The Rounders
The Rounders
NR | 05 March 1965 (USA)
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Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

Reviews
Ploydsge

just watch it!

Nayan Gough

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Asad Almond

A clunky actioner with a handful of cool moments.

Edwin

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Hitchcoc

A couple of saddle busters, Glenn Ford and Henry Fonda are getting tired of falling off horses. They have the most fruitless jobs and no sense of money or the future. The work for great character actor Chill Wills who knows just how to manipulate them and keep them broke. There are a couple women after them but matrimony isn't for them at this stage. Everything ends up depending on a horse that has incredible spirit. Take a look at the cast list with some of the best character actors of the time. Of course, the stars are no slouches either. It's such fun to see Henry Fonda in perpetual pain. A real sleeper of a movie.

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Spikeopath

The Rounders is directed by Burt Kennedy and Kennedy adapts the screenplay from Max Evans' novel. Music is by Jeff Alexander and cinematography by Paul Vogel. It stars Glenn Ford, Henry Fonda, Sue Ane Langdon, Hope Holiday, Chill Wills and Edgar Buchanan.Two ageing bronco-busting rounders get into (mis)adventures with a crafty old equine along for the ride... It's one of those films that has amiable blood coursing through its veins. We are in very good company with Ford and Fonda, two likable and most reliable veterans of the silver screen, and crucially it looks like they are having fun - and it's infectious. Teamed up with a splendid comedy horse who gets up to mischief when ever possible, the boys also find some sexy lady love interests that puts a nice little risqué cheek on things, cheek actually being a very literal word at times.Technically it's a very good production. Filmed in Metrocolor/Panavision, the vistas are superbly photographed by Vogel, with Arizona locations including Coconino National Forest, Red Rock Crossing, San Francisco Peaks and Village of Oak Creek. The stunt work is high quality, well shot by the wily Western movie veteran Kennedy, while Alexander's musical compositions have the desired jolification. Rounding off is a splendid and comforting support cast that sees Denver Pyle joining Buchanan and Wills for further Western genre reassurance. 7/10

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classicsoncall

I can't be the only one who noticed it, but I didn't see it mentioned by any other reviewers or find it in any of the trivia for this film, so here goes. Did you take a good look at the blaze faced roan each time it was ridden casually versus when it was a bucking bronco? I'm sure it was two different horses. The mild mannered horse was a solid brown color, and when it was going berserk, it always had a dusty gray look to it. At first I thought that was the idea, having him kick up enough dust to make it look like it was affecting his coloration. But then, about the middle of the story, Ben (Glenn Ford) and Howdy (Henry Fonda) are making their way up to the high country, and Howdy remarks how different the horse's disposition can be at different times, almost like two different animals. To which Ben replies "You could say that" with a wry smile. That's what clinched it for me.Well as for the rest of the story, this was a bit of a slow mover for me. Having been long time partners, I didn't get a real good sense of Ben and Howdy being buddies very much, any charisma between Fonda and Ford just didn't seem to come across. A lot of it seemed tired to me, making it appear more like a B Western with big names rather than an A list production. In fact it wasn't much of a Western either come to think of it, but a story about aging horsemen who use their skill and experience to make a buck before blowing it at the end of each season.Even more lamentable was that scene with the pair of valley girls the duo tries to help out when their car breaks down. I guess the script called for them to play it dumb because they sure played it dumb. Following that 'hats behind the behind' scene I'm kind of grateful the girls didn't get to do their Snakes of Love act; I can only imagine what that was all about.Well far be it for me to suggest you shouldn't watch this flick, because if you're a Fonda or Ford fan I guess you could find this somewhat entertaining. This is where I get to paraphrase Fonda's character when he'd say something like 'Whatever suits you would just tickle me plum to death". I'll have to leave it at that.

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PamelaShort

Glenn Ford and Henry Fonda play two ageing bronco-busters, making a meagre living breaking wild horses. They fantasize about a wonderful retirement of a island paradise- but their weakness for wild girls and booze leaves them forever with no money in the bank. The hilarity in this film comes in the the form of a stubborn, old roan horse, who causes the two endless frustration trying to break him and finally a back-firing scheme to make some real dough entering the wild horse as a bucking bronco in a rodeo. Ford and Fonda are a pair of perfectly matched characters in this film, with riotous comic antics and witty dialogue, this western is very funny from start to finish. Sue Anne Langdon and Hope Holiday play two floozy type girls the cowboys pick-up along the way. A very risqué scene for the time takes place as Ford and Fonda cleverly hide the girls bare derrières using their cowboy hats as they manoeuvre their way through a crowd. Chills Wills, Edgar Buchanan and Denver Pyle along with other characters help to round out this very amusing western comedy. I really enjoyed this lighthearted film with Glenn Ford's dreamer character and Henry Fonda's character being a little more sensible, but gullible enough to still go along with Glenn Ford's cockeyed ideas.

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