The Forest
The Forest
| 01 November 2002 (USA)
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Young man, of Portuguese nobility ascendancy, starts working in a rubber plantation in the Amazon, in 1912, and falls in love with pretty Yayá, a married woman.

Reviews
Incannerax

What a waste of my time!!!

ThiefHott

Too much of everything

Protraph

Lack of good storyline.

Fulke

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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hfazevedo

This film is based on the same name book of the Portuguese writer Ferreira de Castro. Because his monarchical ideas, the writer was forced, at the beginning of the 20th century, to emigrate to the Amazon forest, an unforgettable ind inhospitable place. The film biopic represent this phase of their incredible life. I love this Portuguese film.

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mario_c

Adapted from a Novel by Ferreira de Castro (a Portuguese writer from the XX century) A SELVA is nice co-production between Portugal, Brazil and Spain, directed by Leonel Vieira. I didn't read the book so I can't tell about the novel itself or its adaptation to the screen, but I can tell you I did enjoy the movie and the way it was directed and produced. The cinematography is also good. I think it's visually very strong and beautiful. And about the production I must say it's above the average Portuguese movie! Probably because it's an international co-production and probably because it had more money than the Portuguese movies use to have, but a nice job was done anyway. The acting is very nice too. It was interesting to see actors from three different nationalities work together so well. The soundtrack has the typical music of an epic story but it's a bit unoriginal and repetitive. Overall I think A SELVA is one of the best movies in Leonel Vieira's career and undoubtedly one of the best (co-) productions of the Portuguese cinema ever. I score it 8/10 (one extra point for the nice production).

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valadas

This movie is inspired in the novel by the Portuguese writer Ferreira de Castro which was a best-seller in 1930 and was translated in several languages. In 1912 a Portuguese young man comes to Brazil running away from the Republic which had been proclaimed in Portugal in 1910, since he was a monarchist. He is educated (can even play the piano) but he gets only a job as "seringueiro" (rubber-gatherer) in a remote place in the Amazonian jungle which is almost like hell. The law there is the will of the white owners of the ground where the rubber trees grow and their foremen which can punish the workers (mostly Negroes or half-caste) by whipping or even killing them by such faults as not producing enough work or trying to escape, in a system akin to slavery. The workers while working in the forest are also subject to attacks by savage Indians tribesmen and wild animals such as ounces and jaguars. After a certain time the young man gets some kind of "promotion" and comes to work in the store and the office of the rubber estate where he gets better treatment and is even admitted at the table of the owner. There he falls in love with the beautiful book-keeper's wife which will bring him a lot of trouble in that kind of milieu. The movie is very well made and shows in a very realistic way the daily life in an Amazonian rubber estate. It's served by an excellent cast of performers including those who do the roles of the semi-slave workers. Its only flaw in my opinion is its inconclusive end after the final very violent scenes of the climax. But a good movie in any case.

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Dockelektro

They tried, for the very first time, to do a movie, a portuguese movie, that finally knows how to use the amount of money it has on his shoulders. They tried, for the very first time to make a movie that manages to take people to the theaters and not make them think it's another portuguese movie. But Leonel Vieira already has been trying to do this with his previous features. So have they succeeded? Almost. The movie is the greatest technical achievement in portuguese cinema. For the very first time we have a film in Panavision, and for the very first time with a real symphonic score. It is a pity, then, that they chose such a weak actor to play the main role. Diogo Morgado tries, but he has too few lines and not a sign of character depth. The supporting characters are way better. Anyway, I hope that Leonel Vieira continues developing this taste for movies made for the audience... i sure wanna make them that way someday...

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