The Mummy's Shroud
The Mummy's Shroud
NR | 15 March 1967 (USA)
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Archaeologists discover the final resting place of a boy king, removing the remains to be exhibited in a museum. By disturbing the sarcophagus they unleash the forces of darkness. The Mummy has returned to discharge a violent retribution on the defilers as the curse that surrounds the tomb begins to come true. One by one the explorers are murdered until one of them discovers the ancient words that have the power to reduce the brutal killer to particles of dust.

Reviews
Incannerax

What a waste of my time!!!

SincereFinest

disgusting, overrated, pointless

Rio Hayward

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Nayan Gough

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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utgard14

An archaeological expedition does what archaeological expeditions in movies do best: they desecrate an Egyptian tomb and incur the wrath of a mummy. Routine mummy movie from Hammer. Helped by nice cast that includes Hammer vets Michael Ripper and Andre Morell. Ripper has probably his best role as the tragic Longbarrow. John Phillips makes a particularly hissable villain. Opening prologue seems to go on forever. The mummy makeup/costume is particularly ratty. Not sure if that was the look they were going for or if it was just the best they could do. It's not a particularly special horror movie but it's entertaining enough if you're a fan of mummy movies as I am.

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Spikeopath

The Mummy's Shroud is directed by John Gilling who also co-adapts the screenplay with Anthony Hinds. It stars André Morell, John Phillips, David Buck, Elizabeth Sellars, Maggie Kimberly and Michael Ripper. Music is by Don Banks and cinematography by Arthur Grant.Mezzera, Egypt, 1920, and an expedition to find the tomb of Pharaoh Kah-to-Bey gets more than they bargained for when they unearth a shroud adorned with the ancient writings of life and death...The third instalment of Hammer Films forays into Mumified based Egyptology, The Mummy's Shroud follows the standard formula but never the less entertains in undemanding fashion. Released as the support feature to Frankenstein Created Woman (not Frankenstein Must Be Destroyed as listed in some quarters since that was two years later), it's nicely photographed, stoically performed by the cast (especially by Hammer hero Ripper who gets a meaty role) and is pacey enough to uphold the interest. The violence aspects are strongly constructed, but kept mostly in suggestive terms as per visual enticements, and how nice to see the lead ladies here be more than token cleavage.This was the last Hammer feature to be made at Bray Studios, so it has some poignant significance in the history of Hammer Films. It's not a great send off for Bray, but it's unmistakably one of those Hammer Horror films that fans of the studio's output can easily spend the evening with and not feel it has been time wasted. 6.5/10

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repoman9r

There are several creepy scenes in "The Mummy's Shroud", but the scene that never fails to thrill is the dreamlike sequence when Sir Basil (Andre Morrell) is pulled into her house by Haiti (Catherine Fuller)when she spies him stumbling down the street (using her weird CCTV-like viewing ball). Sir Basil is suffering from snakebite and is desperately ill, all but out of his head, and Haiti tells him that someone is coming. "Who is coming?" he keeps asking, nearly fainting with pain and dread. "Death!" she cackles horridly, toothlessly, truthfully, "Death is coming!" She is just plain torturing Sir Basil with his impending doom, with absolute glee, not having to lift a finger, and Sir Basil is helpless to do a damn thing, as if stuck in a waking nightmare, which he is. Really a grotesque, nasty, and thoroughly enjoyable scene.

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preppy-3

After a needlessly elaborate prologue narrated by (I think) Peter Cushing this opens in 1920 Egypt--although everybody dresses in 1960s clothes and fashions. The plot is a boring by-the-numbers number about people desecrating the tomb of some Egyptian king (or something) and the mummy coming to life to kill them. A minor twist is that someone must have the mummy's shroud in hand and say a particular phase to animate him and send him out to kill. This is just barely a horror film--the mummy doesn't even start moving until 45 minutes in! It's mostly a dull drama of people standing around and discussing why people are being killed and by who. All the attack scenes are short and distressingly non-bloody (except for two) and the mummy looks pretty silly (even though it was based on how actual mummies look).Some good acting saves this from being a total disaster. David Buck is good as Paul and Maggie Kimberly is just OK as the love interest Claire. John Phillips is terrible as the main villain Stanley but Elizabeth Sellars seems very amused as his wife. Also Hammer regular Michael Ripper is excellent and Catherine Lacey chews the scenery as Haiti. Also there's a thundering music score to keep you awake. A deadly dull Hammer film with nothing new to offer. The third and probably the worst of the four mummy films they did. A 2--mostly for the acting.

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