Too much of everything

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Iris Carr is a rich and beautiful Socialite holidaying in The Mediterranean, bored with her friends and the lifestyle, she decides to stay on as they set for home. She realises she's bored without her friends and decides to head home to London, by train. She pays over the odds for her seat, then suffers an accident, almost missing her train. Concussed, she befriends the prim English lady Miss Froy, who tells Iris her life story, and reasons for leaving her powerful employer, after falling into a deep sleep Miss Froy disappears, but nobody can remember who Miss Froy was, was she dreaming? Only fellow traveller Max Hare offers a helping hand.I'm surprised there are so many less then favourable reviews for this production. It is immaculately produced, it looks utterly marvellous, with flawless camera work, it's so bright and vivid. I'd say it's tremendously well acted too, Tuppence Middleton is fantastic as Iris Carr, she does a great job playing the spoilt brat turned nice girl. Stephanie Cole and Gemma Jones make a wonderful dry and judgmental pair. Possibly Selina Cadell steals the show as Miss Froy, what a cracking actress she is.So they made a few tweaks to the script, in order to jazz it up and bring it up to date, it's been produced several times, and I was glad they did something a little different. The ending is really brilliantly crafted.A cracking drama, 9/10

The only reason I sat through this dreadful remake was because I am suffering from a persistent chest cold which prevents me from going out on Saturday night which is when I saw this televised version of the famous Hitchcock 1939 definitive film.I constantly was making mental comparisons with the latter.Oh how I missed the carefully crafted characters and humour that Hitchcock directed especially Charters & Caldicott.Instead we had two very boring women with whom I didn't care a fig.Even Hitchcock's Mr & Mrs "Todhunter" were 10 times more interesting than the characters in this 2013 telefilm.I agree with all the negative comments said above by other IMDb.com users.I suppose the actors felt lucky just being in this travesty considering most are out of work at any one time.This version was slow, tedious and lacked suspense & I don't care if the plot followed nearer the original author's novel.I didn't recognise most of the actors in the leading roles.

By calling this PBS program "The Lady Vanishes," one believes he or she will see a remake of the Hitchcock film of the same name.However, that's not the case. Alfred Hitchcock was notorious for purchasing a book to make a film and then using a section or even a paragraph from it and building the story around it.Hitchcock's source material was a novel called "The Wheel Spins" by Ethel Linna White, and this is an adaptation of that, which only bears a passing resemblance to "The Lady Vanishes." An elderly British woman who befriends a younger woman seems to disappear from a train, but no one can remember seeing her in the first place.The young woman in this case has the same name as the early film, Iris Carr, and here she's played by Tuppence Middleton. She's a playgirl, with plenty of money and drunken friends, and they've all made a spectacle of themselves at the hotel where they stayed in Croatia. Iris becomes ill, supposedly of sunstroke, and nearly misses her train.When she boards the train, she finds that not many people speak English, and it seems like an awful lot of the people from the hotel are on it. Still not feeling well, she is befriended by a Miss Froy who takes tea with her. Iris falls asleep, and when she wakes up, Miss Froy is gone. She seems to have disappeared off of a moving train. A handsome young man, Max Hare (Tom Hughes) befriends her and tries to help. But it starts to seem to him and to others that Ms. Carr is off her nut.The film started slowly, and for this, I blame the leading woman and the direction she received. She comes off as extremely unpleasant and bratty, and by the time she's plowed into the twelfth person without saying 'excuse me,' your interest is just about lost. Once other characters enter into the story, it picks up.It was great to see MI-5's Keeley Hawes, almost unrecognizable in a black wig, as a woman having a liaison with, of all people, Julian Rhind-Tutt playing a proper Englishman. In his younger days, with his unusual face he always played wild men, sporting long red hair and using his comic timing to perfection. Here, his hair is short and he is quite distinguished as a somewhat frosty Englishman.I was a little disappointed. I wanted it to be better.

I think I may have seen the Hitchcock original, in the dim and distant past, round my grandparents house while playing Kerplunk. Needless to say, my memories of it are hazy at best, so I can hardly compare it to this made for TV modern version.Keeley Hawes plays the heroine who eventually feels the whole world is conspiring against her, and although I think there may be a few more clues to the solution compared to the 1938 classic, this doesn't make the frustration we feel for her predicament or the confusion as to what the hell's going on any less palpable.Online talk has dismissed this remake as a cheap copy, but you know what? Judged on it's own merits, it's a super piece of entertainment, and all the moaners can get a life. NOTHING these days is unique, everything has been ripped off and imitated to the ninth degree, so why waste time worrying? ENJOY YOURSELF!! 7/10