I like the storyline of this show,it attract me so much

Better Late Then Never

An action-packed slog

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Shows like this are hard to find. When we do find them they are too often cheesy and ridiculous. The Secret of Crickley Hall is anything but. This was a wonderful show about an old house in the north of England. It takes place both in modern times and in 1943.After having their son go missing, a family moves to this old estate for a few months hoping to deal with their loss. Unfortunately, the house has a lot of secrets of its own...secrets that need to come out.Shows like this should be made more often. This was atmospheric - especially the first episode - it was tragic and haunting, and it was emotional. Anytime you have ghostly goings-on in an large, old, creepy house in England, you know you're heading in the right direction.This is an actual ghost story, but it's very well done. It's not cheesy, it's not hokey. It allows you to meld into the story, you feel their pain and frustration as well as their emotional rollercoaster dealing not only with their missing son but the tragedies of the past that they begin to uncover.I wish there were more shows like this. Ignore the bad reviews, they probably come from people who read the book and think this isn't a perfect representation. Fortunately, I haven't yet read the book so my viewpoint isn't tainted.

Just found this on Amazon Prime. I'd never heard of it before.For those sensitive to child abuse (and who isn't) there's a big chance for triggering, here.But for the rest of the story, and the many mysteries that slowly unravel and unfold, it's just marvelous. Wonderfully cast, filmed, and acted. The pace isn't rapid but it's not tediously slow, either. It is definitely one to be binge-watched in a big 3 hour session, but it's only slightly longer than a full-length film so that shouldn't be too difficult.Did I mention the wonderful cast?It's not a high-brow think piece, but it is what it is, and for that it's definitely fun. I really enjoyed it. If you sit back and just decide to enjoy an old-style ghost story with romance and danger and sad, sorrowful events (and just a little bit of redemption and joy), you should have a good time.

Usually Mystery Drama/Thrillers like this that are aired on the BBC are slow, boring, drawn out affairs, but this is actually a pretty good mini-series. I mean there's nothing spectacular about it, but it does keep you watching with interest.Also with it being a BBC TV program there's obviously not going to be anything too graphic about it, like blood or very heavy scares so you need to keep that in mind if you decide to watch it as it MAY be a bit disappointing if you were expecting any of that.Be prepared for it being a wee bit slow for the first couple of episodes as well, but it's not a boring kind of slow. It's a slower pace, but it builds everything up pretty nicely for the third and final episode where everything comes to a head.You also have to pay attention to it as well because it jumps back and forth a lot from present time to 1943. I mean it's obvious when it happens but with it being constantly back and forth all the time you do still need to watch closely to follow both the story lines.The series is well played out by the cast, but the character of Eve Caleigh (played by Suranne Jones) did grate on my nerves a bit. I understand she's a mother who wasn't giving up hope of finding her son, even a year on from his disappearance, but some of her actions just rubbed me the wrong way. Douglas Henshall did a fine job playing the part of Augustus Cribben, the uncaring and heartless owner (along with his sister, Magda) of the orphanage, and a person who you never feel any sympathy for.Overall, this is a pretty enjoyable series to watch and one I'd recommend giving a go, especially if you enjoy a bit more of a subtle approach to your Supernatural movies.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday MorningGabe (Tom Ellis) and Eve Caleigh (Suranne Jones) re-locate to the West Country from London a year after the disappearance of their son. They set up home in Crickley Hall, an old residence that used to be a boarding house for evacuees during the war. But it is this fact that holds the secret behind some ghostly hauntings, and a terrifying truth behind what now possesses them.It seems that in the case of a fairly lengthy novel, the format best favoured in many cases for adaptation is to turn it in to a serial drama rather than go all out and just make a feature length adaptation, which may test the viewer's endurance. But Joe Ahearne's approach, with his adaptation of James Herbert's The Secret of Crickley Hall, somehow manages to do this anyway, over the course of three episodes shown over three weeks.There's no doubt the first part opens well, establishing an effective atmosphere and air of suspense, which even someone who's already read the novel and pretty much knows what is going to happen can see. But somehow, even by the second episode that AOS doesn't feel as strong. Spacing each episode out over the course of a week probably doesn't help, dragging it out too long and doing the opposite of keeping you in suspense. Aside from this, certain segments inevitably get lost in translation going from novel to film, and the constraints of being a TV film inevitably creep through. I said 'inevitably' twice in that sentence, and that's sadly what an adaptation of a novel is always going to be: an inevitability. Something that is doomed not to be as good as it's source material from the start, even if it has a bigger budget and goes to theatres, where I think this may have worked better.The performances are probably the best thing in it. Jones shows promise she may be more than another ex Corrie actress, avoiding a future in panto or cheap reality shows, showing an emotional intensity and depth as a mother wrapped up in guilt for the loss of her boy. Ellis isn't bad, but somehow isn't quite as good, except in certain scenes where his character really gets dealt a heavy blow. Douglas Henshall has an undeniable presence as the villain, but his accent is so thick it's sometimes really hard to understand what he's saying. He's at his most unnerving in quieter, more subtle moments, like when he's holding the little boy over the well or is nearly caught whacking him with a cane in his private room.It's all too well made and sincere to even verge in to Sunday Night territory, and even Herbert himself said he thought it was pretty good. If only the whole thing had stuck together more solidly, and not come off so naff compared to the book. ***