hidden from view. A testament to a culture which so badly needs understanding, to, hopefully, one day rest in the past. (incitatus.org)