good back-story, and good acting

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The best films of this genre always show a path and provide a takeaway for being a better person.

This film starts off with Sophia Loren inheriting her father's fortune after his death. Early on, I disliked the movie as Loren's character was ridiculous--more of a caricature than a real millionairess. I'm a bit surprised I didn't turn off the movie and actually stuck with it. In so many ways, her selfish and petulant routine was almost like a burlesque of that sort of person, as it was too broad and not the least bit subtle or believable. Rarely have I ever felt this annoyed by Loren--a genuinely bad role for the otherwise talented actress. The only saving grace for this incredibly annoying creature was her solicitor, played by Alistair Sim--whose indifference to her ridiculous behavior was at least enjoyable.After Loren proves unlucky in love, she happens to run into an Indian doctor (played by Peter Sellers). Unlike other men, he is completely indifferent to her boorish misbehaviors or ample 'charms'. And, since Loren is playing a spoiled screwball, she falls for Sellers and does almost anything to get him. Frankly, this is an interesting but utterly ridiculous idea--and certainly not enough of a basis for a movie, as there is absolutely no chemistry between them and it didn't make sense. Sellers is pretty good and realistic in this role, but it isn't comedic in the least--despite the film being a comedy! In fact, his Indian character from THE PARTY would have probably worked better with this sort of broad comedy.Overall, a rather pointless waste of the talents of the actors. You'd think they could have done better. But, actors cannot overcome bad writing and indifferent direction. Clearly a misfire.

This film works very well, IMO, on the level of pure entertainment. There are many elements to be enjoyed.It is not a film in which one is swept away by the story and the characters. It's a film you watch with a certain detachment and never really suspend disbelief.But there is a lot of fun to be had in the amused detachment. A lot of the dialogue is really hilarious. That alone would have made it worth sitting through. But on top of that there is the way Peter Sellars interprets his particular character. The body language he brings to it and some of the nuances in his schtick are both intriguing and highly entertaining to observe.Then there is the stunning beauty of Sophia Loren which is further enhanced by a steady stream of wardrobe changes, each more spectacular than the one before.And then there is the parallel running commentary you can have in your own thoughts about how the movie plot line brings to mind some possible similarities that there may have been in the real-life relationship Princess Diana had with her very own Indian doctor, Dr. Khan, said by some to have been the love of her life.Again, a lot to enjoy about this film and well worth seeing, JMO.

I've never read the GBS play this is supposedly based on, but I'm sure it had to be better than this movie adaptation. Shaw's influence is evident in the emphasis on class warfare and the evils of capitalists. But the silly plot in which these ideas are presented is tedious and slow- moving.If you read a capsule summary of THE MILLIONAIRESS, you get the impression that it's somehow about a contest between a man and a woman, trying to fulfill the terms of various wills so they can be married. But the actual contest doesn't really come into focus until the movie is more than half over. Before that, it just grinds its gears, showing us how petulant and greedy Sophia Loren's character can be, and how pure and honorable Peter Sellers' Indian doctor can be. Her interest in him doesn't make much sense, and neither does his rejection of her advances. The abrupt ending leaves you wondering if a reel or two have been left out unintentionally. Peter Sellers and Sophia Loren (looking so young and radiant) are always fun to watch. Just imagine what a great comedy they COULD have made if a good screenwriter had developed a proper vehicle for them. Watching them work is the only thing that makes this movie bearable. Great comic actors like Alfie Bass and Alastair Sim are wasted in parts that barely allow them to stretch (although we do get a couple of Sim's trademark giggles). Besides all this, the film looks cheap. The sets are bare-bones; some looking like painted backgrounds from a school play. The scene where they visit the new hospital and Sellers raves about the equipment is a joke in itself: would he really be impressed by a couple of lab tables with a few test tubes and what looks like a Victorian microscope?This film is only for Sellers and/or Loren fans who insist on seeing everything they ever did. Those who are seeking entertainment should look elsewhere.

You cannot hit the target perfectly every time, and this is true of dramatist as the rest of us.George Bernard Shaw gave us MAJOR BARBARA, PYGMALION, ST. JOAN,HEARTBREAK HOUSE, MAN AND SUPERMAN, ... but he could do mediocre work. I think he had become a bit of an old fogy. His mind had gotten set into certain thought patterns that he would not give up. Whether this was due to disenchantment in the failure of the political Labor Party movement to improve England I can only leave to his biographers to fight out. He retreated into a fantasy world. It sometimes succeeds with flashes of his wit but for the most part he falls on his face. In this period Shaw demonstrated a remarkable belief in "strongmen". He looked at those dynamic dictators abroad in Russia, Italy, and Germany, and the result was GENEVA (1935) a play that is rarely considered for revival today - the audience might riot at it's apologia for Stalin, Mussolini, and Hitler. Shaw felt that one could not look at these men and their actions without seeing the total aim that they were pushing. The problem with Shaw's vision was he was buying their aims for efficiency and for better economic standards for the bulk of their peoples. Certainly they were dynamic but Shaw ignored huge political crimes. He had always favored the work of a great person who cut to the chase ignoring the damage left and right. Undershaft in MAJOR BARBARA was typical of this - he fights poverty by giving good wages and housing and health care to the people who work in his armaments plants. That he might encourage war is nonsense - "Make war on war" is how he sees it. Only in the Great War had Shaw questioned this. He created Boss Mangan in HEARTBREAK HOUSE, who is really Undershaft up to date (1916). Undershaft had a ready, self-congratulatory statement and answer for everything. Mangan seems that way but his feet of clay are shown. He whines about his business policies that have helped lead to the present disaster to Britain. He can't undue them, for fear of losing his "Boss" position due to his shareholder's anger. And in the end, Mangan is killed (by an enemy bomb, ironically enough). It would take World War II to finally make Shaw realize how misplaced his faith in "Great Men" was. Notably he did not write that much after 1939.He showed he hope that private philanthropy by the wealthy might help. His plays keep suggesting solutions by the rich like BOUYANT BILLIONS. THE MILLIONAIRESS is a similar play. It actually can succeed as a comedy - Katherine Hepburn played Epifania successfully on stage. But it's point of view is hard to take.SPOILERS COMING UPEpifania has just become the richest woman in the world. She is seeking fulfillment in love. Her father (whose painting looks like Peter Sellers in a beard) has set the standard for whomever she will marry in the long run. It's hard to match. She asks for the assistance of the family lawyer (Sagamore - Alistair Sim), who introduces her around. Naturally the first person she dates seriously is that notorious fortune hunting scoundrel Dennis Price - but that relationship soon ends. Epifania decides to commit suicide. She approaches Sagamore, and Sim without blinking an eye hands her the recipe for a fool proof instantaneous, painless poison. Disgusted she goes to the Thames and throws herself in. And she meets Sellers, playing Dr. Kabir from India.Sellers is as mother fixated as Loren is father fixated (Seller's mother's picture looks like Loren). Loren falls for him, but he seems more concerned about his indigent patients and his clinic. What follows is Loren's attempts to win Sellers, first as a desperate patient, then as a would-be financial angel. Nothing she does stimulates him (he is rather surprised). Finally she does get him to agree to taking a test her father set up: can Sellers make a fortune out of 500 pounds (in three months), and Sellers gives her a test his mother set up for the woman he was to marry: can she live on 500 pounds for three months.We watch Loren go to work for small restaurant owner, Victorio De Sica, for three months - she ends up making it into a nightspot for the rich, and De Sica admits that he thinks he will sell it and then find a side street to start a nice small family restaurant again. Sellers tries to get rid of the money as quickly as he can - he puts out a tray with the money on it, and a sign saying "Free Money". His patients thinks it's a joke and don't take it. Finally he manages to unload it on fellow physician Noel Purcell, after a dinner they attend (where they both get drunk). This is disappointing to Loren, who decides that as Sellers has failed she will enter a convent (one that she has funded). Sim, not liking such a waste, contacts Sellers that Loren is going to commit suicide. This finally rouses Sellers, who shows up to prevent such a catastrophe.Sim actually gave the best performance of the three actors, but I feel it is because his Mr. Sagamore was just reacting to the activities of the other two. He was like a breeze of fresh air in the film's actions. Also the work by Purcell and De Sica was quite good, as small as both performances were. Loren and Sellers did well. There is some chemistry. Sellers read too much into this. Reputedly he thought Loren and he would become an item, but Loren never saw it that way.