I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Story: It's very simple but honestly that is fine.

Ever since my Dad began 'blasting' the 'vinyl album' of "The Wild Angels Vol.2" back in the early 1970s when I was a child; and, after I began sneaking that album into my room when he was at work; I began to relate this Rock-N-Roll movie-music I love to this day (POWER-CHORD, ASS-KICKING ROCK-N-ROLL) to what sounded to me as if Keith Richards, Ray Davies, Peter Townshend, got together with Duane Eddy, and, some others, and, created "Magical Movie Kick-Ass Rock-N-Roll" for 'Biker exploitation movies!' HOWEVER...IT WAS "MIKE CURB"...ALL BY HIMSELF! The Greatest Rock-N-Roll Movie-Star Musician whom 'NO ONE' has ever even heard of!?!?"Easy Rider" is a classic...NO DOUBT, and, it has original music by Rock-N-Roll stars of the day! But, movies like "Devil's Angels;" "The Wild Angels;" "The Glory Stompers;" "Hells Angels On Wheels;" "The Born Losers;" etc...and, even the Clint Eastwood classic "Kelly's Heroes," had music by Mike Curb (at this time, The Mike Curb Congregation)...and, it's all GREAT MUSIC! These 'biker movies' were an 'institution,' just as the 'beach party' movies with Annette Funicello (BEAUTIFUL LADY) and Frankie Avilon were an institution. These biker movies were GREAT 'Drive-In' movies that kept your attention when you weren't fondling your date. These biker movies represented the time in which they were made; they had GREAT MUSIC (thanks mainly to Mike Curb); and, in many ways, they were fun to watch.They never intended to become Academy Award Winners, but, they were good and they kept your attention at the Drive-In! :) God...I miss the Drive-In Theaters SO VERY MUCH! :(

Devil's Angels (1967) ** (out of 4) AIP biker flick is yet another take on THE WILD ONE. Biker Cody (John Cassavetes) wants to find his gang a "Hole in the Wall" just like Butch Cassidy's gang but soon they run into a Sheriff (Leo Gordon) who they're able to make a deal with but the locals have their own plans. When AIP had a hit with THE WILD ANGELS they quickly threw this film into production and while it's far from a classic there's no doubt that it's at least entertaining and fans of the genre should have a good time with it. It's funny to think that the entire film we're supposed to be rooting for the bikers but when you view this film today, and I'm sure it was the same in 1967, you can't help but look at them as the bad guys. They're rude, loud, obnoxious and I don't see how anyone could agree with the stuff they're doing through the first hour of the movie. So, how did the producers try to make us like them? By throwing in equally dumb and obnoxious locals including a Mayor who decides to best way to teach the bikers is to accuse them of rape, which of course just leads to a whole 'nother battle. As with THE WILD ANGELS, the material is handled a lot more serious than most biker movies from this era. What violence is here is usually in the background and there's not even any nudity, profanity or other things like that. As straight as the movie is, there are a few campy moments including a bit with the boys filling up their gas tanks and then not having the money to pay for it. The final courtroom sequence also doesn't do anything but it's a pretty funny form of justice. Cassavetes is obviously way too talented for material like this but his performance certainly raised the quality of the film. Beverly Adams and Mimsy Farmer are both fun in their roles and Gordon does a nice job with the Sheriff. Non-genre fans might not find this worth sitting through but fans of the genre will want to check it out at least once and especially with dialogue like "When God created woman he made her pretty stupid."

A quickly made follow-up to AIP'S ''The Wild Angels'', ''Devil's Angels''nevertheless provides solid entertainment, as well as some good acting from a game cast. John Cassavetes stars as the craggy head of a motorcycle gang who decides to lead his fun-loving bunch to a mythical place he calls ''Hole In The Wall''.This Nirvana is supposedly a hide-out he has heard of, where they won't be bothered by the outside world of ''Squares'' and can happily debauch to their heart's content. This group, however, is nowhere near as savage as ''The Wild Angels'', and their idea of fun is taking apart a little country store, stiffing the owner, and setting fire to the camper of a couple unlucky enough to accidentally knock over one of their ''Hogs''. But the story turns ugly when they stop in a small town and are accused of rape by the local yokels. Cassavetes brings a certain likability (and even a sense of honor) to his part, Leo Gordon is his usual proficient self as the local Sheriff, and, as a nice, but reckless girl who chooses to party with the gang, Mimsy Farmer (in the second of three films she made for AIP) is lovely and persuasive. The gang members are mostly convincing as well, though Beverly Adams, sporting a Vidal Sassoon haircut (courtesy of her future husband)and an enormous pair of false eyelashes, simply looks ridiculous as Cassavetes main squeeze. The widescreen photography is great, as is Mike Curb's music score, with many numbers performed by ''Angels'' alumni,Davie Allan And The Arrows. ''Devil's Angels'' has just been officially released on DVD by ''MGM'S Limited Edition'' label, and it's uncut, in widescreen, and looks fine. Previously available only as a full-screen VHS tape, double billed with a forgettable TV-movie, ''Return Of The Rebels'', this DVD is a welcome addition to any ''Biker Film''collection.

This is not a great movie, and it never was. But today, the period foolishness in telling the story of poor, misunderstood counterculture bikers is a hoot! The bikers flaunt their bad-boys image and behavior, but then bemoan the harsh treatment they get from the "citizens" they despise. They--and this film--want it both ways. If this was a new film, I would be more critical of it, but as it is, it's a wonderful time capsule of '60s film-making and ideology. The acting and dialog continually swing from wooden and contrived to endearing and dramatically believable. Cassavetes was truly a talented actor, and this otherwise low-grade movie proves it. I am much more fond his gang leader character than the script or production warrant.