This Movie Can Only Be Described With One Word.

Plot so thin, it passes unnoticed.

Perfectly adorable

Load of rubbish!!

So much so that I wonder if George Stevens watched this movie more than a few times. The plots are quite different, but they're both stories of the adult lives of men whose genuine greatness isn't really revealed until the end. It also amazes me that this was filmed during WWII with references to real battles.Powell is one of those forgotten directors of yesteryear but his films are enjoyable, right down to how he does the credits. And he wasn't afraid to poke fun at stereotypical British-ness. This film is in turns mildly humorous, sentimental, a little philosophical, but mostly a character study. Deborah Kerr plays three separate roles-maybe her best acting, certainly my favorite movie of hers.

A very odd and fascinating film tracing the military career of a hotshot Englishman.That the film is both odd and fascinating should come as no surprise to anyone, since it was created by the team of Michael Powell and Emeric Pressburger. While watching the film, I felt its length and checked my watch a couple of times. But days after I'd seen it, I found myself thinking back on it, and I realized how much I liked it. It's the kind of movie I want to see again, because I have a feeling it would grow richer with multiple viewings.Roger Livesey gives a spectacular performance as the main character, authentically maturing and aging before our eyes from young go-getter to old man being left behind by changing times. Deborah Kerr is also radiant and lovely (was she ever not?) in fulfilling one of the film's most charming conceits -- she plays different women who come in and out of the life of our hero but who all remind him of his first and true love.The movie makes some pretty shocking points about war given that it came out while WWII was raging. So many war-themed films of the time were propaganda pieces designed to make the Allied Forces feel heroic and noble for stepping up against evil forces. But this movie suggests there is no such thing as a gentleman's war, that war is ugly and that one side has to be willing to fight uglier and dirtier than the other to ensure victory.A mesmerizing film.Grade: A

J. Arthur goes for quantity rather than quality is this interminable life story of a British officer, not a comedy as the comical newspaper character and whimsical incidental music implies, but a contemporary wartime drama, with some lovely swing and German music.The officer falls in love with a woman with extraordinary hats (one with an entire dead bird sprawled down the front) who ends up marrying a German officer in 1902.They later meet in WW1 and in WW2. Despite the title, the soldier is still alive at the end of the film. Product placements – Fry's cocoa and W. H. Smiths (newsagent).

'Colonel Blimp' is a difficult film to explain. First of all, 'Blimp' has little to do with its protagonist who's named Major General Clive Wynne-Candy. Colonel Blimp is actually a comic strip by David Low which was popular when the film was made in 1943. The comic features a stereotypical Englishman, known for his pomposity and was written by Low to satirize what he perceived as the reactionary views of certain politicians of the time (including Winston Churchill). Director Michael Powell indicated that the film is really a tribute to those who maintain their dignity, in their old age.The film begins awkwardly in the present time of 1943. Wynne-Candy is now the leader of the Home Front, staffed with civilian volunteers and retired military men such as the General himself. Wynne-Candy is about to get his comeuppance at the hands of 'Spud' Wilson, the young lieutenant who also happens to be the boyfriend of Wynne-Candy's driver, 'Johnny' Cannon (role #3 played by Deborah Kerr). Spud breaks the rules by using Johnny as an unwitting spy, gathering intelligence on the General's plans during war games between the General's group and his. We then flashback to the time of the Boer War in 1902, where Wynne-Candy is on leave and receives a letter from Edith Hunter (Role #1 played by Kerr), a friend of a friend, who is now working as an English teacher in Berlin.Edith complains to Wynne-Candy in the letter that a German, Kaunitz, is spreading lies about the conduct of the British Army in the Boer War. Against orders to intervene in a diplomatic matter, Wynne-Candy confronts Kaunitz in a café, who slaps him, and then Wynne-Candy manages to insult the entire Imperial German Army Corps. He ends up in a duel with a German officer, Theodor Kretschmar-Schuldorff, played by an excellent Anton Walbrook, and they both end up hospitalized. An unlikely friendship develops between the two men at the hospital, despite Theo's limited grasp of the English language (the running joke is Theo's response of 'very much' to almost every comment he responds to). At the end, Edith falls for Theo and we never see her again. All this would be mildly interesting (and/or entertaining) except for the fact that the scenes are drawn out for way too long and is done in the style of the typical drawing room comedies of the time.Now a Brigadier General in the First World War, Wynne-Candy ends up meeting a young nurse, Barbara, (Role #2 played by Deborah Kerr) who he eventually marries. There's an interesting scene where Wynne-Candy finds out that Theo is now interned in a British prisoner of war camp following the Armistice. Theo refuses to speak to him presumably because he doesn't want to appear as a collaborator in front of his fellow prisoners. But later, about to depart for Germany, Theo calls the General, who brings him out to meet his various cronies, all a bunch of stuffed shirts. This group collectively personifies the title character. They all act as if the war never happened and want to be immediate friends with Theo, who after leaving the party, speaks of the group contemptuously, indicating that the British are 'weak'. Wynne-Candy is no different from his colleagues in their naive belief that the enmity between the two nations will soon be forgotten!In perhaps the weakest part of the film, time passes in a series of montages. In one instant, a newspaper clipping from 1926 notes the passing of Wynne-Candy's wife. When Theo re-appears at an immigration hearing in 1939 in England, he reveals that Edith too is dead. So Powell manages to ensure that we learn virtually nothing about each of these female characters. Meanwhile, Theo, who looked like he was fast becoming a hardened Nazi when he gets on the boat back to Germany in 1919, now is a virulent anti-Fascist, after presumably softening up, following the death of his wife. Unfortunately, all of this plays out off-screen. Had the duel machinations perhaps been a bit shorter, there could have been some scenes, effectively depicting Theo's transformation.Following Britian's entry into World War II, Wynne-Candy's dark moment comes when his BBC speech is canceled. Acting like the pompous Blimp, Wynne-Candy wants to employ 'nice guy' tactics against the Nazis and argues that the British shouldn't stoop to their level, when fighting them. The 'gentleman warrior' is deemed irrelevant and is forced to retire from active service. Theo also lectures Wynne-Candy on the necessity of pulling out 'all the stops', in the war against the Nazis.We're now back to the present time, in the middle of those War Games between Wynne-Candy's Home Front and the regular army. Wynne-Candy is literally caught with his pants down, while he enjoys himself in a Turkish bath. While at first, he's humiliated by the young lieutenant's 'below the belt' tactics, and plans on punishing him, he recalls his own youth, when he disobeyed orders and confronted the wretched Kaunitz in the café. Realizing the error of his ways, he decides to invite the lieutenant to dinner. The older codger is not so bad after all, finally realizing his error in not adapting to the new times.Deborah Kerr was a beautiful woman who sadly here has little to do in her three roles. Roger Livesey is saddled by the weak character of Wynne-Candy, who is both noble as the principled soldier and buffoonish, in his desire to ingratiate himself with just about everyone he meets. Only Walbrook as Kretschmar-Schuldorff, steals the show, with his nuanced performance as the bad guy/good guy Teuton.'Colonel Blimp' will keep your interest more as a period piece than a great work of art. In the earlier scenes it needed to be more compact and at the mid-point, more detailed. At the end, its message is spot on, but comes off as agitprop, rather than compelling drama.