Expected more

Am I Missing Something?

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Included in Warner Brother's 2007 three-disc set for THE JAZZ SINGER, this 85 minute, 17.56-second feature-length extra perfectly rounds out an amazing collection of material with about every tidbit of information a person needs to understand the necessity for motion picture sound and the torturous route the industry took to meet this demand (far more important than the transition to color, and hardly a frill like the current 3D revival). Featuring such well-known DVD featurette talking heads as film critic Leonard Maltin, film historian Rudy Behlmer, and 80-year entertainment industry vet Rose Marie (of BABY ROSE MARIE THE CHILD WONDER, 1929, fame), this extra includes interviews with less frequently seen experts such as actress Thelma White, silent films crossover Harold Lloyd's granddaughter Suzanne, Vitaphone Project representative Ron Hutchinson, unsuccessful silent films crossover John Gilbert's daughter Leatrice Fountain, sound designer Ben Burtt, and Vitaphone composer Sanford Green. All this is ably narrated by Mark Hunt, and sprinkled with vintage clips of stars such as Al Jolson, Charlie Chaplin, Buster Keaton, Greta Garbo, and Orson Welles.

This latter-day documentary about the transition from silent to sound on film was produced with the intent for inclusion in The Jazz Singer DVD set since that landmark movie was the center of that change. One person I did not know about beforehand was that of Thomas Case who first worked on Lee De Forest's Phonofilms then on William Fox's Movietone process. Of course, most of the lion's share of the story is on the Warner Brothers' contribution particularly that of Sam who was a champion of the Vitaphone sound-on-disc process that led to The Jazz Singer's success. Unfortunately, he died before that day's film premiere so it was a mixed victory for siblings Harry, Al, and Jack. Still, they reaped the benefits of Sam's labor and became one with the Majors to this day. I also loved hearing Rose Marie's comments about her child self's debut in those Vitaphone shorts and historian Leonard Maltin's observation about the aftermath of many silent stars' responses like that of Charlie Chaplin who resisted talking until he made The Great Dictator in 1940. So on that note, The Dawn of Sound: How Movies Learned to Talk is well worth seeing.

I am about to say something that may shock some readers. The movie "The Jazz Singer", though super-important historically, is not a particularly enjoyable film if you see it today. I know back in 1927 it made a huge splash and revolutionized the motion pictures, but today it all seems very, very dated and clichéd. Plus, the sound in this 'Talkie' was only used here and there--most of the film was still a silent. However, regardless of my opinion about the watchability of this film, I strongly recommend you buy the DVD set because of all the wonderful extras--two disks of them. One of the most interesting was "The Dawn of Sound"--a wonderful history of sound in the movies.Why did I like it so much? Well, I am a huge film history buff and I always thought that there were only a couple sound films (all shorts) before "The Jazz Singer". However, this documentary shows clips of many experimental sound films. Plus, it turns out the history of sound in films is much, much older than I thought. I had thought sound was first experimented on with films in the early 1920s--but in reality, a primitive sound system was synchronized with a film as early as the 1890s!! Fascinating interviews, tons and tons of great footage and excellent direction make this one of the best made and informative shows I've ever seen. Truly a must for film fans!

This is one of the extras as part of the 80th anniversary edition of the 1927 Jazz Singer.This is a combination of recent interviews and archive footage which explains in clear detail the evolution of sound in the cinema.It gives credit where credit is due.Although i would not agree with the comments of the curator of the Thomas Edison museum.He made out that Edison invented everything.After all every country has its claimant to the invention of the motion picture.This is ideal not just for viewers who are interested in the subject but people like myself who have made a detailed study of the introduction of sound.So it was well worth a viewing be it on DVD or TCM