Very well executed

While it doesn't offer any answers, it both thrills and makes you think.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

An old-fashioned movie made with new-fashioned finesse.

The third in Universal's dismal Ape Woman series. Perhaps it is a step up from the awful second movie, Jungle Woman, but it's nothing to write home about on its own. This one has mad scientist Otto Kruger trying to bring the Ape Woman back to life, even at the expense of his pretty female lab assistant. Excitement most definitely does not follow.Kruger's always fun to watch but he gets little help here. The Ape Woman is now played by Vicky Lane, replacing the attractive but talentless Acquanetta. Ms. Lane spends about half of the movie comatose. When she does wake up, there's only one brief scene with the monster makeup on. Undoubtedly most monster fans will be disappointed at how little "ape" there is in an Ape Woman movie. The makeup used is pretty cool, however. It looks similar to the later makeup used on Michael J. Fox in Teen Wolf. Rondo Hatton gets one of his better roles here as Kruger's henchman Moloch. He's still a terrible actor but the part is less exploitative than some of his other roles. Jerome Cowan plays the police inspector investigating it all and has a couple of amusing moments. The tacked-on romance between Don Young and Amelita Ward (the future Mrs. Leo Gorcey) is nauseating but thankfully they're separated for most of the film.Despite the short runtime, the movie is padded with pointless little scenes that appear to be designed solely to fill five minutes here and there. It's one of those movies that probably should have been over in twenty or thirty minutes. If you're a Universal completist, give it a look. For everyone else, it depends on how valuable your time is. I doubt this is going to become anyone's favorite.

This final installment in the short-lived Universal series about Paula Dupree, the Ape Woman, has some fairly creepy moments, and a good monster. Unfortunately, the Ape Woman doesn't have much to do here, unlike her two earlier appearances. She spends most of her time in the secluded laboratory of Stendhal, the mad doctor who hopes to achieve some kind of scientific goal by reviving the deceased creature.Rondo Hatton turns in his most multi-faceted performance as Moloch, the assistant to Stendhal. Unlike most of his other movie roles, where he just stalks around and kills people, here he acts friendly toward the beleaguered heroine, even smiles and makes a joke at one point, and is about as normal and likable as he would ever be shown in his Forties horror pictures. He becomes a sort of human King Kong, whose sympathy for the captive girl finally causes him to turn on his master to save her from further cruel experiments. It shows possibilities unhinted at in his other roles and is quite unexpected.Jerome Cowan is good as a breezy police detective investigating the various murders and disappearances, but Otto Kruger is so menacing as the crazy scientist that he all but steals the picture. His low key portrayal of the cold blooded experimenter is actually quite unnerving in its realism. He refuses to play the part in an eye-rolling, hammy clichéd way, and is thus frighteningly believable.Not a great movie by any means, but worth seeing for fans of low budget Forties horror movies.

This little seen Universal horror movie from 1945 brings back fun memories for me as I remember watching this with my sister Tammy and my cousin Shalaine on the local Friday night creature feature on TV. Even as a teenager I can remember thinking that this movie was more funny than actually scary.The basic plot revolves around Mr. Stendall, a mad scientist who is trying to revive the dead ape woman, Paula Dupree, from the previous two Universal movies Captive Wild Woman and Jungle Woman. Rondo Hatton plays the menacing servant of Stendall, Moloch, who kills several people in order to help Stendall achieve his goal of bringing the ape woman back to life. Armelita Ward portrays Mr. Stendall's pretty assistant, whom he kidnaps in a bid to use her blood to make the ape woman into a real woman. Vicki Lane is Paula, the ape woman, when she is actually a woman (are you following all this?). Lane is pretty, but has no lines and basically just wanders around looking like a zombie. The scenes when she is actually an ape woman are hilarious, she is grunting and snorting...it's a hoot.This movie is a lot of fun for people who enjoy the old Universal monster movies. Although this is definitely not frightening, it's fun to watch on a rainy Saturday night.

As in the first movie in this series, Captive Wild Woman, we're introduced to an apparently kind man who is apparently pursuing beneficial medical research. As in that movie, we just as quickly find out he is a mad genius, with little regard for human life.The movie quickly picks up where the second on the series left off, where Paula, the Ape Woman was in a morgue. Mr. Stendahl (the end credits in the copy I viewed named him Dr. Stendahl, but he is usually called Mister) has developed a process for bringing back life to the dead through blood transfusions and electricity. Supposedly, he wants to bring back life to Paula because she's a step up from the rabbits he had been using, but avoids the ethical problems of using a human subject. Since he doesn't care, however, if people die (his servant Moloch kills a man while stealing Paula), it's unclear why he doesn't simply revive a dead human body, or kill a human, and then revive them.After he brings Paula back to life, she is still in her ape-woman form. Unlike in the second film Jungle Woman, where she could change back and forth between ape-woman and woman, in this film (as in the 1st) she requires human blood and hormones to appear as a woman. To become more human, she would require a transplanted cerebrum from a human, again as in the first. In order to learn how to turn Paula into a human, Stendahl had to have Moloch steal the files of Dr. Walters (from the 1st film) from the office of Dr. Fletcher (from the 2nd film). Apart from these references to the earlier films, no one from those films returns to this one; the only recurring character is Paula herself, and she is played by a different actress. There does not seem to be any footage used from the previous films, except perhaps a short close-up of Paula's hand transforming while she is strapped to a table. There was a shot like that in the first film, but they may have just re-created it.Stendahl's reasoning for wanting to turn Paula into a human after reviving her is just as questionable as his reasoning for wanting to revive her. He thinks turning her into a woman would prove he could bring a human back to life. It would seem to me that it would only prove he could turn an ape-woman into a human, or at any rate, something like a human.People seem divided as to whether the second or third film is the worst of the three, and I'm not sure myself. They're all decent, at least, but there is no question the first was the best of them.