The Swordsman of Siena
The Swordsman of Siena
| 19 October 1962 (USA)
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A 16th-century Spanish overlord hires Thomas Stanswood (Stuart Granger) to protect his, less than eager, fiancee (Sylva Koscina) from rebels. Thomas finds himself drawn to both the fiancee and the rebels side.

Reviews
Sammy-Jo Cervantes

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Matylda Swan

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

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Marva-nova

Amazing worth wacthing. So good. Biased but well made with many good points.

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Haven Kaycee

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

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charles-p-hall

At first glance this movie doesn't have much going for it. Like Michael Caine, Stewart Granger made some turkeys and the Italian cast is mostly unknown to Americans. But I tuned in to see if Sylva Koscina was as beautiful as she had been in the Hercules movies with Steve Reeves. She's certainly a beauty, but somewhat upstaged by the young and beautiful Christine Kaufman. Granger's lines are good and he delivers them well. There are several excellent sword fights, one in a barn with some very slick moves. The plot's a bit obtuse, but the bad guys are pretty bad so you know who's on which side. The ending is little bit of a let down as you were hoping for Stewart himself to run the beggars through, but it's OK. Christine kind of steals the rest of the show and does a fine job as a very idealistic young woman. So give this one a watch. I enjoyed it much more than I expected.

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boblipton

This fairly standard Italian swashbuckler is considerably enlivened by two factors: the presence of Stewart Granger, one of movie's great swordsmen who actually was a good swordsman -- only Basil Rathbone was better. The swordplay in this movie is very real -- although the casual moviegoer might not understand the seemingly motionless pointwork, it is very well shot.The other high point of the movie is the horse race, the famous Pallio of Siena. Although the real Pallio is a bareback race, this version of it is shot very excitingly with some nice point of view shots and excellent stuntwork.Although I viewed an excellent print, it was dubbed, and therefore a bit hard to judge most of the performances. The costumes are excellent and the result is a surprisingly good Italian potboiler.

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blakduke

This one of the best of the genre. the swordplay is fantastic and the costumes excellent. the only fault i find is the dubbing. The plot is a bit thin but who cares. If you like swordplay the technical aspects of this film are hard to beat. The character that Granger plays is one that he seems to be at home with. The wit and banter between him and his co-star are funny and to the point. The film lacked only the final duel, between Granger and the villain. The end I felt was anti-climatic. However the beauty of Sylva Koscina more than makes up for the films shortcomings. In my opinion they could have come up with someone other than Christine Kaufman for the secondary female role.

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Jaap_Zuurkool

It's about an 16th-century english swordsman who has to protect a noblewoman. She is not particularly interested in having a protector. The noblewoman lives in an italian village where the people live under the reign of a dictator. There is also a secret group called 'The Ten', which is trying to free the village. When the swordsman sees what is going on he switches allegiance...

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