I like the storyline of this show,it attract me so much

Instant Favorite.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The acting in this movie is really good.

I wasn't sure what to expect of this movie But I enjoyed itI found the girl to cute to evil but boy was one evil girl, but hers eyes scenes got really annoying At timesThe plot was a little , girl been adopted into family , with number of kidsThere others kids starts to killed of one by one years apart for skme odd reasonWe only get to see the aftermath of the deaths I liked one strange scence , which really wearied but great to watch6 out of 10

The makers of this decent horror drama do get high marks for good intentions here. Their film does score to a degree by focusing on the human element, as the devastating effects of tragedy hit a young country dwelling couple. This couple, Alan (Malcolm Stoddard), and Kate (beautiful Cyd Hayman), already have four children of their own. They meet a mysterious, pregnant stranger (played by Angela Pleasence, the daughter of Donald P.) who gives birth in their home and promptly disappears. They keep her baby as one of their own, but their own children start dying under mysterious circumstances, starting with their infant. Alan comes to believe that the new kid, Bonnie (played at different ages by Wilhelmina Green and Joanne Boorman), is responsible, but Kate just can't accept that this adorable moppet could possibly be a danger.This may be too slow and quiet to suit some horror fans expecting something more along the lines of "The Omen". It really does stress its dramatic elements more than anything, shying away from anything such as graphic violence. It does have a suitably eerie mood, beginning with the effectively enigmatic performance by Ms. Pleasence. The rest of the cast, including Patrick Barr as the sympathetic Dr. Collins, does fine work. Location shooting is good and atmosphere is strong but the music by Roger Webb is a little overbearing. The script is by Olaf Pooley, based on a novel by Bernard Taylor, and the film is dialogue heavy, with producer / director Gabrielle Beaumont (making her feature debut here) never rushing through the story. The ending fails to be completely satisfactory; in fact, it's kind of abrupt, but overall those genre fans who prefer subtlety may find it to their liking.Six out of 10.

I saw this movie about 3 years after it came out, and actually enjoyed it. It moves a bit slow for American viewers, and yes, it is terrifying, especially if you have children. The next few months of my life were made frightening by my 4 year old (at the time). It seems her dad let her watch the movie and she followed me around the house saying "mummy? mummy? I love you, mummy..." in the exact tone and accent as the evil child character. So, if you're into twisted, suspense, and totally scary, this movie is for you. If your into action (ex. XXX), this one is too slow for you. Just don't let the kids watch it. Oh, yeah...it's NOT a happy ending.

"First there was ROSEMARY'S BABY. Then THE OMEN. And now, a tale more suspenseful, more frightening than either... As the snow fell in New York, I took this video out of my video closet. The box looked interesting, with this quote on the back. On the front, there was an upside-down cross with the two eyes peering at me. For an instant, I thought this was going to be an Oscar worthy rip-off. The film started nice enough, opening with pretty views of the English countryside. A family was playing in the meadow, when a stranger came and asked if she could stay. She was pregnant and needed a place to give birth. Well, she gave birth that night and left the next morning. Then in pitiful fashion the baby, now a girl, kills all the "sibling competition". Now, I started wondering about halfway through the film, what was I watching? The girl resembled Drew Barrymore in "Firestarter". It was like: "The Omen"+"Firestarter"+A Daytime Soap all in one. The big killings are done in 30 minutes, the other hour was basically spent with the parents fighting. The father wanted to get rid of her, the mother wanted to keep her. And as if that was bad, the ending was so contrived. It was clear, the movie was over after 30 minutes. The filmmakers desperately needed to end the film. But there was no way to do it. The ending came so abruptly, that I must say seeing those red credits on the screen must have been the scariest part of all. At any rate, avoid this one and rent "The Omen" again!!