If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
View MoreI wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
View MoreThe film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
View MoreThrough painfully honest and emotional moments, the movie becomes irresistibly relatable
View More"Ninety years ago a lonely traveller boarded the night train from New York to Washington D.C., and when he reached his destination his passage had become a forgotten chapter in the history of the United States. This motion picture is a dramatisation of that disputed journey."The Tall Target is directed by Anthony Mann and written by George Worthing Yates, Daniel Mainwaring (as Geoffrey Holmes) and Art Cohn. It stars Dick Powell, Paula Raymond, Adolphe Menjou, Marshall Thompson and Will Geer. As the above opening salvo suggests, story is disputed, it's based around the so called Baltimore Plot, a plot to assassinate Abraham Lincoln; the tall man of the title who is on the train heading for his inauguration.Set mostly aboard a train, Mann's The Tall Target is a very tight noirish type period thriller that sees Powell's gruff detective try and protect Abe Lincoln from assassins lurking within the confines of the locomotive hauled express. Although a low budget production, there is some smart period detail to enjoy and the cramped setting of the train interiors allows Mann to infuse the story with paranoia and claustrophobic tints. Major bonus is that the makers excellently capture what must have been a powder keg of political uncertainty in 1861, this is born out by the number of interesting characters with a voice aboard this train. Thus the suspense and mystery elements are not confined to being of the obvious variety.With Paul Vogel's black and white photography adding some period bite, and putting the noirish sheen to scenes such as the ones involving smoke, it's a shame that the cast are mostly hit and miss. Powell just about carries off the tough-guy persona, with the scenes shared with Menjou good value, and Geer is the stand out as the jobs worth conductor. Raymond is lovely, but hardly puts a stamp on proceedings, while Thompson is badly inadequate when it comes to putting the threat into threatening situations. But they are only minor itches that fail to derail the film from the tracks, because ultimately it's the story that is the star, a story boosted no end by Mann's taut direction. 7.5/10
View MoreAlthough the film is a work of fiction, The Tall Target is based in part on an actual incident that involved an attempt to assassinate President- elect Abraham Lincoln on his way to Washington to assume the presidency in early 1861. A planned stop in Baltimore was canceled and Lincoln was spirited into Washington in the wee small hours of the morning with no kind of fanfare or publicity, as he put it, 'like a thief in the night'.Anthony Mann directed this 19th century noir type film starring Dick Powell as a New York police sergeant who gets wind of a plot to murder Lincoln in Baltimore. After he confides his suspicions to colleague Regis Toomey, Toomey winds up dead and Powell's more convinced than ever of the rightness of his belief. He boards the train that Lincoln is scheduled to board in Baltimore on to warn him, but Powell's got a lot of people on that train ready to do him in and he doesn't know who to trust.The Tall Target is very similar to Mann's other classic Winchester 73 in the tautness of the direction and script. There isn't one wasted frame of film in The Tall Target and the suspense is kept throughout, even though history tells us Lincoln dodged a bullet that day. Mann assembled a very strong supporting cast for Powell that includes Adolphe Menjou as a militia colonel called to the colors, Leif Erickson as a Bowery tough, Will Geer as an officious conductor, Marshall Thompson as a southern hothead and resigned West Point cadet and his sister Paula Raymond.Best performance in the film though is that of young Ruby Dee who plays a slave to Thompson and Raymond traveling with them. She proves to be the only real friend Powell has on the train. It's a quiet understated performance of dignity and strength.By the way in case any of you are wondering why she doesn't just run away and claim her freedom, a couple of things stops her. The Dred Scott decision for one which obliterated the Missouri Compromise of 1820 with the northern free and southerns slave states and the new Fugitive Slave Law from the 1850 Compromise. However Dee knows that freedom is coming her way and soon.The Tall Target is one excellent film, one of the best from Dick Powell when he decided to stop making musicals. Catch it absolutely.
View MoreHaving collected an off-air recording of this film I now make sure to watch it at least once per year. Why? It's almost perfect.A New York police detective stumbles upon a plot to kill President elect Abraham Lincoln en route to Washington for his inauguration. The plotters plan for multiple gunmen to assassinate Abe whilst he is speechifying in Baltimore.Having failed to convince his superiors that the plot is real, the cop hands in his badge and takes "The Flyer" - an overnight train from New York to Baltimore. The bulk of the film concerns his efforts to find out more details of the plot, and figure out which of his fellow passengers are part of it. Having done so, he must stop them from bumping him off or getting him locked up until it's all over. It's a great plot, extrapolated to some unknown degree, from real events.For me, the film has a quality that should put it right up there with other film noir classics such as "The Big Sleep". You actually feel the cop's physical desperation that he must stop the conspirators, and you feel their fanaticism to succeed. Dick Powell as the cop (Ironically called John Kennedy) carries the film superbly. Will Geer (he eventually played the Grandfather in "The Waltons") is completely believable as the harassed train conductor. The more minor characters (such as the driver/engineer and some of the non-principal passengers) are given depth and motivation to a degree that is quite unusual.The settings feel like a train, rather than a set being rocked gently by a set of burly teamsters. The external train shots are mostly real, not the usual laughable model shots you get in many train films of this vintage. In fact, overall, the technical competence of the whole production is top notch. The photography, lighting, sound, visual effects and sets are of a very high calibre indeed.Even if you are not usually given to watching movies as old as this one, I urge you to track this one down - it's well worthwhile.Alan T.
View MoreOkay this film the Tall Target may not be historically accurate but it is based on a situation that occurred on the Abraham Lincoln Inaugural Train.. It is an excellent movie brilliantly directed by Anthony Mann It is a film that was way ahead of its time.. Dick Powell stars and gives an outstanding performance Differrent than most of his film noir films of that era.. I was watching TCM @1am this morning (insomnia was setting in) when their brilliant host Robert Osborne announced and described this unusual film that most people had never seen or heard of! But he recommended & once again Osborne was correct. Wonderful powerful film made years before Suddenly and a decade or so before The Manchurian Candidate (other films dealing with presidential assassinations)The writers & director took an incident from history and created a fictionalized yet believable and riveting film .Is great definitely worth seeing & seeing a very young Ruby Dee in a small but important role as a loyal but concerned 'slave" also Leif Ericson and Barbara Billingsly (Beavers mom) have minor but important roles..& Adolphe Menjou is outstanding and quite believable a corrupt military official Powell is really good in this film A great surprise Don't Miss, another hidden gem revealed from the TCM film library.Thank you Ted Turner and Robert Osborne
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