The Spanish Main
The Spanish Main
NR | 01 October 1945 (USA)
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Laurent van Horn is the leader of a band of Dutch refugees on a ship seeking freedom in the Carolinas, when the ship is wrecked on the coast of Cartagene, governed by Don Juan Alvardo, a Spanish ruler. Alvarado has Laurent thrown in prison, but the latter escapes, and five-years later is a pirate leader. He poses as the navigator on a ship in which Contessa Francesca, daughter of a Mexican noble, is traveling on her way to marry Alvarado, whom she has never seen. Laurent's pirates capture the ship and Francesca, in order to save another ship, gives her hand-in-marriage to Laurent, who sails her to the pirate hideout. This irks his jealous pirate comrades Anne Bonney and Captain Benjamin Black. They overpower Laurent and send Francesca to Alvarado, and then Mario du Billar, a trusted right-hand man, makes a deal to deliver Laurent to Alvarado.

Reviews
Freaktana

A Major Disappointment

Hadrina

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Ezmae Chang

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Lachlan Coulson

This is a gorgeous movie made by a gorgeous spirit.

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brendangcarroll

Paul Henreid apparently wanted his home studio Warner Brothers to make this, but in 1944, that studio was firmly committed to making large -scale war films, and besides, its number one star was Errol Flynn who was (and is) THE swashbuckler. So Henreid took it to RKO and, through a contractual sleight of hand, negotiated his release from Warners to make it at this normally low-budget studio. He should not have bothered.The main problem with the film is that its central role is miscast. Henreid is both too effete and a bit too old for the part, and next to Miss O'Hara (who as usual, looks ravishing in colour) rather bland and lifeless. He is also clearly doubled in some of the duels.The music score by Hanns Eisler (a surprising choice) is gestural note-spinning with not one memorable theme to sweep us along. He should have watched The Sea Hawk and listened to Korngold's thrilling score to see how this should be done.As usual, Walter Slezak effortlessly steal every scene he is in and is a delight. When he is not on screen, the film sags. No wonder he was cast in so many similar roles in the 1940s.This was RKO's first colour film but most prints I have seen are very poor - either faded, or overly gaudy as a result of the three-strip technicolor separations becoming unstable and running together. It is unlikely to be restored as I doubt the original elements survive.The ingredients were all there but refused to gel somehow. Maybe if Jack Warner had said yes, it might have been better - and Korngold would have jumped at the chance I am sure! The supporting cast is full of familiar faces (J.M.Kerrigan, Jack La Rue, Curt Bois, Mike Mazurki, Antonio Moreno) and they provide some badly needed substance in this weak entry in the genre.

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allans-7

I thought this movie was a lot of fun, with some memorably witty lines (mostly delivered by Walter Slezak) that are referred to elsewhere on this site. I wonder if these were from Herman J Mankiewicz, who co-contributed to the screenplay - he certainly was talented enough.All of the criticisms of it that are mentioned in other comments are true - it does have a familiar story line, obvious sets / model shots / backgrounds and some clunky dialogue and acting.However these criticisms to me they don't really matter - it is a movie designed to entertain and provide enjoyment and it succeeds perfectly well at doing this.By the way - the 'real' shot of the coastline I'm sure I've seen in other movies. Must have been close to Hollywood.

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willrams

I saw this on TV TCM today and will always enjoy the exciting story of the Spanish Main; with beautiful musical score and scenes rather well staged. Maureen O'Hara and Paul Henried are great! The scene stealer of course is that great character actor Walter Slezak, who plays a mean egocentric governor, but who gets it in the end. The duelling scenes are particularly good, and Paul Henried does a good job duelling. Binnie Barnes, who I remember so well in early films was especially great as a woman pirate

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Ishallwearpurple

What fun!! Get some popcorn (or nachos in this day and age) and just hunker down for a evening of fun and romance. Maureen O'Hara at her red-haired best as the aristocratic lady, and Paul Henreid the swashbuckling pirate have a merry romp in this film. The villainous Walter Slezak is so very good being bad.All in all, for this type of film from 1945, a pleasure to watch. It all comes out in the end with a beautiful sunset, the lovers together and all is well as the music rises. What more can you ask for an hour and a half of your time?

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