Self-important, over-dramatic, uninspired.

Plot so thin, it passes unnoticed.

one of my absolute favorites!

The film makes a home in your brain and the only cure is to see it again.

I would retitle this the not very funny posters. It's the same old idea of a set of eight posters, with various subjects, coming to life. It's just that the things they do aren't very interesting. They dump stuff on people. They fight. Melies came a long way in his films. A few of these later ones just don't cut the mustard.

'The Hilarious Posters (1906)' is a clever effects film from French cinemagician Georges Méliès. A workman affixes a giant poster to a wall and departs, before all the posters come to life to cause mischief. A group of policemen arrive on the scene, but are bombarded with flour, and the poster-figures eventually escape into the real world. The transition from the two-dimensional posters to their flesh-and-blood counterparts is a little abrupt, and might have worked better as a slow fade, but otherwise the effect is impressive. Méliès must have built a nifty film set to house each of the poster characters in the one frame, especially the figures in the top poster (who are depicted, unlike their companions, in full profile). The visual effect - that is, an assumed still image suddenly coming to life - mirrors the advent of cinema itself, at which photographs were suddenly made to move. Méliès later wrote of his first experience with cinema: "a still photograph showing the place Bellecour in Lyon was projected... I had hardly finished speaking when a horse pulling a wagon began to walk towards us, followed by other vehicles and then pedestrians, in short all the animation of the street. Before this spectacle we sat with gaping mouths, struck with amazement, astonished beyond all expression." By recreating this experience with posters we at first assume to be two-dimensional and lifeless, Méliès makes a self-reflexive statement about cinema itself.

Another bizarre little tale from the warped imagination of French pioneer Georges Melies, this short film lacks his usual smooth technique but compensates by delivering a truly original and entertaining piece of nonsense.The action centres around a set of posters that come to life and interact with each other and, eventually, on passers-by. The police get involved and it's not long before the arm of the law is being pelted with flour and soaked with liquor. Although the use of stop-motion here is a little ragged, Melies pretty much gets as much mileage as it is possible to get out of a wall full of posters...

Director Georges Méliès was well-known for his absolutely astounding creativity and camera tricks in the very, very early years of films. No other director came close to him in these respects and he is my favorite early film maker. While this is a super-original and clever film, I must admit that the camera tricks look pretty primitive compared to his other works. But, considering just how funny the film it, I can forgive this.The short film starts with a couple guys putting up some posters. Then after they leave, the posters come to life and some even leave their frames and play pranks on each other AND unsuspecting passers by. This ultimately leads to a funny showdown with the police. A cute and amiable little film.If you want to see this film online, go to Google and type in "Méliès" and then click the video button for a long list of his films that are viewable without special software.