Very well executed

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Story: It's very simple but honestly that is fine.

Pretty good thick-ear. Four Hell's Kitchen kids keep up their friendship into adulthood even though one has become a gambler (McLaglen), one a priest (Kelly), two are cops (Gargan & Gallaudet), and the girl (Roberts) a singer. Now their lives intertwine in problematic ways as crime confronts the law.Looks like the plot's a variation on a familiar theme of the time (1930's)—kids growing up on opposite sides of the law only to confront one another later on. The concept creates a rich mine for conflicting emotions and loyalties. Here McLaglen has to navigate between gambling interests and loyalty to boyhood friends. The narrative sticks pretty closely to this line with its complications. The acting's okay, though emotions never build to an intensity. Instead, we're pulled along more by plot than characters. Certainly, McLaglen is capable of an intensity when so called upon, but not here. Oddly, there's not much action or violence despite the loaded title. I guess the two fires and smoke are supposed to justify the hellish expectations.All in all, the hour seldom rises above programmer status, but might serve old movie fans on a slow evening.

Taken from the book "Hell's Kitchen Has a Pantry" by Borden Chase (who was originally a mobster's chauffeur, so knew his way around the mean streets) it seems to have more than a passing resemblance to "Angels With Dirty Faces" which was released earlier the same year. I also wondered if the producers of "Sleepers" (1996) had seen it as well, as both had a very similar start - a group of slum kids are involved in a bigger crime while trying to steal a fruit wagon.Only the ring leader Marty (Mickey Rentschler) is caught and goes to reform school, but the next scene has him as jovial Victor McLauglin, head of a Broadway casino and preparing to host a dinner for his old pals. Helen, the only girl member of the gang (initially played by Juanita Quigley) of course is the club's resident singer. Two of the gang have become firemen and while on a call out realise that the electric sign that has killed a known gambler (Bill Elliot in an early non Western appearance) has been deliberately severed. Joe is eager to report it to the police and leaves Mike (William Gargan) dancing with Helen while he returns to the scene of the crime. He is later found dead after falling from the roof.Mike has now become a one man vigilante team determined to avenge his brother's death, specifically targeting Marty (who was indirectly the cause). Add Father Jerry to the plot and you have a poor man's "Angels With Dirty Faces". I thought Paul Kelly and William Gargan gave the best performances - Victor McLauglin was okay but too much the lovable lug to be convincing as an ambitious hoodlum. And Dickie Jones, Sonny Bupp, Scotty Beckett and Juanita Quigley were four of the cutest street kids ever to come out of Hell's Kitchen - only Mickey Rentschler rang true!! Where were the Dead End Kids when you needed them? They would have added authenticity.

Devil's Party, The (1938) ** (out of 4) Okay, the story here is pretty confusing but I'll try to explain it. Four kids, growing up in Hell's Kitchen, have their lives changed when the oldest pulls a prank, which sets a warehouse on fire. He's sent to reform school but twenty years later he's out on the streets as a gambler/night club owner. Two of the other friends are cops and another is a priest. The gambler sends a couple men to rough a guy up but they eventually kill him and the two cops are put on the case. This film only runs 61-minutes but it seems the screenplay was missing around twenty minutes worth of additional footage that might have tied up various plot holes. With that said, I found myself somewhat entertained but there's really nothing going on in the film. I've heard this was an influence on Leone's Once Upon a Time in America but that connection would be very loose. Victor McLaglen stars.

A good story idea and a good performance by Victor McLaglen make this crime feature work well, despite some weaknesses in other areas. The premise is a good one that holds many possibilities, and in general the story makes solid use of them. The production has a low-budget look to it, but most of the time this doesn't get in the way. The rest of the cast never comes up to McLaglen's level, and this is probably the main thing that keeps it from being better. It's still pretty good.The setup has McLaglen's character Marty, as a boy, as part of a five-member gang (which includes one girl) in Hell's Kitchen. Caught in the act of one of their crimes, Marty is the only one caught and sent to the reformatory. Then the main story starts, with the five of them now adults, and holding a reunion. As the only former convict, Marty owns a night club and gambling house, while the others include a singer, a priest, and two police officers.The story that follows tests the relationships among all of the old friends, and sometimes pits their new relationships against the old ones. As a result, there are some good moments of drama and suspense. McLaglen fleshes out Marty quite well, bringing out his character and the way that it has been shaped by events. If the other characters had approached his in depth, it could have been quite compelling.The rest of the cast is adequate, and the pacing also keeps things moving, but the one-dimensional nature of the other characters often keeps it from grabbing you as much as it could have. It's still well above average for its time and genre.