The Marriage-Go-Round
The Marriage-Go-Round
NR | 06 January 1961 (USA)
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An anthropology professor and his professor wife have the perfect marriage--until a Swedish colleague's daughter comes to visit. Not only is the little girl all grown up, but she's ready to start a family--with him!

Reviews
Executscan

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Maidexpl

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

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AnhartLinkin

This story has more twists and turns than a second-rate soap opera.

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Mehdi Hoffman

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

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JohnHowardReid

Susan Hayward (Content Delville), James Mason (Paul Delville), Julie Newmar (Katrin Sveg), Robert Paige (Dr Ross Barnett), June Clayworth (Flo Granger), Joe Kirkwood, Jr (Henry Granger), Mary Patton (Mamie), Trax Colton (Crew Cut), Everett Glass (professor), Ben Astar (Sultan), Bruce Tegner (judo man at pool), Mark Bailey (boy), Ann Benton (girl), John Bryant (young professor).Directed by WALTER LANG. Written by Leslie Stevens. Director of photography: Leo Tover. Art directors: Duncan Cramer and Maurice Ransford. Film editor: Jack W. Holmes. Sound: E. Clayton Ward and Frank W. Moran. Costumes designed by Charles LeMaire. Music by Dominic Frontiere, conducted by Dominic Frontiere. Assistant director: Eli Dunn. Tony Bennett sings "Marriage-Go-Round" by Alan Bergman, Marilyn Keith, and Lew Spence. Color by DeLuxe. Photographed in CinemaScope. Make-up: Ben Nye. Hair styles: Helen Turpin. Set decorators: Walter M. Scott, Paul S. Fox. Westrex Sound System. Producer: Leslie Stevens. A Leslie Stevens Production for Daystar/20th Century-Fox.Copyright 1960 by 20th Century-Fox Film Corp. New York opening at the Paramount and simultaneously at the Trans-Lux 85th Street: 6 January 1961. U.S. release: December 1960. U.K. release: 15 October 1961. Australian release: 25 May 1961. Sydney opening at the Regent. 8,791 feet. 98 minutes.SYNOPSIS: Content (Susan Hayward) and Paul Delville (James Mason) are a happily married couple. He is a Professor of Cultural Anthropology at a university where she is Dean of Women, and both give lectures on marriage, each from his or her own viewpoint. Their talks are based on sixteen years of marital fidelity, mingled with a knowledge of marriage customs of other lands. The daughter of an old friend from Sweden — a Nobel Prize winner — comes into their life. They expect Katrin Sveg (Julie Newmar) to be a lanky teenager, but in walks a statuesque, Viking beauty. And her father is not with her. At dinner, alone with Paul, she announces, quite naturally, that she has come from Sweden to see Paul "because I want you to be the father of my baby." Katrin goes on to explain that she had seen him in a newsreel and decided that, with his mind and her body, they could produce the ideal child. Of course, Katrin is willing to allow Paul to think about her proposition. When his wife comes home, he tells her of his dilemma.NOTES: Running a highly successful 431 performances, Leslie Stevens' play, "The Marriage-Go-Round" opened on Broadway at the Plymouth Theater on 29 October 1958. Paul Gregory produced, Joseph Anthony directed, Charles Boyer played Paul, Claudette Colbert played Content and Edmon Ryan was Ross. For the film, Julie Newmar repeated her Broadway role of Katrin Sveg which won her an Antoinette Perry award for best supporting actress.COMMENT: Restricted to "Adults Only" in 1961, but okay for all today, "The Marriage Go-Round" is a one-joke sexual farce, distinguished by the presence of Julie Newmar, but otherwise of little interest. I took this movie up with James Mason and this is what he replied: "As you say, the movie was clumsily and heavily directed. I would certainly agree that this particular film is as tedious as it is tasteless. Its approach to sex is hypocritical. It's also sniggering and totally unfunny. I played my part in a permanent state of total embarrassment."OTHER VIEWS: "Tedious." — Variety. "Rather thin." — New York Herald Tribune. "Remarkably tame and tedious." — Monthly Film Bulletin."The play was a smash hit and ran more than a year. The $3,000,000 DeLuxe colored screen version lacks two of the Broadway principals and most of the jokes." — Time.

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CMUltra

It may not be enough to say that Julie Newmar is statuesque. Further hyperbole is probably needed, perhaps along the lines of "she defines statuesque" or "her picture is in the dictionary under statuesque." She is such a striking figure that she can basically carry a scene simply by walking around or striking a pose. That's good, because that's pretty much all that happened in this film.The story could have been vaguely insulting but instead was just boring. I won't detail it as the one-line plot outline is more than sufficient. No layered meanings, no depth, not much of anything. The performers, saddled with such a story, seemed like they gave it a real try where most may have just phoned it in. That's a plus.Recommended for Newmar fans only.

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twelthofnever

The outside scenes of this movie were partially filmed in Lakeland, Florida (my hometown) on the Florida Southern College campus. The buildings were designed by Frank Lloyd Wright and are situated adjacent to Lake Hollingsworth. It made a beautiful setting for this romantic comedy. Co-star Susan Hayward was one of my favorite actresses and of course, Julie Newmar was almost as smashing as Bo Derek in "10". I thought the plot was a bit sophisticated for the time (1961). More to my liking were the Doris Day - Rock Hudson comedies of the same period. A little less sophistication and more "slapstick" type fun films. Tony Randall's masterful comedic genius added greatly to most of them.

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artzau

Take three competent actors, James Mason, lovely Susan Hayward and Julie Newmar, and an idiot script with a lame premise and what do you get? Right. A mediocre movie. But, it's OK. Mason plays a cultural anthropologist who Newmar wants to share genes with. However, Mason's wife, Hayward, is having none of it. It goes down from there. Lamewitted writing, silly situations but always good acting and hey, Newmar was ALWAYS worth the price of a ticket. Hayward too is great but you can't make a silk purse from a sow's ear, the saying goes and a poor script does not a great movie make.

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