The House of the Seven Gables
The House of the Seven Gables
NR | 12 April 1940 (USA)
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In 1828, the bankrupt Pyncheon family fight over Seven Gables, the ancestral mansion. To obtain the house, Jaffrey Pyncheon obtains his brother Clifford's false conviction for murder. Hepzibah, Clifford's sweet fiancée, patiently waits twenty years for his release, whereupon Clifford and his former cellmate, abolitionist Matthew, have a certain scheme in mind.

Reviews
EssenceStory

Well Deserved Praise

2hotFeature

one of my absolute favorites!

Freaktana

A Major Disappointment

Orla Zuniga

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

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clanciai

Few great novels have been altered so completely for the screen as this one, but the result is, to say the least, interesting, and actually not worse than the book; lighter, of course, but adding very much to it of good quality, especially by the outstanding acting throughout, among which Vincent Price and Margaret Lindsay make very memorable performances. There are some scenes which go directly into your heart that the book is lacking, and no one can remain unmoved by the very deep human emotions around Clifford Pyncheon's homecoming after 20 years in prison. George Sanders is the usual outrageously elegant crook with unshakable superiority of wealth and confidence - in the book he dies in the library without pains in his sleep but surrounded by the ghosts of all his ancestors deeply loaded with vice. There are no ghosts in this film, there is no need for them, as the alternative story to the book's is quite enough of human interest.Another factor raising the film to a considerable level is the music. There is no music even mentioned in Nathaniel Hawthorne's novel, but here it is made to play an important part, underscored by Frank Skinner's wonderful score, and Vincent Price even sings and sings well.In brief, it's not a very extraordinary film, but it certainly makes the best of all resources at hand of the figures, the actors, the music and the gloomy story, while perhaps the greatest scene of all in the film is that between the women, two very different women, one marked by disaster and outrage and the other as fresh as a new spring.

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utgard14

Gothic melodrama from Universal, adapted from the Nathaniel Hawthorne novel (with significant changes) about the cursed Pyncheon family and one brother framing another for murder. Often included in Universal horror discussions, though it's not a horror film. It does have some nice atmosphere in keeping with that genre, though, particularly given that it shares the same look and feel of the Universal horror films being made around that time.Margaret Lindsay, an often underrated actress who never really hit it big, isn't entirely convincing in the early scenes as the innocent young Hepzibah. She really brings it when the plot moves forward and she becomes older and more jaded. Vincent Price does well in one of his earliest big roles. George Sanders reportedly didn't care for his role or the film but you would never know it by his great turn. Dick Foran holds his own against far more talented co-stars.None of the changes to the novel seem to hurt it, in my opinion. It's a very enjoyable film. Even though it's not a horror movie, I do think it will appeal to people who like those Universal classics. Some nice atmosphere, a good story, and a great cast.

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Martha Wilcox

Despite a good cast, this is not a good film. The holes in George Sanders' acting begins to show up. You can see it in other films when he's trying hard to act, but he's not really an actor, he just needs a good script and a good director to get the best out of him. I think he is really lucky to have the career he had. The end scene in this film highlights his limited acting ability.Vincent Price on the other hand is the superior actor and wins out in the end. His career lasts longer, and delivers a more varied performance in this film compared with Sanders. But in spite of his performance this is not a good film for Sanders or Price fans. They did a better job together in 'Green Hell'.

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fguerras

I was absolutely knocked out by Margaret Lindsay's (NOT Lockwood !!!) bravura performance in this film. It is inconceivable that she wasn't nominated, but 1940 was one of the most competitive Best Actress years ever. She ran the gamut from lovely young girl to pinched spinster. Her range was worthy of Bette Davis (with whom she co-starred many times). I loved the film itself also, and was inspired to read the book, which I loved as well. Miss Lindsay should have received more comment from students of good acting in all these years since the film. She definitely gave one of the finest performances I have ever seen by an actress in the movies, and I'm 63 !

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