The Politician's Husband
The Politician's Husband
| 25 April 2013 (USA)
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Aiden Hoynes is a senior cabinet minister who has always put his career before family, with the support of Freya, his devoted wife and mother to their two young children. But when Freya's own political career takes off and threatens to overshadow his, Aiden's life is thrown into chaos. As his political career comes to a standstill, and with his marriage turned upset down, Aiden takes increasing risks in his quest for power.

Reviews
Kattiera Nana

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Interesteg

What makes it different from others?

Titreenp

SERIOUSLY. This is what the crap Hollywood still puts out?

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ScoobyMint

Disappointment for a huge fan!

Paul Evans

The Politician's Husband is a very enjoyable three part mini series, which delves into the murky world of Westminster, the backstabbing and willingness to sell anyone out to get to the top, at the cost of anything and anyone.The story is good, if I'm absolutely honest I think it started better then it finished, Part one promised a tale of revenge and seething jealousy, we got it for the most part, but I felt a little short changed in the concluding episode. Plenty going on, at times a little too much, it's almost as if they tried cramming in to many twists, au pairs, drowning children etc. The acting was extraordinary, very much The BBC at is best, Emily Watson and David Tennant both fantastic, and worthy of their individual statuses as superb talents. A word also for Jack Shepherd, Ed Stoppard and Roger Allam, all excellent.I applaud them for giving us a Political drama, a genre are starved of on British screens, it's a good story, with amazing performances, it just perhaps loses a little focus in the end. Worth a look though, 8/10

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Beth Cole

You can tell how evil or - can't really say "good", let's settle for "less evil" - a person is by the length and intensity of their glares.It's as if John Barrymore and Gloria Swanson were brought in as acting coaches.Worsened by head-scratching plot developments such as throwing out a diaphragm but leaving its box in the medicine cabinet (huh?).Oh, and these high-achieving politicians haven't mastered the basic use of a shredder, yet.So if you can buy all that, maybe you'll like the show. I didn't and was lol-ing my way through the end.

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Al Rodbell

I love political drama. The West Wing was absorbing, and Borgen, the brutally realistic depiction of the first woman P.M of Denmark, including the breakup of their marriage and rather genuine depiction of lust was brilliant.This series that we watched in one sitting on Netflix, did have some structure of political reality, yet there was a single scene, one of sexuality as assaultive hatred, of the husband brutalizing his wife, that certainly was "realistic." Yet, there was no warning, nor was there any realism that was consistent with their status and relationship.It was just thrown in to attract a certain audience who considers this as being edgy I write this review to warn others that this is not an "adult" themed film, but excess in the form of realism. I'm no prude, but this scene was sickening and destroyed the film for myself and my wife.

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trimmer31

Let me preface this by saying that David Tennant's portrayal of Aiden was masterful and, while I feel Emily Watson was poorly cast here, her effort as Freya was very well done, as well.However -- either the writing was weak, or this was a 6 hour miniseries cut down to three. So much is missing. So much is there and makes you ask yourself, why?The son... what role does he play? Having a child with challenges like this, there was so much character development, for the child as well as for his parents, that could have gone on around this story arc that... didn't. The daughter? Other than the fact of the existence of children in the home (and the nanny being a presence), there is little development here. Many of the plot lines simply... end... without any closure. What happened with the nanny? What happened with the son's challenges at school and elsewhere? What was the purpose of Aiden's father's death? I feel that this could have been so much better, had only they taken the time to tell the story in more depth, or not left so many arcs hanging. How do you go from "I'll take the children away so you can move out," in one scene, to arrival at #10 as an obviously estranged but "united front in front of the cameras" power couple in the next? As I said, the story, while brilliantly acted, was choppy; either poorly written, or half of it is still laying on the editing room floor.

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