The Hellcats
The Hellcats
R | 08 May 1968 (USA)
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The brother and fiancee of a dead policeman infiltrate a female-led biker gang to uncover his murderer.

Reviews
Karry

Best movie of this year hands down!

Stometer

Save your money for something good and enjoyable

FirstWitch

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Deanna

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Michael Ledo

A biker group is used to deal drugs from Mexico. An undercover agent is shot and his military returning brother, Monte (Ross Hagen) infiltrates the group according to the formula. Also his brother's fiancée infiltrates too. Monte makes out with all the girls to get information...I think that is what they were doing as those scenes were always covered in a blanket. We don't want to offend the eyes of the other bikers.As for the DVD cover...Now there a woman with an eye patch who Monte lovingly called "cyclops" and her response was "What's a cyclops?" Clearly a victim of the public schools. Now I don't recall her or any other women swinging a chain, although one did take off her belt and used it like a whip...oops that was near the end, sorry for the plot spoiler as if you are going to actually watch this stinker.Guide: No swearing sex or nudity in this biker film. Available on multi-packs.

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Woodyanders

Army Sergeant Monte Chapman (stiffly played by Ross Hagen) returns from the Vietnam war and poses as a biker to get the goods on the no-count drug dealing Harley hounds who killed his undercover cop brother. His brother's fiancé Linda Martin (pretty blonde Dee Duffy) helps Monte out. Sound exciting? Well, it sure ain't. Still amusing and entertaining just the same? You bet. This flick is often downright mesmerizing in its mind-numbing badness. Boy, does this hilariously horrendous honey possesses all the right wrong stuff to rate highly as a real four star stinkeroonie: flat direction by Robert F. Slatzer, uniformly atrocious cardboard acting, grainy, ratty cinematography by Gil Hubbs (the queasy use of zoom-in close-ups are guaranteed to make you sick to your stomach), a plodding pace, dreadful dialogue (sample line: "Back off Six Pack -- it's too early and I'm too sober"), a hopelessly dated "groovy" 60's psychedelic rock soundtrack, sporadic outbursts of extremely mild violence, a stupefying surplus of tedious talk, a meandering narrative, and plenty of ridiculous filler (according to this film bikers love to drink all the time, dance like crazy while blasted out of their skulls, and make out as often as possible). The bikers themselves are a colorfully scruffy bunch; my two favorite cycle savages were Tony Lorea as drunken lecherous slob Six Pack and Eric Lidberg as severely addled acidhead Hiney. The motorcycle mamas are quite the collection of hotties as well, with ravishing redhead Sharyn Kinzie taking the grand beauty prize as the fiery Sheila. A genuinely good movie this most certainly isn't, but its nonetheless an oddly entrancing and enjoyable piece of jaw-dropping dismal junk.

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Scott_Mercer

I've seen a lot of these 1960's biker movies. They are one of my favorite movie genres. Only a few left that I haven't checked out. If you check my other reviews, you'll see this to be the case.This one is a complete mess, but if you're looking some primo ATMOSPHERE, this clunker has it in spades. Plenty of filthy bikers, hot biker chicks (including Cyclops, the bad-ass chick with an eye patch!), drinking Miller high Life, selling dope, and like most biker films, implied rape.But if you want a good plot, 'fraid you're too square for the room, fella. What plot there is involves Ross Hagen (late of The Sidehackers, The Devil's 8, and Speedway, plus an infinite number of TV guest shots...and still acting, bless him! UPDATE 2012: Ross was still acting when I wrote this review, but he is no longer with us, R.I.P.) as a gormless straight who "goes undercover" and infiltrates a sleazy biker gang to get his own personal brand of revenge. (A tired plot device shared with several other 60's biker flicks, including the Mini Skirt Mob, Hells Angels '69, and my personal favorite, The Tormentors.) See, his brother got offed by these unshaven scumbags and he's gonna take them down! Payback is a bitch, man. He's joined by his brother's foxy, but not too foxy, fiancé. They're just waiting for the right moment to get their revenge! Meanwhile, they ride around on bikes, fist fight, and drink Miller High Life.There's some other nonsense regarding dealing large quantities of narcotics and the police attempting to keep an eye on the gang's nefarious activities. Of course, these plot threads, threadbare as they are, join up at the end. Or do they? The plot is so weak it was kind of hard to tell exactly what was going on. In fact, the cruddy VHS dub I had featured muffled sound, making most of the dialog hard to fathom.I have to say I gave this movie a 4 because I thought the music was pretty cool; some actual '67 garage band cuts, plus some really lovably overdone canned production background music that was probably left over from 77 Sunset Strip. Plenty of bongos in evidence. There was even a soundtrack LP released, which I believe somebody recently reissued in the past couple years. "Groovy, man." So there you have The Hellcats. No plot at all, but plenty of Sixties biker gang atmosphere and neat music. If that's enough to intrigue you, give it a try. If you haven't seen any of these Drive-In motorcycle movies before, start off with a better one like THE WILD ANGELS, or better yet, THE TORMENTORS, which is utterly preposterous, but hilariously so.

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Jawstaysun

Am I imagining things, or in the Moonfire Inn "party scene", did a dude lick another dude across his chest?When the police chase the motorcycles down the highway, what was the reason? Is it normal in California for the police to chase any citizen on a motorcycle leading to the chasee's death?What was going on with the blonde bimbo out in the desert? If she was a prisoner, why did she not just run away when the biker chicks arrived?Did I really see a naked woman having her "portrait" painted only to have the painting destroyed for no real purpose other than to fill up time?Dude, what was I smoking?This movie is prime time fodder if you are wasted, man! Peace!

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