SERIOUSLY. This is what the crap Hollywood still puts out?

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The best films of this genre always show a path and provide a takeaway for being a better person.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Bond second hand imitation with ugly bad actors, without any charm and a confusing plot. The director, Maurice Labro made one year before, a better Bond imitation, "Coplan prend des risques", with the beautiful Virna Lisi as a Coplan(the French equivalent of Bond) girl. Ray Danton, former Sandokan, was good at remaining Sandokan and not trying to mimic Sean Connery. The charm of Wolfgang Preiss and Charles Regnier (both formerly in Mabuse) and Horst Frank, does not save the cheap script. Pascale Petit is too petite(small, in French) for sex appeal. And Roger Hanin, I never liked him in anything.

"Code Name: Jaguar" is a lot like its lead: it gets the job done, but doesn't stand out in the crowd. Ray Danton is athletic enough to play a superspy, but he doesn't have the flair of some of his competitors in the field. Roger Hanin is much better here as a sidekick to Jaguar than as agent Tiger in his two Chabrol-directed spy flicks. Pascale Petit (Code Name: Kitten!) and Helga Sommerfeld are gorgeous; their (verbal) antagonism for Jaguar's affections is very funny; Petit's character seems to be trained in judo, but she barely gets to use it - a damn shame! None of the other characters stand out particularly, and the same goes for the action sequences, which are, however, adequate. And that's probably the right word for this entire film: adequate. ** out of 4.

This is one of those many Bondesque ersatz which Europa made by the dozen after Sean Connery hit the big time on the planet.There was OSS 117,Coplan ,and a lot of others.It would be unfair,though,to write that Maurice Labro jumped on the bandwagon:he made a Coplan movie in the fifties ("Action Immédiate" ) and another one in 1964,the same year as "Goldfinger".This one takes place in Spain and is ,like the sub-Bond flicks ,terribly dated.The Russians are the villains,period.Whereas the hero is loyal ,witty (would be witty more like) ,and almost invincible (in a fight against three bulldozers ,he wins hands down),the Soviets are treacherous,they do very nasty things such as brainwashing,which makes some of the final scenes sound like a poor man's "Manchurian candidate" .As the traitor goes on repeating "I saw the light! I believe in socialism!" there's a strong anti-commie feel .Virgin Mary is more reliable though (particularly La Maquarena) Like in many spy thrillers of the era,the cast is international:the "Larson girls" are French (Pascale Petit ,whose career was on the wane at the time)and Spanish, the hero's pal is French (Roger Hanin) and the hateful aliens are often German (Horst Frank,who was almost always cast as a villain ,cause he really looked the part) Those who feel nostalgic for the spy thrillers of the sixties can have a look.It's harmless.

This is the most serious of the three contributions Ray Danton made to the sub-genre of European spy movies, the other two being Secret Agent Super Dragon (66) and Lucky the Inscrutable (67). While still being light-hearted in nature, this film at least acknowledges the deaths of human beings in the line of duty. Danton is Jeff Larson, who, his boss says can be trusted `with anything except, of course, my own daughter.'If you're in the mood for a fast moving, enjoyable adventure with a good cast, check this out. You won't be disappointed in these Bondian antics. Larson is. uhm, well as he would put it, `Don't strain yourself, baby. No one's come up with the right word yet!'