The Priest's Wife
The Priest's Wife
PG | 26 February 1971 (USA)
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Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took the call and, much taken with him, she starts trying to date him. He in turn succumbs to her charms and they soon realise their major problem is his Holy vow of celibacy.

Reviews
Linbeymusol

Wonderful character development!

Robert Joyner

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Keira Brennan

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

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Staci Frederick

Blistering performances.

rigoletto339

Sophia Loren and Marcello Mastroianni shine in the roles of the star- crossed lovers. Valeria is rebounding from a four-year affair with a man she now finds out is married. She expresses her displeasure at the man in one of the funniest scenes in the film - early on - a madcap car chase through Rome.Aside: cars in Rome during the 1970s were a lot smaller than ours are today - even including Mini-Coopers. And this is the 8th of 11 films she and Mastrioanni made together.Distraught to the point of suicide, she calls a crisis help line, on impulse, and is answered by a man who does his best to talk her out of it, but doesn't quite succeed. She's taken to a hospital, calls the help line again, insisting that the man she talked to come to her. When he arrives, she notices that he's a priest.That disappoints her: her first man was married to his wife, now this one is married to the church.Needless to say, their relationship grows, despite every effort by Don Mario to fend her off.The rest of the story, combining humor and pathos, revolves around Valeria's attempts to get Don Mario to quit the priesthood and marry her, and his attempts to get the church authorities to let him go.Loren is, as usual, stunningly beautiful, and considering that her character in the movie is as poor as anyone else in Italy, wears some gorgeous outfits.One of the great throw-away lines in the movie comes when Don Maro is visiting the hospital, and one of the doctors asks him to use his influence with the government."The Church has no influence with the government", Don Mario says."If they don't, who does"?The screening we saw was dubbed in English. I would have liked to hear the real voices - but we take what we can.Overall, I recommend this one.

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robbievogue

This is one of the sweetest Sophia Loren films. I always found she is at her best in movies made in her home country,which is kind of logical too.Marcello is in it,as is a tremendous easy listening soundtrack by Armando Trovaioli. Mastroianni and Loren hit it off,even though Marcello is acting a bit bland. Funny,delightful,silly,sweet. A rainy Sunday afternoon film. See it!

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