It's a mild crowd pleaser for people who are exhausted by blockbusters.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

The best films of this genre always show a path and provide a takeaway for being a better person.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

I won't deny that the draw toward this movie was its star billing with Zhao Wei in the leading role, playing a blue collar taxi driver in the city of Shanghai. But of course again to my surprise in not reading the fine print, I had to muster my limited abilities to read the subtitles of the movie, because this Japanese-Chinese co-production, came only with Chinese subtitles for its Japanese dialogue.But still, I managed to enjoy every moment of this incredibly romantic movie, though from the onset it might not look like one to begin with. There were some shades of Lost in Translation I guess, except that there's a persistent language barrier between the couple but that added to the charm because they had to rely on non-verbal communication to get their message through.Motoki Masahiro plays Japanese stylist extraordinaire Mizushima who comes to Shanghai for an exposition, but is clearly unhappy and indifferent during the trip. As it turned out he's facing some serious love triangle issues, and is re-examining his current relationship with his assistant, before deciding to take off to the streets on his own, getting lost in the process. Zhao Wei's Lin Xi is quite the reckless driver who has seen all kinds of action that happen at her cab's backseat, and is deliberately reckless in order to report back to the workshop to have an opportunity to talk to her Dylan Kuo's Dong Dong, the mechanic she admires, who is extremely skilled in really fast repairs.And of course a fated moment where she accidentally knocks Mizushima down, began an unforgettable night for both as they begin to hang out, at first with her sharing the sights and sounds of Shanghai, before his lack of cash led to abandonment, and slowly the building of a night of friendship amongst two strangers who each have issues of the heart to face up to, and from each other finding a pillar of strength. Zhao Wei definitely gave one of her more memorable performances here as a girl who couldn't find courage to express her feelings, only for her to suffer in silence in what could possibly be the last day to do so, while juggling with her brother's insistence to sell their house to put her on the wrong emotion. You'll probably feel as gutted as she did when she learns of Dong Dong's marriage, and finds every opportunity to get a glimpse of him from afar.Playing opposite her, Motoki Masahiro had an uphill battle to climb because his role is typical of a foreigner left on strange soils, and spends most of the time being exasperated by Li Xin's antics at trying to shake him off initially. Between the two, I still felt Li Xin's story being the stronger one, although both share some fantastic chemistry despite not being able to understand each other directly. Supporting characters come in the form of a mixture of Japanese and Chinese casts, from Sam Lee as a translator to Naoto Takenaka of Waterboys/Swing Girls fame, and even a two scene cameo by Kitty Zhang!If there's one thing I attest to in this film, is how Chinese words are still applicable in the Japanese context. While the pronunciation is different, some words retain similar meaning, and this would prove useful for the two to form some communication when sharing their love lives with each other. And with this spending of quality time at random with each other, filled with spontaneity, naturally becomes the catalyst for what could be, and you'll soon find yourself rooting for these two to realize that they could have something good going for them in this one long night they spend together.This was one of the more enjoyable festivals that I've attended this year, given that I've actually enjoyed every one of the selection, and that's something quite rare. For the romantics, this comes recommended for its premise, its dreamy eye candy cast, and especially its soundtrack and songs used in the film (my favourite is Frally Hines' Breathe). There are a number of iconic romantic moments which will probably move you, and it left you wanting more, especially with that last statement uttered at the end of the movie. I heart this one, really.

At first, I thought this was going to be a movie about culture clashes, but it turned out to be a "language-clash" movie where people speaking different languages are basically the same. And I have to give the scriptwriters a little credit for developing a screenplay where the two leads don't understand each other's speech for the entire length of the movie. It's the kind of fanciful comedy with realistic touches-- though getting lost in China without speaking the languages can lead to far worse than the comic "random-ness" in the film.But people who can't be bothered with subtitles should just forget about this movie-- in fact, with the number of languages (Japanese, English, Mandarin) and dialects used in this movie, this movie may need to be seen twice before anyone can catch all the dialogue or performances. This is a movie about linguistic (& other) barriers to communication-- so what makes it very confusing the first time around may actually make it more meaningful in later viewings, because most of the jokes are in the frequently "mis-matched" multi-lingual dialogue .The main story and characters supply all the ingredients for a light, sentimental, romantic comedy, although the movie only gets really interesting half way through-- when the lost Japanese guy realizes that the lady taxi-driver is too nice to leave him stranded and tags along as she tries to look up her love interest. Which is why I wish the two of them were given more detail or screen time-- instead of spending 10-15 minutes of the movie on the 4 or 5 inconsequential secondary characters added for contrast or comic relief, who were more distracting than intriguing.There's nothing to rave about in this film but lots of lovely little moments: like when they write out their names in the air for each other, or when they complain about each other over each other's complaints (since they can't understand each other anyway). The two leads are fun to watch because they misunderstand each other 99% of the time (you have read the subtitles to know this)-- making it really wonderful whenever they do make a connection. And the Chinese director deserves some credit for scripting and directing the Japanese half of the scenes and dialogue so smoothly that it looks like a Japanese movie half the time.

Mizushima(Masahiro Motoki) , a famous cosmetician, went to Shanghai with his team for a music fiesta's make-up work. After duty, he took a stroll in the street but soon found got lost. Then a small accident introduced Lin Yi (Zhaowei) to him. They stayed together for a whole night....Finally, Mizushima had a better understanding in himself and the relationship with his girlfriend/assistant Minosan (Naomi Nishida), eliminating his perplexity about the life.This movie's title is "The Longest Night in Shanghai". Just in this night, everyone of Mizushima's team had found something valuable for his/her life. In daytime, they were all pressed tightly by heavy routine work and had no spare time to consider what has lacked in their life and where their future will be. Mizushima's occurrence had given him an opportunity to experience the life without his assistant, making him know himself better. Meanwhile, his lost also make it possible for other team members to experience a distinct night-time and show their true emotion.I feel it's a bit like"Lost in translation". People found their missing true emotion in a brand new metropolis. So I call it the Shanghai version of "Lost in Translation". Nevertheless,although there is a suspicion of imitation, it is still worth a rating vote of 7 and recommendation owing to its entertaining plot and script, and cast's performance.