one of my absolute favorites!

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

The strength of The Fall of the Romanov Dynasty is its collection of significant historical scenes, and that is probably enough to enjoy the movie despite its half-hearted attempts at delivering political and social statements. Despite what the title of the movie would have you believe, this is not about the Romanov Dynasty, or rather it is only incidentally about the Romanov Dynasty. What this movie is about is the tumultuous time of human history in and around the World War, the Great War, the first war of its kind. It's a subject with such weight that it is best expressed through images and motion, making it ideal for a silent film.An actual documentary of the Romanov Dynasty would need additional context to express its point, but hundreds of soldier marching across a crowd many times that size, or an enormous ship sinking, are both scenes that can be understood without narration. The bulk of the film is a collage of these sorts of scenes, and choosing to watch that is sufficient reason to watch the film, but unfortunately there's more. The film decided it needed a message and motive, and the one it chose is the evils of luxury and capitalism and they're disregard for the common man. For a person that subscribes to the ideology some of the imagery can incite righteous anger, for a person who doesn't some of the phrases used feel a lot like propaganda In either case the effect feels inconsequential when compared to the other subject of the film, similar to how the gravity of the moon is important not nearly as relevant as the gravity of the earth.TL;DR: The movie has great historical footage of war and some of the important characters involved, but also scenes of workers, capitalists, estates, government officials, etc. that appear unnecessary and maybe even unwanted.

The fall of the Romanov Dynasty (1927), directed by Esfir Shub, is a documentary narrative constructed entirely of newsreel footage before the revolution. Her use of captions makes the film a lot easier for the audience to fully grasp the various scenes, which are presented to us in a sort of chronological order. At the beginning she provides us with a fairly obvious juxtaposition of the lives of the Imperial family and the poor working class. Depicting the gap between the lower class and the upper class, which only seems to be widening. A scene that seemed to especially show this was when nobles were having a tea party and once they were finished the workers would come in and clean up. There's a hint of bitter satire that can be felt throughout the entire film as an impending revolution is approaching, which seems to be unavoidable. This war that didn't seem to be supported by the general public and only benefited the Imperial family and his loyal subjects, which consisted of senators, civil servants, and the head of press. Had loss all support after the mass destruction leading to a revolt all because of the neglect from the Tsar and his ministers.

This insight into the events leading up to the 1917 revolution wasn't anywhere near as interesting as I thought it was going to be, largely perhaps because it was presumably made under the watchful eye of the Communist dictatorship meaning that what ended up on screen was always going to be one sided. Although it begins by showing the various elements of the Russian political, religious and societal landscape, the film does tend to focus more on the little man and the peasants and the impact the Great War had on the possibility for a revolution to take place. The old order are largely portrayed as malevolently grinning buffoons while the likes of Lenin are barely glimpsed at all. And while we see many shots of large crowds gathered in the streets of St. Petersburg, we see no riots or bloodshed and, essentially, fail to really get a flavour of the times and of how much excitement must have been buzzing around the city streets in those heady days. Those poor mugs must really have believed the days of utopian bliss had arrived

Fascinating collection of footage from the years 1913-17 focusing on the Russian Revolution. With an introduction by a Russian historian and cultural expert, it exposed a number of myths about the revolution and in particular, the Bolsheviks.With this gentleman providing a commentary over the footage that's happening and explaining the propaganda behind not only this film, but the three films that I'd seen by Eisentein, presenting them in a completely different light. Filmwise it wasn't anything special, however the informed commentary was riveting and helps you to understand a bit more about what actually happened, even if it only touches the surface.Watched in conjunction with Eisenstein's October 1917, Strike and Battleship Potemkin, these are essential viewing.