Nice effects though.

Better Late Then Never

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

The movie is wildly uneven but lively and timely - in its own surreal way

Wow, where to start with this. Ki Duk Kim has always been a divisive director, with his films showing slow burning, very natural, almost spiritual human traits. This though is like a magnified version of a Ki Duk Kim film. It's low budget, set in a single location, stunningly beautiful, very gruesome in parts, explicit and controversial. It centres around a lonely woman (Hee Jin) who delivers bait to tourist fisherman. What we see unfold is a symbolism heavy ride into a twisted / tumultuous relationship between Hee Jin and a visitor. It's full of breathtaking cinematography, sparse dialogue and one of the most stomach churning suicide attempts I've ever seen on screen. As usual with Ki Duk Kim, water as a symbol is featured heavily, and so are animals and nature. Quite why certain little creatures are sacrificed on screen I'm not sure though. A warning to anyone who is easily offended by animal cruelty - don't watch this movie.What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10

I'm fast becoming a fan of Korean director Kim Ki-duk; this is the second film of his I've watched after SPRING, SUMMER, AUTUMN, WINTER...AND SPRING. The two films have much in common in terms of style and setting, but THE ISLE is something else entirely. While SPRING was a heartwarming story that championed the Buddhist lifestyle, THE ISLE is an extraordinarily dark tale of obsession and broken psychology.One again, Kim Ki-duk has crafted an expertly visual film; THE ISLE looks fantastic and the setting of those floating holiday lettings is an exceptional one. The characters are painted in broad strokes but this makes them thoroughly interesting and it goes without saying that the subdued acting is fantastic. This is a slow burner of a film, yes, but a thoroughly satisfying one all the same, in which the atmosphere is interspersed with some eye-popping set-pieces; if this doesn't put you off fishing then I don't know what will.Although the infliction of pain is upsetting in the extreme, there are always good reasons for what occurs here, making this as far from "torture porn" as you'll get. The only issue I have with it really is the real-life animal cruelty, something I'm dead set against, but the UK DVD thankfully excises much of this material. In any case, I can't wait to check out more from the director.

The Isle is one of the few movies I've seen in a long time where silence is used to its full extent. It's a movie of very little music, very few lines of dialogue and even the ambient sound is that hollow echo of a lake where everything is muted and misty. And yet it works so well for the purposes of this particular story.Hee-jin (Jung Suh) is a mute young woman who runs and maintains a removed lake fishing resort where a fleet of floating cabins are rented for those wanting peace and quiet. Most of her usual customers are middle-aged men who are mostly interested in fishing, drinking and occasionally her body. Our story starts when a disquieted man (Yoosuk Kim) arrives at her resort, looking to hide from the world.The Isle is a movie of reflection. It's that lazy hour sitting on the porch, drinking coffee, staring at nothing, thinking nothing in particular. And thus, when things start to build up, it takes you a moment to shake off the cobwebs, allowing the movie to deliver some real gut punches. At its heart of hearts it's a thriller, but honestly I have rarely been as nauseated or scared by a horror movie than I was by this one.The Isle is a fantastic movie for someone looking for a quiet thriller that takes its time and trusts itself enough to allow for the suspense to build as slowly as it needs to build. The pacing is just perfect, the story ends just when it needs to and as a whole it's an experience. Highly recommended.

There isn't much I feel I can say about this movie. It is beautiful, yet boring; metaphoric, yet obvious; brutal, yet gentle. It combines many of the classic story lines in a weird and outworldy way.Basically, it is a movie about love, but the people involved are introverted tortured individuals. I believe that the title points to the way each character in the movie is an island of its own, a metaphor that is laid out in the physical world as rental floating cabins on a lake, and the girl that services this world is some sort of very dark mermaid.However, I feel that it goes too arty for my tastes. Between the occasional feelings of nausea, horror, pity and anxiety, there are long periods of boredom. I can hardly identify with most of the characters, as they belong to an underground world that I am not part of.Bottom line: a movie for Asian fans, for Kim Ki Duk fans, for movie art fans.