This movie is the proof that the world is becoming a sick and dumb place

Let's be realistic.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

This is an involved and engaging love story using Japan's involvement in WW2 as a back drop. It starts and ends with I believe a replicated scene that was based on actual footage that I remember seeing when I studied the history of the Second World War in the Pacific.There was nothing I didn't like about the film. I liked the characters, the plot and the CGI. Nothing overpowered any other part of the film.It is a long film at nearly 2.5 hours but I found it totally engrossing.A week after I saw it I watched it again with my daughter (who knows very little if anything of the Japanese involvement in WW2) and she enjoyed it also. She rated it 8/10I found it to be a refreshingly different portrayal of the other side in that conflict.Last Friday night a group of friends came around for dinner. During the meal I was asked if I had seen any good films lately. So after dinner we watched The Eternal Zero. Harry gave it 7/10, Vicky 8/10. If anyone else rates it then I will update this post.

Despite being one of the better films hiding among the titles on Netflix, 'The Eternal Zero' doesn't seem to have attracted much attention in the west. Given that it's a film that casts a sympathetic look at Japan's kamikaze pilots though that's not exactly surprising. It's already been subject to a wealth of controversy by critics in Japan and abroad, especially as there's one pivotal scene that compares them (favourably) to modern day suicide bombers. This is a shame because at it's heart, 'The Eternal Zero' is a defiantly anti-war movie and a genuinely moving one. Beginning at a funeral, it focuses on siblings Kentaro and Keiko Oishi and their quest to find out more about the Grandfather they never knew. They soon discover that their relative Kyuzo Miyabe was a fighter pilot that died in a kamikaze attack on an aircraft carrier but throughout the war, he was almost universally hated by his fellow pilots. They meet with several veterans who all accuse Miyabe of cowardice for avoiding combat at any cost and after being shouted at by several angry old men, are understandably keen to throw in the towel. Then they decide to go for one last interview and things start to get more complex.From there, the film unfolds Citizen Kane-style through interviews and flashbacks. It turns out Oishi was in truth a brilliant pilot, but one who also desperately wanted to live and return home to his wife. This made him thoroughly unpopular in a culture which at the time venerated the honourable sacrifice, but it also makes him something of a cypher character. Nobody in their right mind would want to smash themselves into a warship in a burning jet plane after all, so how does someone come to be persuaded to do that? And could it happen to any of us or was it something that only Imperial Japan could convince it's people to do?What follows is a moving story of courage disguised as cowardice and a man who firmly believed in life at all cost rather than pointless deaths. There's a few brilliant scenes where characters juggle certain death against uncertain life, not least where Oishi convinces a fellow pilot not to turn back for a suicide run, only to wind up suffering an even worse fate because of it. On a technical level too the film does a great job in recreating aerial combat through CGI (a practical necessity given the lack of functioning Zeros nowadays). The focus isn't on the combat though and anyone expecting constant dogfights will be disappointed. The Battle of Midway scene for example ends all too soon and often, we see the aftermath of battle rather than the battle itself. It makes up for it though in the human drama and when Oishi finds himself flying escort to his own students and has to watch them squander their lives pointlessly, it's both visually impressive and moving.Anyone who still harbours resentment for the Japanese and their actions during WW2 however will still hate this movie. There's no mention of the atrocities of Nanking or the mistreatment of POWs for example, but then they're not the focus of the film. This is about impressionable young men being brainwashed into throwing their lives away and their ancestors struggling to come to terms with it. In that sense, Kentaro and Keiko are representative of modern Japan itself; they don't have to approve of their own history in order to sympathise with it. This is a great film, but it'll provoke a heated argument or two, a fact which it foreshadows in a night out that goes disastrously wrong.

Deeply touching story, amazing acting, excellent FX and war recreations. The most important is the human perspective, the individuals outside the wrong or right of the history books. You will cry seeing this movie, and its fine. I do not agree with other reviewer about being a movie to "justify" Japan. Is a movie about persons, their lives and struggles in the most horrible point of human history and human nature. I took this movie, as many other war movies, as a message to the people so they understand this is the horror of war and how it affects people like you, this would happen to you or your people, this is what happened, happens and will happen. Outside the big story of battles, strategy, the macro history, the little stories of the persons, no matters which side. I'll save this movie next to Letters from Iwo Jima and Ünsere Mutter, Ünsere Vätter.

Eien no Zero was a big thing in Japan, basically everywhere you went you saw a trailer or a commercial for it, people at movie theatres cried during the movie. From a gaijins point of view, it was a interesting war movie, that showed so-called Japanese spirit, that went way overboard during the war.Before the movie I read the book so I knew what to expect and the movie was way better than I could have expected. Everything felt authentic, moments in modern days didin't feel too long or jarring. People next to me were crying during the movie and I can see why. People who are nowadays called "terrorists" or "cowardly suicide bombers" were people fighting for their country, for their ancestors and their future. most of them knew that they would die during the battles, but they had to continue or they would be traitors.I really recommend this movie, If you are interested in Asian drama or war movies, this movie is for you.