Good start, but then it gets ruined

This is a must-see and one of the best documentaries - and films - of this year.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

A clunky actioner with a handful of cool moments.

Like almost every child of my generation, I grew up on Pixar and in particular Toy Story. Some of my fondest and most memorable cinematic memories were going to see Monsters Inc, Finding Nemo and The Incredibles (where afterwards I thought "I can't wait for the sequel"). I remember that one of my first dream jobs in film was to write stories for Pixar and explore all the imaginative possibilities. Now that I've gotten more into film, I've gained a deeper respect for their storytelling and their technology and how hard it is. The Pixar Story tracks the origin of Pixar from when John Lasseter was first inspired to pursue animation to around 2007, before Ratatouille hit the screens. It's an informative look into how the company came to be and of all the struggles. It's very interesting as I would like to get into the industry as well. The biggest chunk is the struggle to create Toy Story - not just to get it commissioned but also to find the story. This is also a trouble with Monsters Inc. where they had the concept but almost too many possibilities to explore. Narrowing down those possibilities is a incredibly difficult job and is something I'm aspiring to achieve at this very moment so it was especially fascinating to watch.It's always great fun to have a look into their offices with their scooters and arcades. However, perhaps this documentary has come too soon, they talk about fears of being too factory-line, setting a standard they can no longer top and as this comes before one of their most successful strands of films with Wall-E, Up (a film that I didn't like at first but it's grown on me) and Toy Story 3 and then perhaps the beginning of a very boring strand with Cars 2, Brave and Monsters University, I want to know whether they think they're topping themselves or have sunken into a comfort zone. A short reflection on their fears would be very interesting. The doc focuses on the followup chaos after the Toy Story section, with second project syndrome lingering over the Pixar team. A Bug's Life was considered a success at the time and although in hindsight, many disagree, the documentary put me in the mood to rewatch and while the first act is perhaps a bit too childish, it grows and grows and is exceptional storytelling in the end. I hope Pixar haven't peaked with the closure of Toy Story 3 and they can continue making films that get to me. The documentary also makes great use of graphics and animation which is pretty appropriate for this topic. Very entertaining and informative.8/10

At the moment Pixar is the leading company when it comes to successful computer animated movies. With the combination of stunning graphics en extremely well written stories they have managed to build an impressive movie portfolio. This documentary shows how the company was founded and evolved. Steve Jobs, John Lasseter, Brad Bird and George Lucas are all interviewed and tell about its history and growth. Before Toy Story was made the company didn't make any money and lost millions each year.The movie show that Toy Story's story would have been very different if the Disney company would have had it its way. Also Pixar's other movies like A Bug's Life, Cars, Monster Inc and Finding Nemo are briefly talked about. It's clear that the company feels the constant pressure to outdo itself with each new movie. I think this is something they usually succeed in, although Cars really wasn't that good (although it is understandably very popular with the kids) I'm always looking forward to seeing new Pixar movies, something I don't have with Disney movies. With Toy Story 3 Pixar has managed to already earn $895 million and the future of Pixar looks bright. It's a company that will not disappear anytime soon. When I think about the Pixar name I think about quality movies and my expectation is that they will manage to keep that image.The Pixar Story is a very interesting documentary in which there were many new details I didn't know. If you have seen every Pixar movie and if you want to know more about the company itself, then this documentary is something you will want to see.

Writer/producer/director/co-editor Leslie Iwerks, granddaughter of Ub Iwerks (SFX Oscar-winner, The Birds(1964)), submitted this doco of hers for Oscar consideration too, but The Pixar Story received only Emmy and American Cinema Editors award nominations.Such oversights don't prevent this delicious voyage from Mickey to Ratatouille(2007) from also being an emotive, ennobling ride--much as Pixar Treks usually are. Along the way we discover that animation is a labour of love for keen students, the best of whom go to CalArts to be lectured by Disney's retired artists, who themselves retain a student's attitude despite being lifelong pros. And when the lecturers went home, we're told the animation students taught each other--just like computer scientists do. I know that excitement well.It dawns on us that animation really is a me-generation- and recession-busting globaliser of minds.Back in 2004-5, according to this "lucid" ('Bottom Line: the lucid and entertaining story behind Pixar's success', Kirk Honeycutt, THR, 9 Oct 2007) feature documentary, the traditional animation industry was being dismantled. Established and talented 2D animators were being laid off in an industry contraction blamed on 3D and Pixar specifically. Ed Catmull goes to great lengths on camera to emphasize how being scapegoated hurt them. After all, they were just animators trying to survive in a hostile business environment.The trades kept declaring that 'Animators draw less as computers tooning up' (Greg Reifsteck), and '3D success is flattening traditionally animated pix' (THR's Carl Diorio). Of course by then Pixar had been in a production deal with Disney Studios, which distributed their product, for 14yrs. Perhaps to buy time for their own 2D animators, Disney is alleged to have decided to source Pixar's blockbusters to create direct-to-video 2D sequels without any Pixar input. The decision would prove contentious since Pixar creators would not abandon their "children" (to career-killing sequelitis). A mighty battle over creative control allegedly ensued within the Pixar/Mouse House.Eventually, 6yrs after the alleged Toy Story2(1999) near-calamity, there was a massive Disney shake-up instead.According to Iwerks' roadmap, the Mouse House had also been struggling with an industry-wide Fear of the Computer for some time, which first resulted in their early loss of John Lasseter in 1984. They had expected 3D to be cheaper than 2D! This industry war may have lasted 30+yrs, but venerable Disney artist Joe Grant, speaking just months prior to his death in 2005, makes the astonishing admission that in losing Lasseter, Disney was set to lose their heir to Walt.Lasseter had been 3D-animating his 'Brave Little Toaster' at Disney during the early 1980s, while concurrently, Pixar co-founders Alvy Ray Smith and Ed Catmull were creating the famous high-quality early CGI "Genesis Project" clip for STII-The Wrath of Khan(1983) at ILM. Interestingly, Star Trek performed the same universal-appeal humanist function then that Pixar does today.Iwerks' documentary reveals that during that momentous year at a computer graphics conference, Catmull, having heard SOME of Lasseter's tale of woe, instantly snapped him up post-Disney as the new animation hire for the fledgling CGI company that George Lucas had permitted them to start up. The Pixar Story also claims that for two decades afterwards, Disney kept trying to tempt Lasseter back, but he always remained more committed to Pixar.In the late 1990s Disney finally over-invested in the lukewarm 2D/3D actioner Treasure Planet(2002), and LOST around $100M for their Feature Animation division. This was almost certainly the cause of the subsequent organisational shake-up in late 2005, when Michael Eisner was replaced by Bob Iger as head of Disney. And with that, The Pixar Story informs us, the entire mood, prospects, and history of Pixar changed.3D's success is arguably just a natural evolution; if it wins the final look of cinema feature animation, so what? Conversely, many feel much more comfortable with 2D full-frame for TV weekly comedies, which according to Seth MacFarlane of Family Guy fame, is a much more intimate format for his type of entertainment.As industry insiders know, 2D is still the staple of animation and the bulk of the business--it's just not sexy. 2D is also vital to 3D itself pre-rendering, so plenty of animation jobs remain at as many studios as are able to offer great UNIVERSAL STORYTELLING. Roy Disney (Walt's nephew) confirms this in the home stretch of Iwerks' triumph.But more than that, enchanting storytelling perhaps needs to be rarer/harder to do than the annual supply of 3D multiplex features currently proposed. Even 3D's over-reliance on animal-allegories/fables can prove fatal. Audiences are already reaching saturation point from their inundation by the big three 3D studios. This could prove just as devastating as Disney's "perfectionist" movement-over-characterisation had become to 2D. Under no circumstances should anybody again attempt a Meet Dave(2007)-like stylistic debauchery of contemporary cultural cool.Thankfully, Iwerks reveals Pixar artists as remaining "hungry" after a decade-and-a-half of financial success. Equally, they're well aware of their high regard not only by the public at large, but among 2D traditional animators, recently giving their "9 Old Men"/CalArts lecturers Ollie Johnston and Frank Thomas animated cameos within The Incredibles(2005).The Pixar Story also features welcome live-action cameos by the two saddest quick-succession losses to animation in 2005: Joe Grant (Fantasia(1940), Dumbo(1941)--heart attack); and Joe Ranft (our beloved Heimlich--car accident). Tragically neither saw Iwerks' doco, 7yrs in the making, completed.This often gobsmacking, educational and deeply moving feature documentary finally concludes with a moving end credit sequence full of quiet dignity showcasing the enormous workloads underpinning wireframes. The end crawl is overlain by a powerfully Beatlesesque instrumental, "Modern Inventions", by The Submarines. It sells the whole message of 3D, willing us to fall in love with the entire precept of animation--and certainly with the Pixar folks at Emeryville, CA.For everything else I had to say about The Pixar Story(2007), consult Honeycutt's review referenced earlier.(10/10)

Pixar has made so many blockbuster hits, each just about being almost better than the last in terms of anticipation translated to box office receipts, that it's tempting to speculate whether an upcoming movie will be the one infamously credited to bringing the juggernaut to a temporary halt. Going by what The Pixar Story presented, so long as the team stays hungry, focused and passionate with transforming their ideas into films stemming from the heart, then it's probably a formula that would be difficult to break, and computer animation fans will be in for a treat, for a long time to come.The Pixar Story is a documentary charting the meteoric rise of the company we all have probably in one way or another, come to love, with its groundbreaking effects and animation taking the world by storm with each new release. It's tough for any studio to build upon and better the success of its previous release with the new one, but somehow Pixar always managed to come through unscathed. But as the documentary reveals, it's never plain sailing, and thank goodness most of the cockups, especially weak stories, get junked and reworked, rather than the company crossing its fingers that a mediocre work could cut it. Technological advances also meant that animators get constantly challenged to break new ground, and the film systematically presents these challenges so that we the audience could take a step back, and appreciate the efforts.Most history buffs will already know that Pixar has its first origins from Lucasfilm (and you can sense George Lucas reeling from letting this opportunity run away), where a division with a mixed expertise of computer scientists and animators spun off to do what they love, and that's to explore the possibilities of combining their skills to make animation. And with angel investor Steve Jobs providing seed funding and despite the studio being in the red in the first few years, one short clip lead to a short film, and with Disney on board in an initial uneven partnership, Toy Story was born, and as they say, the rest is history.The first parts of the documentary devoted quite a lot of time to John Lasseter, who's credited with making things work with his direction of the first crop of movies coming out of Pixar. It traces his professional start as an animator with Walt Disney, the run ins and the unfortunate firing, which turned out to be a blessing in disguise on hindsight. We see how he, and the rest of his co-workers, had to undertake pressure to perform, each pouring in copious amounts of personal sacrifice to turn their dream into reality. And with each success, the director taking over the reins for the next movie, will no doubt feel the pressure of its predecessor's success, especially Pete Doctor coming off Lesseter's impressive track record, and others like Brad Bird coming from outside the company culture.We take a sneak peek into the facilities at their swanky company grounds, admiring the grounds in which Pixar creations are conceived, but what is of extreme value here is the tons of archived footage, most of which are unseen because they never see the light of day, be it rough storyboard sketches or skeletal computer animation, most of which contain early stages of the characters with whom we've been acquainted with. The Pixar Story spent significant amount of time on Toy Story (since it's the first movie), and you can witness how the early Woody character and storyline was rejected because they didn't seem right. And it seems that Pixar doesn't compromise on quality - that plans do get trashed if they don't measure up, even with a fixed deadline looming. Talk about grit, determination and perfectionism all rolled into one.With plenty of interviews with the creators, big name CEOs past and present, and the stars sharing their experience with providing the voices for their digital counterparts, director Leslie Iwersk also provided a brief look into the political wrangling behind the scenes, just for completeness sake, making The Pixar Story well suited for anyone curious to know how it call started, and how the energy is sustained until this very day.