This is How Movies Should Be Made

Best movie ever!

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

I rarely ever write reviews anymore- refuse to rate films on a 1-10 scale- and NEVER watch trailers (you guys who watch them- do you also answer phone calls telling you you've been selected to go on a cruise for free?). I, however, felt the urge to write a little concerning Eggers' The Witch- since I watched (and enjoyed) it and, after reading such disparate reviews I felt like chiming in with my own take. I'll let you in on a little secret, if I hear about a film and want to decide if it's worth seeing, I come to IMDB and read the user reviews. If the film has many high AND low ratings from users-it's worth a try. The Witch was just such a film- horror films that are criticized for being "slow" and having "like no plot" in the low ratings are a slam dunk to be good. This is really a very nice little film- but it could have been so much better. I felt that the director was probably made to compromise his vision of the psychological breakup of a Puritan family due to various issues (religious fervor, isolation, jealousy, insecurity, and most importantly the onset of puberty). I find it hard to believe that Eggers ever really intended for the satanic forces to be made visible to the audience (at least not in the sensational way they are)- the viewing of the witch and the baby early in the film destroys the possibility that what is going on here isn't really supernatural at all- and that is the lens through which this film presents its best face. I'd like to think he merely caved to pressure from "money guys" to "sex up his movie" to please the lower level viewers (and, indeed, he didn't even sex it up enough for those Philistines- who wouldn't know a great film if the screen fell forward onto their laps)- sadly this really hurts the film. I will say, however, that i will be anxiously waiting for his next film with the hope that as he achieves enough success he will be able to present his true vision. Developing.

I spent my time for this terrible, stupid, boring movie ... F....king ...f....king sh.t..

I love and prefer a psychological thriller, and tend to stay away from movies that rely on gore or jump scares, but this was just plain uninteresting.Cerebral films can be engaging and fascinating, but they must entertain in order to engage. They set up the concept of how terrifying life in the new world circa 1630-something would have been and then slowly dissolved all of that wonderful potential in favor of further suspense that leads to.......nothing. A period drama/suspense. Nothing thrilling here.

Often when reviewing Horror films (my favorite genre) I discuss the acute necessity of lowered expectations if one hopes to enjoy, as sadly this undervalued genre lacks the investment (professional, financial and creative) it so rightfully deserves. More often than not a film of the genre graced with a great trailer, an intriguing poster or any form of positive publicity (mostly informal) is devoid of any remotely sufficient quality of story, acting or cinematics. However, in regards to The Witch - worry not. Bring on your highest expectations and be mentally prepared to trash this film as soon as it's finished, it would do you no good. In my opinion, The Witch is one of the best Horror films you'll watch.Everything about The Witch feels classical and fancy, as something about the combination between Little House in the Prairie and Poltergeist hits the atmospheric spot perfectly. The setting, while simple almost to the point of being unimpressive (but just almost), is original and very seldom implemented in such a terrifying plot. The story revolves around William and his Family, a stereotypically devout (even fanatic) Christian family from 19th century New England. After leaving their community on account of its inhabitants not being sufficiently Christian by William's judgement, the family establishes their own little homeland in a nearby rural plain. A wooden shack, a farm, a stock of barnyard animals and the satisfaction of a hard day's work and doing well by one's cherrished deity. That is, until a mysterious and nefarious force begins to torment the family, weakening their faith as well as their family ties and letting their paranoia drive them apart to the point of hatered.The acting is superb by all members of the cast, particularly the breathtaking Anya Taylor-Joy (daughter Thomasin). You know all these slasher films casting eye candies with mediocre and unconvincing acting? Forget them. Taylor-Joy is genuinely authentic and professional aside from being captivating like a renaissance model. Harvey Scrimshaw (her brother, Caleb) also with a superb performance, damaged somewhat solely by what is obviously a direction error. Ralph Ineson (William) is also a pleasure to watch and experience. Aside from the acting skills, the casting has been as accurate and clever as can be (probably along with some excellent writing, directing and art-dress-makeup). Each and every character feels real, authentic and compelling, making me personally feel like each and every cast member was made for their role. Enough to warrant a 6.5 even if this has been the film's sole quality. It isn't. Not remotely.The story is an emotional roller-coaster, sharply and almost violently dragging the viewer from sadness to anticipation, from suspense to fear, from pity to anger. Indeed, the dark force tormenting the family seems to affect the viewers similarly, drawing them into the story and making the entire experience all the more horrific. It isn't a literary masterpiece, but a good screenplay needs not be to achieve its goal. It only needs to tell a compelling and clever story with the right dosage of fear. Add to that the 19th century setting, the old English texts and the farmhand costumes - and you feel like you're told an old terrifying folktale. An absolute pleasure!The only aspect in which I felt the film didn't fulfill its potential was the ending. A worthy attempt to create a plot twist was indeed made, but unsuccessfully. The ending feels like the worst part of the film, the least exciting and not at all frightening. From certain perspectives one might even consider it a happy ending, which is completely out of touch with the mood the film worked so hard to create. In a word: anticlimactic, the all too familiar bane and curse of the genre. While The Witch is simply that good as to not suffer in quality on this fault's account - I can't help but feel disappointed, as it really was one good ending (not even great, just good and better than the actual one) from being a Horror masterpiece.In summary? I can't remain objective, I loved this film too much. I simply feel obligated to encourage each and every cinema fan to turn off the lights and watch The Witch, preferably at night and home alone. Of course, many of you might disagree with me, it's a matter of subjective preferences after all, but I personally am grateful for the experience The Witch has put me through.