The Great Mr Handel
The Great Mr Handel
| 09 November 1942 (USA)
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This classic film reveals how the great composer Georg Friedrich Handel rose above the personal anguish and difficulties in his life to create the sublime musical composition, The Messiah.

Reviews
Interesteg

What makes it different from others?

GamerTab

That was an excellent one.

TaryBiggBall

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

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Hadrina

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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martin-fennell

A biopic that is different than usual/ How much of it is true, and how much invented by screenwriters, I have no idea. What makes it different is the absence of romance. Also when Handel turns to writing the messiah, he actually does write, and for more than a few minutes. The only real criticism, i have is that the religious visions could have been left out. In the title role, Wilfred Lawson is excellent

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malcolmgsw

This is a dreadfully dull biopic in an era of stodgy biographical stories.Probably made for propaganda purposes.The best aspect of this film.The sort of colour that seemingly could only be achieved by early three strip Technicolor.Jack Cardiff receives a credit as one of the cameramen.Wilfred Lawson plays the title role with a truly dodgy German accent.This film really represented the pinnacle of his screen career,partly due to his alcoholism.By the fifties he had slipped well down the cast and was playing character parts with that rich fruity voice.Sadly this is a very dull film whose narration is partly explained by lengthy interrupted.In truth this film is only likely to find favour with fans of his music.

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bkoganbing

One thing Winston Churchill and Adolph Hitler had in common was their belief in the power of film as a medium. Hitler had Joe Goebbels cranking out propaganda films for the morale and Churchill gave generously to the British film industry for certain films he deemed important. One of them was Laurence Olivier's Henry V and another was J. Arthur Rank's production of The Great Mr. Handel.For those who don't remember their history the United Kingdom at the point our story begins was ruled by George I of Hanover who spoke no English, but was the closest unquestioning Protestant heir. George was Duke of Hanover and held a nice chunk of German real estate in the middle of that then geographical expression called Germany. A lot of Germans were able to emigrate to Great Britain to seek their fortune and composer George Fridrich Handel was one of them.George I dies and George II whose native tongue was still German was now king. But his lack of English and boorish conduct in general like his father didn't near and endear him to many. His son however Frederick the Prince Of Wales had his own following.Most of this film is taken up with a rather stupid quarrel that Handel has with the prince and Frederick's attempts to ruin him artistically. Back then artists of all kinds depended on the patrimony of the wealthy and getting out of favor with royalty was not something the wealthy wanted. And Handel was an irascible stubborn guy who was not about to kowtow to anyone even for his art.Wilfrid Lawson plays Handel and Max Kirby the Prince of Wales. Elizabeth Allan is the actress/singer Mrs. Cibber who sang much of Handel's work. It's interesting to compare Lawson's Handel with another film about Handel where Trevor Howard plays the German expatriate composer from his deathbed as he reminisces about some focal points of his life. I think Howard caught the man a lot better, his raspy voices was made to play curmudgeons.Still classical music fans will like this film.

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Ana_Banana

This movie seems to sum up the dull, pompous Victorian view on Handel. It focuses on his premiere of "The Messiah" (Dublin, 1742), with all the virtuous clichés that have transformed for a while that masterpiece and the untamed Handel in a sort of propagandistic stuff. In war-time, it was understandable England's desire for something stimulating and "British". Ironically enough, Handel was a German, remember? Why didn't they represent him more vigorous, irascible, jolly and enthusiastic (this was also one of his faces, especially while dealing with music, I suppose)? Who knows... Such castrated and didactic views are repelling young people from the great music and the great figures of the past. Too bad. The leading actor was so melancholic all the time!

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