In truth, there is barely enough story here to make a film.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

A clunky actioner with a handful of cool moments.

An abstract claymation version of Edgar Allan Poe's famous horror tale. The lack of a proper narrative here ultimately makes one appreciate the original intent more readily than admire – or enjoy – the obvious effort involved. Admittedly, my low estimation of this short film has much to do with the fact that the verbose Czech narration was not supplied in an English-friendly form (being solely accompanied by Spanish subtitles). The original source material is among the tormented American author's most famous works which, consequently, has had innumerable adaptations for both the big and small screens; I have three of the latter planned for future viewing during this ongoing Halloween marathon. Again, the seminal Corman/Poe film version from 1960 is the most popular but one should not forget that the narrative can lend itself equally to Art – Jean Epstein's 1928 avant-garde classic – and Trash – Jesus Franco's REVENGE IN THE HOUSE OF USHER (1982)!

This version of "The Fall of the House of Usher" is amazingly strange--which shouldn't be much of a surprise since it's by the surrealist stop-motion filmmaker, Jan Svankmajer. Only he would make such an odd film. Think about it--the Poe story with absolutely no actors in it whatsoever! Instead, there is a narrator while all kids of weird things occur in a very old home which looks abandoned. You'll see closeups of walls, lumps of clay that mold themselves and a coffin that drags itself to an interment. None of it makes any sense--though that is exactly the point in a surrealist film. But, because it is so strange and difficult to approach, I can't see this art film appealing to most--just lovers of Svankmajer's work and people who like artsy-fartsy stuff. As for me, I can respect what he did, but I certainly didn't enjoy it very much.

In one of his two adaptations of Edgar Allan Poe stories - the other was "The Pit and the Pendulum" - Czech animator Jan Svankmajer creates a more horrific version than most movies ever have, namely since the black and white cinematography gives it a more Gothic feel. "Zanik domu Usheru" has the protagonist go to the house only to find the owner feeling ill and the sister moribund. But of course, there's something even uglier in store.Svankmajer puts his own spin on it, with the furniture moving on its own, among other things. Poe would certainly be proud of this. Definitely worth seeing.

Beginning and ending with the shot of a large raven, Jan Svankmajer's rendition of Poe's tale of The Fall of the House of Usher uses various stop-motion animation techniques to tell a riveting version with mold growing, chairs moving about, and the name of Roderick's sister appearing magicly in clay. All sorts of furniture rapidly departing (without the help of human hands) the house as it disintegrates adds a somewhat light touch to the story.