The Hotel New Hampshire
The Hotel New Hampshire
R | 09 March 1984 (USA)
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Over the course of several years beginning in the 1950s, a man and his oddball family run hotels in New England and Vienna, as unexpected events change their lives forever.

Reviews
Perry Kate

Very very predictable, including the post credit scene !!!

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Exoticalot

People are voting emotionally.

PlatinumRead

Just so...so bad

CommentsXp

Best movie ever!

adonis98-743-186503

The film talks about a family that weathers all sorts of disasters and keeps going in spite of it all. It is noted for its wonderful assortment of oddball characters. The Hotel New Hampshire is weird, confusing and even a bit lame, the film starts with a Bear riding a bike and going threw a table, then it gets even crazier when it chases a motorcycle and Rob Lowe goes in a fast forward and as a whole the movie is weird and the acting isn't that good and overall it's a waste of time. (0/10)

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TedMichaelMor

The film is John Irving weird and thus delightful in its way. The sense of light in the film is what delights me, almost delights me most about the movie. I recall lines from an Alun Lewis poem "Remember in the play of happiness . . . the joy is in the sharing of the feast. . . . ." I think that is what makes this film—a sense of shared joy, of exultation. The interplay of symbols and references passes easily enough and one almost smiles—almost.What most deeply touched me was the character Lilly. I know her. The image of her not passing the windows but going to them while the wind blows through the large empty room echoes many films after the gentle scene of Lilly returning to her typewriter to write the simple message, "Sorry, just not big enough. " I have been there and know why she refuses to pass the window.For me, that is all the film really needs to be outstanding. That is the film for me.

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james higgins

This offbeat and quirky comedy is a bit too pretentious to work. It's an interesting cast, and most try but none of the characters are likable. They are too dysfunctional and bizarre and director Tony Richardson never develops them past the superficial characters they are. It goes on way too long for a film of this type. It's very disjointed and never appeals to the viewer like it should. And even though the humor is dry, I was rarely amused. Richardson's quest to be avant-garde and original misfires and we are left with a cold film with no substance. Rob Lowe is in over his head, Jodie Foster is quite good though, and Paul McCrane and Wilford Brimley do well. The rest of the cast is unremarkable.

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silvergirl606

I have never read any John Irving, but based on this movie and "Simon Birch", the man is either a jaw-droppingly terrible writer, or he has the worst luck in movie adaptations of any author in history.This movie lost me in the first five minutes. The plot is impossible to follow without confusion. There are in fact 147 different plots, each more absurd than the last. The most absurd being the campy terrorists whose plot is never explained. Characters die and their family members never seem sad. It's impossible to tell how much time has passed. Characters wander in and out without explanation. The dialog and characters are laughable and totally unbelievable. Even good actors like Jodie Foster are awkward and are always a beat off.The slapstick attempts at humor made me cringe (to say nothing of the incest.) The gang rape and multiple deaths of family members made me laugh, because I didn't believe in the characters or the situations.When Jodie Foster's character is raped I was disturbed for a moment. But when her brother and a gang of black students rush to the rescue, and Foster's character makes some crack about "same old Halloween" I laughed. I laughed harder when they bring her home and she just wants to recover from the experience by cuddling with dog...WHO THE FATHER HAS JUST HAS PUT TO SLEEP. The girl is gang raped and her father put the dog to sleep without telling her. This is better than "Degrassi" or other after school specials, and cannot be taken at all seriously.Perhaps some things were meant to be surreal or blackly humorous, but none of the humor or the surreal impossibility of the many plots seemed intentional.Perhaps Irving is a good writer, but I wonder after the campy mess of an acid trip of this film and the soppy diabetic mess of "Simon Birch." If you enjoyed "Plan 9 From Outer Space", you should pick this film up. Oh hell, it's a masterpiece that will have you laughing, laughing, cringing, and hitting your pillows and screaming "WHAT THE FCK?!!!"

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