Really Surprised!

Best movie of this year hands down!

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

This film is so real. It treats its characters with so much care and sensitivity.

Oliver Reed looks like he is ready to continue his memorable turn of Bill Sykes in this so called thriller. Trouble is that he has been thrown into an absolutely muddled stinker along with Richard Widmark.Widmark is supposed to be Jewish here living in Israel as a retired CIA agent. The only things we can relate to Widmark and Judaism was that his ex-son-in-law was Sandy Koufax and he was absolutely brilliant as the prosecuting attorney in "Judgment at Nuremberg," 15 years before he made this ridiculously confusing film.Gail Hunnicutt plays the girlfriend of both Reed and Widmark. She tends to play both ends until it's discovered what her real game is and she pays for it with a bullet. The same bullet needed to be shot into this awful script.As an agent who defected to the Soviet Union, Reed wants to come back to the American side and this causes havoc. However, the film never explains why Widmark is also marked for death.The ending scenes as the duo attempt to flee to Jordan are so dark that you can't see anything.Absolutely miserable production. Assaf Dayan, the son of Moshe, appears in this film, but he is hardly noticed.

A spy story filmed in Jerusalem with Richard Widmark and Oliver Reed, supported by Sam Wanamaker has all the makings of an interesting movie at least but which this film abjectly fails to realise. There is a sort of a plot but it is hard to follow, based I think on the idea that the CIA and the KGB in cahoots are bumping off their ex-agents so they can't talk about their past. Which just seems silly. Oliver Reed is the next on the list and he calls on retired agent Richard Widmark to help. Both male actors do their best but are defeated by the script. It doesn't help that Oliver Reed is strangely dubbed. Gayle Hunnicut is given a thankless role.The star of the film is the city of Jerusalem itself, being much more interesting than the plot unfolding in it. One kept thinking, get those actors out of the way so I can enjoy the scenery. Peter Collinson was an average director and this is a very average film.

A pretty good cast with lots of delightful bad guys. But what's the point. Who's who and what do they want? That's the problem. This is a mishmash of intrigue and espionage where we can't tell the characters without a program. We assume we are pulling for Richard Widmark and Oliver Reed, but we can't be sure. What makes a real spy story work is knowing the real milieu that is put forward. If everyone is flip-flopping back and forth within the story and if we don't have an identifiable end, we can't sense the suspense. I just couldn't get into this film. I like Reed and Widmark; they are two wonderful actors, but this must have been thrown together. The pyrotechnics are laughable. They use the old rule, if you can't come up with a plot, use a bunch of car chases. When all is said and done, who are these people answerable to. Is he CIA corrupt or is there a visible entity for us to fear. If there is, it's never brought forward in this film.

In this work filmed entirely in Israel, Richard Widmark gamely portrays Sam Lucas, a "retired" CIA operative who discovers that he is involuntarily back in action due to the sudden urging of his former initiate Gabriel Lee (Oliver Reed) who has been turned by the Soviet Union and now wants to come back into the American fold, not realizing that both players in the game have sent assassins to Israel to eliminate him, and Lucas as well. The direction is flabby with undue emphasis being placed upon silly and, naturally, superfluous stunts and car chases, with an inappropriate free hand being given to Gayle Hunnicut, playing the wife of Lucas and former lover of Lee, whose melodramatism proves distortive for what should be the critical scenes in this leaden affair, while the pudgy Englishman Reed, ill-advised to strip to the waist, has his lines dubbed in order to present an acceptable American accent.